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IMDbPro

C'era una volta in Anatolia

Titolo originale: Bir Zamanlar Anadolu'da
  • 2011
  • T
  • 2h 37min
VALUTAZIONE IMDb
7,8/10
52.377
LA TUA VALUTAZIONE
C'era una volta in Anatolia (2011)
A group of men set out in search of a dead body in the Anatolian steppes with a suspect who claims he canÂ’t remember where he buried the body. As night wears on, details about the murder begin to emerge and the investigatorsÂ’ own hidden secrets come to light.
Riproduci trailer1: 37
1 video
56 foto
Cop DramaPolice ProceduralPsychological ThrillerCrimeDramaThriller

Un gruppo di uomini parte alla ricerca di un cadavere nelle steppe anatoliche.Un gruppo di uomini parte alla ricerca di un cadavere nelle steppe anatoliche.Un gruppo di uomini parte alla ricerca di un cadavere nelle steppe anatoliche.

  • Regia
    • Nuri Bilge Ceylan
  • Sceneggiatura
    • Ebru Ceylan
    • Nuri Bilge Ceylan
    • Ercan Kesal
  • Star
    • Muhammet Uzuner
    • Yilmaz Erdogan
    • Taner Birsel
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,8/10
    52.377
    LA TUA VALUTAZIONE
    • Regia
      • Nuri Bilge Ceylan
    • Sceneggiatura
      • Ebru Ceylan
      • Nuri Bilge Ceylan
      • Ercan Kesal
    • Star
      • Muhammet Uzuner
      • Yilmaz Erdogan
      • Taner Birsel
    • 137Recensioni degli utenti
    • 194Recensioni della critica
    • 82Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 21 vittorie e 34 candidature totali

    Video1

    U.S. Version
    Trailer 1:37
    U.S. Version

    Foto56

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 52
    Visualizza poster

    Interpreti principali24

    Modifica
    Muhammet Uzuner
    • Doctor Cemal
    Yilmaz Erdogan
    Yilmaz Erdogan
    • Commissar Naci
    Taner Birsel
    Taner Birsel
    • Prosecutor Nusret
    Ahmet Mümtaz Taylan
    Ahmet Mümtaz Taylan
    • Driver Arab Ali
    Firat Tanis
    Firat Tanis
    • Suspect Kenan
    Ercan Kesal
    Ercan Kesal
    • Mukhtar
    Erol Erarslan
    • Murder Victim Yasar
    Ugur Aslanoglu
    • Courthouse Driver Tevfik
    Murat Kiliç
    • Police Officer Izzet
    Safak Karali
    • Courthouse Clerk Abidin
    Emre Sen
    • Sergeant Onder
    Burhan Yildiz
    • Suspect Ramazan…
    Nihan Okutucu
    • Yasar's wife Gülnaz
    Cansu Demirci
    • Mukhtar's Daughter Cemile
    Kubilay Tunçer
    • Autopsy Technician Sakir
    Salih Ünal
    • Hospital Cook Hamit
    Aziz Izzet Biçici
    • Restaurant Owner Kazim
    Celal Acaralp
    • Pharmacist Saim
    • Regia
      • Nuri Bilge Ceylan
    • Sceneggiatura
      • Ebru Ceylan
      • Nuri Bilge Ceylan
      • Ercan Kesal
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti137

    7,852.3K
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    10

    Recensioni in evidenza

    10tgreen-233-175311

    Totally Unexpected Take on a Police Procedural

    I think this is the best movie of 2011 so far. A very different, but brilliantly conceived three part police procedural that is really a character study of two men and how they each deal with the past. In many ways, I had a similar experience here to what I have when I read a really good novel. The characters are rich and complex, often funny, and thoroughly believable. Nothing is crammed down the audience's throat, yet there is so much detail and nuance that it becomes easy to see the two men for the basically good, complex people they are. This is a movie that respects the audience's intelligence. It is also a movie that is easily among the best shot and edited of the year. In fact, it is hard to think of a single thing that I would suggest to improve the film. I have seen other Ceylan films, but nothing of his has ever had the depth, nuance and humanity of this one.
    8MertBer

    You will not be spoon fed, you will be on this journey as an inanimate object. So Observe

    I just watched this at the Melbourne Film Festival, I found it quite good. It terms of narrative it was quite a mysterious journey for the audience, the audience as the picture began were in the dark and begun discovery the means of the story non-overtly. This sometimes works and sometimes doesn't, But that of course applies to all forms of narrative may it be Barry Lyndon where you know the fate of Barry but are still enthralled with the story or a movie such as this, some of the audience (Many people left the theatre through the course of the film) can feel tedious with this approach accompanied with various long Tarkovsky-esque takes, however I think it was quite interesting, it's as if a camera just accompanied this search of the everyday case of a local Turkish law enforcement. I had some preconceptions about the film, I thought it was going to be quite stark and gloomy, in the likes of No Country For Old Men (Which is a brilliant film), however it proved to have a myriad of scenes with humour and it acted like a beacon of light for the sombre setting the movie is placed in. This movie had some amazing cinematography, great lighting of the night scenes, only lit by the headlights of the cars and some great shots really capturing the audience. I think the film lacked a score, if I were the director I would have put in a very ambiance oriented score like in Tarkovsky's Solaris, to really unsettle the viewer because it really would strengthen the ambiguity experienced by the characters and audience alike. This film was quite good, yes it is a slow burner, but I think the strangeness of the story and it's concealed nature manages to outweigh it's tediosity. 8/10 from me.
    10sarajevo-2

