Segue una storia di amore, amicizia, dolore e guarigione, su uno scrittore che adotta un alano appartenuto a un defunto amico e mentore.Segue una storia di amore, amicizia, dolore e guarigione, su uno scrittore che adotta un alano appartenuto a un defunto amico e mentore.Segue una storia di amore, amicizia, dolore e guarigione, su uno scrittore che adotta un alano appartenuto a un defunto amico e mentore.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria in totale
Cloé Xhauflaire
- Camille
- (as Chloé Xhauflaire)
Recensioni in evidenza
Reuniting St Vincent (2014) stars, Bill Murray and Naomi Watts, The Friend is a heavy, emotional tale that deals with death, suicide, and perseverance.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
- Watched at the Toronto International Film Festival (TIFF) on Sep. 11th, 2024 (First Watch)
- Format: Regular theatre
The story doesn't know what direction it's taking, which is why at most times it just keeps going on and on which feels like it's never ending and here comes the part where the watcher will feel the long and heaviness of its runtime which is not even long but it seems like that because of the slow and sometimes boring rhythm that the story has.
The dog is for sure the best part of the film. The way it was trained to showcase these emotions and use its body language to tell something is very impressive. I really didn't like the way the story approached Bill Murray's character as it felt very useless. The film to me is more like a story between a dog and a grieving person and not about a suicidal writer who died and left out a dog. It felt very chaotic in this aspect and it could've easily gotten more in depth in terms of this topic or showed a flashback that will support Bill Murray's character. Other than that, nothing more special but overall, a cute and warm film to watch!
I went in expecting a sentimental story about a woman and a big dog, and while that element is definitely there, The Friend surprised me with how layered and restrained it was. Naomi Watts gives a really thoughtful performance-quiet, a little distant, but grounded in real emotion. And Bill Murray, though only present in flashbacks and memory, adds a lot of warmth and depth to the story.
What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.
The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.
Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.
What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.
The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.
Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.
This film really should have been a slam dunk, but somehow it manages to be overly long, barely sentimental or emotional, and lacking in any real connection with the characters.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
I Cannot understand why this movie got a lot of negative reviews. It's idea was pretty understandable after the get go and the developments were also pretty predictable, but it is a movie with a lot of hurt. And one big Danish dog, with such sad eyes.
I liked the duality of the friendship in this movie. From one side Iris lost her best friend and she is chasing his memory through several channels. From the other side, she got another friend instead. One that doesn't need to talk for expressing his feelings, but you can understand exactly what he means, without even opening his mouth.
The details reveal slowly and after all layers are peeled, we are staying with a woman and a dog. And a problem. The twist almost doesn't exist, actually, but the movie's heart is in the right place, and it still manages to get his audience to get excited and maybe even weep.
Bill Murray is almost nowhere to be found, except in the poster of the movie, to attract the attention of potential audiences. But after reading the accusations about him, probably would be better to remove his figure from the movie's poster and leave the stage to both actual main heroes of this movie.
Naomi Watts is absolutely fantastic in this movie. What a comeback after a long time without any good projects, which she had participated in (Penguin Bloom was the last time she had a good performance - it was in 2020). She is accurate and very convincible in a role that is not so easy to perform.
Constance Wu, Carla Gugino and several other fine actors and especially actresses are participating in this movie, that is not any massive news to drama genre, with sub-genre of man's best friend, but it is definitely a good one, that is worth watching.
I liked the duality of the friendship in this movie. From one side Iris lost her best friend and she is chasing his memory through several channels. From the other side, she got another friend instead. One that doesn't need to talk for expressing his feelings, but you can understand exactly what he means, without even opening his mouth.
The details reveal slowly and after all layers are peeled, we are staying with a woman and a dog. And a problem. The twist almost doesn't exist, actually, but the movie's heart is in the right place, and it still manages to get his audience to get excited and maybe even weep.
Bill Murray is almost nowhere to be found, except in the poster of the movie, to attract the attention of potential audiences. But after reading the accusations about him, probably would be better to remove his figure from the movie's poster and leave the stage to both actual main heroes of this movie.
Naomi Watts is absolutely fantastic in this movie. What a comeback after a long time without any good projects, which she had participated in (Penguin Bloom was the last time she had a good performance - it was in 2020). She is accurate and very convincible in a role that is not so easy to perform.
Constance Wu, Carla Gugino and several other fine actors and especially actresses are participating in this movie, that is not any massive news to drama genre, with sub-genre of man's best friend, but it is definitely a good one, that is worth watching.
Lo sapevi?
- QuizSigrid Nunez has stated that she is pleased with how her book is presented in this film adaptation.
- ConnessioniReferences La vita è meravigliosa (1946)
- Colonne sonoreDie Zauberflöte, K. 620, Act 2: 'Pa-pa-pa' (Papageno, Papagena)
Written by Wolfgang Amadeus Mozart
Performed by Catherine Pierard
Courtesy of Parlophone Records Limited
By arrangement with Warner Music Group Film & TV Licensing
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 3.941.217 USD
- Fine settimana di apertura Stati Uniti e Canada
- 67.629 USD
- 30 mar 2025
- Lordo in tutto il mondo
- 4.659.707 USD
- Tempo di esecuzione
- 1h 59min(119 min)
- Colore
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