Bodies

It is a truth universally acknowledged that any plot involving time travel, especially any that attempts to deal with the so-called grandfather paradox, will necessarily be so full of holes that, if it were a fishing net, only the great whales would be endangered by it. In that regard, Bodies certainly does not disappoint, piling impossibility upon impossibility at a head spinning pace. However it is the panache and insouciance with which such concerns are dealt that determines whether a show will emerge battered to death or greatly loved. With great performances from the lead characters, particularly Jacob Fortune Lloyd as the thoroughly corrupt wartime cop whose heart is melted by a child (a charming live-action debut for Chloe Raphael), and a brilliant script that revealed only as much as necessary at each stage and kept you guessing until the very end, Bodies easily triumphs over its unavoidable absurdity.

Hokum but I enjoyed it all except the WWII London police car sirens which weren't fitted until 1963 when they also introduced the blue flashing beacons. They just had bells but like all science fiction fans I do tend to be obsessively pedantic. I was prepared to accept all the other minor errors but those police car bells are a sound of those times which transport me back in time which the film makers missed. I suspect that those not liking science fiction will find the plot difficult to follow and the continual time shifts confusing but the production isn't made for non science fiction fans so if this isn't your style, don't bother struggling with the plot. :-)

I am enjoying the series, if I close my eyes during the gorey scenes where history is being mutilated....

It's impossible to be 100% accurate, but sometimes the mistakes are distracting. Like many contemporary productions, this series fails to understand how people behaved in the past. There are two instances in particular that particularly stand out.

In 1890 London, the molly house with two men dressed up in corsets on the street simply wouldn't have happened in daylight in front of the police because they would have been immediately arrested. It wasn't okay to act gay in any way in public in 1890.

The other most egregious errors occur in the 1941 blitz scenes, with people screaming and running for shelter from their apartments while bombs are falling in the neighbourhood, and the crowds then being denied access to an underground station for shelter. Anyone who has ever talked to anyone who lived in London during the Blitz knows that Londoners were prepared and calmly resigned to the bombings. There were usually many minutes between the first alerts and the first bombs - enough time to make a thermos of tea and dress warmly. There were also alternate street-level shelters to the undergrounds, and many people just defied fate and waited it out at home. As well, the cars have too much light being projected from the head lamps, and the detective's apartment had no blackout curtains, so sitting in the apartment with the lights on was illegal, and he would have been fined or arrested. Covering light from windows would have been tested in drills by ARP officers from the home army in the early months of the war, well before the Blitz began.

It's too bad these blatant errors exist because they pull down the quality of the production. Period set films really need historians to check basic facts, and directors need to LISTEN to them.

Bodies was much better than I thought it would be. It's one of those shows where you need to watch it and not be doing other things while watching. Pay attention because the story really pays off. Each episode just got better and better. The entire cast was fantastic, they really pull you into the story. Every episode just continues to add pieces of the puzzle in such intriguing and entertaining ways. I couldn't stop watching, I binged all 8 episodes in less than two days. After just finishing it I'm thinking of watching it again because now that I know the ending I think it would be fun seeing all the stuff I missed.

As a weaving of four stories this works well. The sets are great and even the thirty years into the future thread wasn't too out there.

There are a few good characters, some good light and shade and some that develop nicely as the series progresses.

Everything starts with a body being discovered in a lane in London and develops with four different time lines, Victorian, World War Two, present day and thirty years into the future. At first there is a lovely kind of what-is-going-on feel to the story, but come the middle of it, you realise that it's just the same thing that's been done so many times in so many other sci-fi programmes and films that it becomes more and more disappointing and eventually so incredibly and sadly predictable.