    A long night in the Turkish countryside

    This film won the Grand Prix in Cannes, and it was deserved. A team goes into the countryside to find the body of a murder victim. The team includes the two men accused of the murder,one of whom has confessed and says he wills show them where they buried the body, the police chief, prosecutor, doctor, diggers, and guards. As the night drags on into the next day and the body is not found, the men grow more and more tired. Much of the film is beautifully shot in the dark or semi-dark, lit only by the headlights of the cars or a lamp in the village where they stop to rest. The filming is slow, showing the beautiful countryside and vignettes that wonderfully shed light on the different characters. What seems to be a simple task grows more and more complex; everything in the movie turns out to be more complicated than it first seems. Everyone seems to be guilty of something, so the film becomes a question not only of will the body be found, but who is guilty of what?

    One could say that the film is too slow, but just as the team grows more and more tired, so arewe as the viewers, participating in the fatigue of the team, drawn into the feelings of the characters. Women and children are present only as lovely cameos in the film, but are behind almost everything. The actors are all superb, and it was amazing to me that Ceylan could show such depth and breadth of character and emotion and drama with only a few lines of dialog and amazing closeups of the faces.
    cguldal

    Good and slow, as expected from Ceylan

    Ceylan's films always get criticized for being too slow, and yes, they are slower, sometimes much slower, than what the flickering-advertisement generation is used to today. In Turkey, he is heavily criticized for being "too artsy," inaccessible, and boring. I, on the other hand, marvel at how non-Turkish audiences can actually watch and like his films; it speaks volumes for his brilliant talent in making something so foreign and different a universal piece for everyone to appreciate. The untranslatable colloquial language, the lives of people in remote parts of Turkey with petty worries, a murder investigation that happen in snail pace, the local politics of small, mud-brick villages all become accessible. Combined with his impeccable sense of cinematography and some stellar performances, especially from Yilmaz Erdogan, whom we are more used to seeing in comedic roles, the film shines.

    Why a 7/10, then? Well, I have seen all of Ceylan's films. They all execute the story arc well. They do not have Hollywood endings where everything is neatly resolved, of course, but they usually have some progress and movement through the arc. Somehow, this film lacked that. I felt like the main story arc was not fulfilled. I cannot really explain it; perhaps it was that too many things were left untold, or some "hints" were too vague and just when you thought they will lead somewhere, they didn't? Nevertheless, Once Upon a Time in Anatolia is another cinematic gem from the Turkish master. Highly recommended for those who do not have to have action packed scenes and formula-bound stories to enjoy a film.
    7Buddy-51

    requires patience but definitely worth the effort

    Nuir Bilge Ceylon's "Once Upon a Time in Anatolia" is the complete antithesis to the conventional American crime drama, which routinely features detectives with matinée-idol looks, an assortment of plot twists and red herrings, and a series of breath-bating car chases to keep the masses from bolting for the exits.

    "Once Upon a Time in Anatolia" has none of these. In fact, it features a cast of balding, sagging, middle-aged men - a police chief, a prosecutor, a doctor and two murder suspects - who have gone on a night- long search, through the dour planes of Turkey, in search of a buried body. As the night drags on, the men engage in a series of long, angst- ridden conversations that reveal how their constant exposure to and intimate involvement with the sordid and depraved aspects of the human condition have made them pessimistic and cynical about life. Yet, in the end, at least one of the characters finds a way, through a bit of professional compromise, to bring a little less darkness into the world.

    Meanwhile, at every step in the drama, the movie drains the process of crime detection of all its "glamour."

    It's a long - 157-minutes long, in fact - methodical, and frequently ponderous journey into the heart of darkness, but fine performances and a complete lack of conventionality make it a trip worth taking.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The anecdote about the sudden death of a woman told by prosecutor Nusret and the doctor's deduction come from the short story The Examining Magistrate by Russian writer Anton Chekhov.
    • Blooper
      Naci speaks to his wife on the mobile phone. When his wife hangs up angrily, a dial tone is heard. No dial tone is heard on mobile phones.
    • Citazioni

      Prosecutor Nusret: Ignore Naci. He's just a handful of bees, as my mother would say. All noise and no action.

    • Connessioni
      Featured in The 2013 Film Independent Spirit Awards (2013)
    • Colonne sonore
      Alli Turnam
      Performed by Neset Ertas

      Written by Haci Tasan

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
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    Domande frequenti17

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    Dettagli

    Modifica
    • Data di uscita
      • 15 giugno 2012 (Italia)
    • Paesi di origine
      • Turchia
      • Bosnia-Erzegovina
    • Siti ufficiali
      • Memento Films (France)
      • NBC Film (Turkey)
    • Lingua
      • Turco
    • Celebre anche come
      • Once Upon a Time in Anatolia
    • Luoghi delle riprese
      • Keskin, Central Anatolia, Turchia
    • Aziende produttrici
      • Zeynofilm
      • Production 2006
      • 1000 Volt
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 152.408 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 10.952 USD
      • 8 gen 2012
    • Lordo in tutto il mondo
      • 2.099.472 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 37 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.39 : 1

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