Girls Will Be Girls
- 2024
- 1h 58min
VALUTAZIONE IMDb
7,1/10
2864
LA TUA VALUTAZIONE
In un collegio situato ai piedi dell'Himalaya, la diciottenne Mira scopre per la prima volta il desiderio e il romanticismo. Il suo raggiungimento della maggiore età la sorprende perché non ... Leggi tuttoIn un collegio situato ai piedi dell'Himalaya, la diciottenne Mira scopre per la prima volta il desiderio e il romanticismo. Il suo raggiungimento della maggiore età la sorprende perché non è mai diventata maggiorenne.In un collegio situato ai piedi dell'Himalaya, la diciottenne Mira scopre per la prima volta il desiderio e il romanticismo. Il suo raggiungimento della maggiore età la sorprende perché non è mai diventata maggiorenne.
- Premi
- 21 vittorie e 30 candidature totali
Megha Aggarwal
- Tina
- (as Megha Singh Aggarwal)
Recensioni in evidenza
Absolutely obsessed with Shuchi's work-what an incredible talent! I loved "Girls Will Be Girls" from start to finish. There were some truly scream-out-loud moments (I even got shushed in the theatre at Sundance London). The sharp social commentary on mother-daughter relationships was brilliantly executed (the chai scenes broke my wee heart). The 'realness' of young female sexual awakening (the teddy scene) was amazing as it's so rarely seen on screen! The characters were complex and relatable, making the story both engaging and thought-provoking. I can't wait to watch and analyze it all over again. The cinematography, in particular, was exceptional, capturing the nuances of each scene beautifully. Shuchi has truly crafted a masterpiece with this film.
Coming-of-age films often face the challenge of portraying the teenage perspective authentically while balancing the unfiltered wisdom of older generations. This film walks that tightrope with near-perfection, capturing the complexities of generational divides and emotional truths.
As a love letter to womanhood and its subtle nuances, unfortunately I can only sympatise with its message. But its emotional depth still resonated. Moments of quiet power gave me chills, and I found myself tearing up toward the end-a testament to its maturity and impact.
Unlike most coming-of-age films that lean on soaring scores to heighten emotions, this one finds beauty in silence. The lack of music, coupled with sharp, subtext-rich dialogue, potrayed with long wide static camera shots speaks volumes without saying much at all. Watching it on the big screen was a delight, made even more memorable by meeting the lead actress who is a true force of nature in this.
Highly recommended.
As a love letter to womanhood and its subtle nuances, unfortunately I can only sympatise with its message. But its emotional depth still resonated. Moments of quiet power gave me chills, and I found myself tearing up toward the end-a testament to its maturity and impact.
Unlike most coming-of-age films that lean on soaring scores to heighten emotions, this one finds beauty in silence. The lack of music, coupled with sharp, subtext-rich dialogue, potrayed with long wide static camera shots speaks volumes without saying much at all. Watching it on the big screen was a delight, made even more memorable by meeting the lead actress who is a true force of nature in this.
Highly recommended.
But to tell that, the film raises your expectations and slaughters them using its own hands. There's a nice group of actors, and a lucky handy teddy bear. But this is nothing new. And children nowadays experience such a phase much earlier in their lives. So while watching it, most of us can get a glimpse of some irrational delusions of the director.
I can understand it's compulsory to speak in English inside the institutions but the film itself here is the institution. Language matters a lot, and that's a reason why it can't reach out to many. Sometimes it feels like Bombay with mountains. Local dialect exist krta hai?
Anyways, makers should talk with students directly, make a nice use of their experiences.
Nice attempt, best wishes.
I can understand it's compulsory to speak in English inside the institutions but the film itself here is the institution. Language matters a lot, and that's a reason why it can't reach out to many. Sometimes it feels like Bombay with mountains. Local dialect exist krta hai?
Anyways, makers should talk with students directly, make a nice use of their experiences.
Nice attempt, best wishes.
Well, I haven't watched any of Shuchi Talati's short films yet, so this is my first exposure to her work. And I must say, she exhibits the finesse of a seasoned filmmaker in the coming-of-age drama genre. She's able to extract exceptional performances from her lead trio (Preeti Panigrahi, Kani Kusruti, Kesav Binoy Kiron) and offer very nuanced takes on a conflicting mother-daughter relationship, a teenage romance that gradually leads to sexual awakening, and a mother who's yet to truly come of age herself. I'm not one to complain of its unhurried pacing, minimalist score (the lack of which actually contributes more to certain scenes), and English-speaking characters in mostly non-English-speaking environments.
The boarding school setting does feel like it's part of a distinct universe, but the emotions portrayed in the film are very candid and honest. I particularly loved the plot progression-Mira's urge to understand (and quench) her sexual needs, being heckled by some of her peers at school, trying to avert her boyfriend from giving too much attention to her mother, and figuring out whether her love is just "puppy love" or "big-dog love." When a film doesn't offer answers to every question, it leaves room for further thought. Girls Will Be Girls deserves a lot more attention in my eyes.
The boarding school setting does feel like it's part of a distinct universe, but the emotions portrayed in the film are very candid and honest. I particularly loved the plot progression-Mira's urge to understand (and quench) her sexual needs, being heckled by some of her peers at school, trying to avert her boyfriend from giving too much attention to her mother, and figuring out whether her love is just "puppy love" or "big-dog love." When a film doesn't offer answers to every question, it leaves room for further thought. Girls Will Be Girls deserves a lot more attention in my eyes.
The movie has your attention from the first scene, they get everything right the casting, the location, the costumes, everything!!, But this movie takes its time to build up to what it's trying to tell you. How a young
girl Mira is exploring her sexuality and love in this patriarchal world. Yet, it is one of the best school romances made in India.
Plot of th movie revolves around Mira, the head prefect of her school, she dealing to meet with her, her parents and her teacher's expectations of her school results, maintaining a decipline in her school irrespective of them being her friends but at the same time she is exploring herself. This coming of age movie is similar to most coming of age movies but has got almost everything right!!
I am stealing: every one has their key, you just need to find them, and ofcourse the school romance, the tention of the first kiss.
Plot of th movie revolves around Mira, the head prefect of her school, she dealing to meet with her, her parents and her teacher's expectations of her school results, maintaining a decipline in her school irrespective of them being her friends but at the same time she is exploring herself. This coming of age movie is similar to most coming of age movies but has got almost everything right!!
I am stealing: every one has their key, you just need to find them, and ofcourse the school romance, the tention of the first kiss.
Lo sapevi?
- Colonne sonoreTake it or leave it
Written by George Robertson Mcfarlane, Mary Carewe
Performed by George Robertson Mcfarlane, Mary Carewe
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 17.156 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Proporzioni
- 1.44 : 1
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