Smash

The production values alone are worth the price of admission, but this is also a show of clichés. You have the gay musical guy with his ever-grinning sycophant, who also came up with the idea for the musical, the harried wife/other musical person, the horny English director, who lives in apartment out of architectural digest, but is lonely and always on the look out for "fresh" faces and bodies to devour. On the other, we like the Indian boyfriend, we love the staging, the songs, the singing. As many have already indicated, it is the casting of McPhee that is the shows biggest issue. Having seen only one show, I only know that I felt she was out of her league, big time. This may be intentional, this may be the catch the producers are creating, and at some point McPhee becomes the smash. It's hard to imagine simply because McPhee doesn't really have the charisma to play the part. I like her, I like her voice, she just doesn't feel right for the part. That said, fun show and a worthy alternative to ever ballooning list of "singing" TV shows.

The cast, level of vocal ability and performance, choreography, and dialogue were all excellent. The juxtaposition and occasional pairing of the two lead singers in competition for the lead in Bombshell really played up the suspense and excitement while highlighting what each brought to the part. It helped that we saw it through the director's eyes - the difficulty in choosing between them.

I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.

I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!

It is so good to have the option to see an upbeat musical instead of being limited to all of the police, vampire, garish and reality shows that have been taking over the networks these days. Katherine McPhee's performance is excellent. She is quite a refreshing actress and singer. The show is nicely geared towards the crowd that is over 16. Glee is much too young for me. I am 61. The show is very well done. The storyline is interesting and kind of reminiscent of the movie Fame. I am eager to tune into the next episode. I will be a loyal fan and hope that Smash becomes a long running show. It makes me smile and sing. We need more shows that can do that.

This was a wonderful series until 2nd Season and the bright bulbs in charge decided to change the cast, change the story line, change the producers and writers and directors and then the show tanked. Second season was ridiculous and made no sense. the songs sucked and the cast had no chemistry and they didn't even finish the storylines. First season was amazing, songs, cast, direction. Why can't the studios leave well enough alone. They get people that thing they can do better and they ruin everything. This show tanked because the bright bulbs at the studio thought they could do better with what was already a fantastic show.

NBC takes it head-on in its ongoing battle with the cable channels with Smash, an edgy take on the inner workings of Broadway. With production values you would expect more from AMC or Starz, Smash is sure to light up broadcast television like nothing has in years.

The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.

There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.

Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.

Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.