Stadt Land Fluss

One of the movies not to be missed. This is not your standard movie with a generic plot/storyline. The movie jumps straight into the lives of 2 young farmers. Using the farming industry as their setting, you quickly immerse yourself in their normal lives. Tough work and work friends who belonged to a different social circle.

Some of the best scenes in this film does not need words, they were meant to be felt. Let yourself sit in the shoes of the main characters and you will understand. So subtle yet it reflects our daily lives; the mundaneness, the yearn for a connection, the attraction to the same sex, the fear of societal rejection.

I always watch this film when I feel down, when hope seemed lost and turn it into a smile before I go to bed. Watch it.

"Harvest" is a minimalist docu-drama concerning life in a German farming community. Utterly realistic production that uses a cast of mostly non-professional actors, to show, without any silly pretensions, the lives of two guys who discover they have some deep emotions for each other, in the midst of a very unlikely environment. The look of the film is beautiful, in the same vein as the early works of Peter Weir, and the German countryside, filmed mostly in the early morning, seems to be shrouded in rays of sunlight. Marko decides to give up a career as a banker in the city, to pursue a career that will bring him closer to the land. Thus an uncomfortable friendship begins with Jakob, another young guy, training to be a farmer, but not really happy with the life. The tension builds as the two realize their feelings for each other go beyond friendship, but each is unsure of how the other is feeling. And in a rural setting like that, neither one wants to take the first step. When it finally happens, a world opens up for them both, as they steal a car and drive to Berlin, where they can be more comfortable to explore their emotions.

The fact that two people can find each other in such an environment is a true miracle. "Harvest" is perhaps one of the only gay-themed films that is completely without pretensions, totally without those silly and insulting gay stereotypes. Also, this German film succeeds where the similar-themed "Brokeback Mountain" fails, in that it avoids the usual pitfall of ending in shame and tragedy. It is very nice to see a romantic story about a same-sex couple, where someone doesn't end up getting gay bashed or dying of AIDS or some crap. Yes, this one is totally devoid of that element. And in the end, we are left with an optimistic feeling that these two good guys found each other and that they are going to be OK because of it, rather then punished for their "crime" of caring for each other, like in the melodramatic "Brokeback Mountain." Jakob and Marco are very real guys, and immensely likable. Films like this are very important, as they shatter old stereotypes of how gay people look and behave. I notice a lot of people did not like the film; they called it "boring," and made fun of the farming element. Well I'm guessing that these people might be of the stereotype kind of gay men, who can only relate to nightclubs, drug taking and rampant sex between strangers. I think these people are a bit outdated. I highly recommend this amazing and lyrical film; it is truly unique. Just don't expect a theme song or any drag queens. Don't expect sex scenes either; you won't find it here. what you will find is a slice of real life.

What a terrific film that blurs the boundary between documentary and fiction - the director used nonprofessional actors for all but the two leads. A very moving love story that happens to be between two young men - probably the most touching I've seen in a while, mainly because it is subtle and mostly told through glances and gestures. This is not a film about gay culture - it's about two people living/working in a traditional farming community who are faced with a growing attraction to each other and do end up coming together. Luckily no great drama/punishment ensues a la Brokeback. The leads have amazing chemistry - kudos to the director for the casting. It's probably too slow for most tastes, but for me, it was perfect and if anything too short.

It is known and understandable that German character is not a French or Spanish one, being sedate and tardy, but combination of "sensitive" topic and agricultural environment was apparently not the best idea to keep the film going. True, we obtained a rather good overview of rural economy in contemporary Germany, thoughts and goals of interns, etc., but its overall pace remained too slow, and even "brighter" moments were shown in a gray and hectic manner. There are very few creations I know where virtually-nothing-happening can be fascinating (e.g. The Station Agent).

The main characters and performances are rather good, but there are lots of other, documentary-like figures, whose role and meaning is schematic. So are some scenes and events, particularly when a static locality movie become an insipid road movie.

Well, as for the topic in question, I would recommend Freier Fall - much more versatile and concise. Stadt Land Fluss did not impress me much, although I liked the ending - at least 1 additional point for this.

I loved this movie. The first time Jacob and Marko sit in the abandoned car is one of the most beautiful scenes I have ever seen in any movie, and they hardly say a word; it's all in their eyes and in the way they move. Kai Michael Müller (Jacob) is especially appealing, but both guys are excellent. This movie is far more sensual than movies with nudity and sex (Harvest has none of either).

I should give up trying to understand why other people don't like the same things I do. I can't imagine thinking this movie is slow or boring or dull. I watched it all the way through in one sitting because I simply couldn't break myself away from it. So much was happening that I didn't want to miss any of it. I've seen over a thousand movies in the past five years, and I could count on one hand the ones I've watched in one sitting.

There is no violence in it at all, and only the very briefest flash of hostility from a passing stranger. Nearly everything that happens happens within and between the two lead characters; and even when it is difficult (as it is most of the time for Marko) it is always tender, never violent. Maybe that's why it bores people.