The Takeover

The Take Over (2022) presents a riveting techno-thriller centered around an ethical hacker who finds herself framed for murder after uncovering a privacy scandal. As she becomes a target of both law enforcement and the criminals blackmailing her, the hacker must navigate a treacherous landscape, evading the authorities while striving to uncover the truth and bring the perpetrators to justice.

The plot weaves a compelling tale of suspense, intrigue, and high-stakes cat-and-mouse games, keeping audiences on the edge of their seats throughout. The protagonist's portrayal, brought to life by the talented lead actress, captures the character's resilience and determination as she grapples with the daunting challenges thrust upon her. The supporting cast delivers strong performances, adding depth and tension to the narrative as the protagonist races against time to clear her name and confront the shadowy forces working against her.

Visually striking, The Take Over captivates with its portrayal of the hacker's digital world, seamlessly blending sleek cinematography with a pulsating musical score that heightens the film's tension and urgency.

Director Simon Kinberg adeptly crafts a narrative that delves into the ethical dilemmas inherent in the digital age, skillfully combining elements of suspense, action, and psychological thriller. The film's well-paced storytelling and seamless editing maintain an electrifying momentum, ensuring that viewers are fully immersed in the protagonist's harrowing journey.

In conclusion, The Take Over is a captivating exploration of technology, power, and the resilience of the human spirit in the face of overwhelming odds. With its compelling characters, intense thrills, and a plot teeming with unexpected twists, The Take Over is a must-see for fans of gripping, high-tech thrillers.

Combine the plots of the Net and Speed, locate them in modern day Rotterdam and replace originals with worse acting and direction and you'll end up with this movie.

This isn't the worst movie and I did manage to watch all the way through with some dozing off during the last inevitable action scene. To excuse my nodding I'd like to say that at this point the plot no longer makes any sense (if it ever did).

If you belong to the minority group of viewers you'll also notice that the cycling routes the main character makes are quite illogical.

The direction and editing are quite okay and the movie moves forward nicely. The acting is not cringeworthy all the time (at least to a foreign viewer) and there are some actually good scenes here and there.

This Dutch cyber-thriller is centred on Mel Bandison; an ethical hacker who has been employed to check the software on a new driverless bus system. She discovers it has been compromised and her work to correct this upsets some very dangerous people. Soon she has been framed for a murder and is on the run from both the police and criminals. If she is to clear her name and find safety she will have to work with other hackers to find the evidence that proves she was framed.

If you've seen just about any other movie featuring hackers you'll spot plenty of genre clichés here. Whether or not you can enjoy the film depends on whether you can suspend your disbelief and ignore the more far-fetched moments for ninety minutes or not. I enjoyed much of the film and thought the tension ramped up nicely towards the end. There isn't much violence and if it weren't for the excessive swearing this would not be unsuitable for younger viewers. The acting is decent enough; Holly Mae Brood is solid in the lead role. Overall I'd say this is far from a must see but it passes the time well enough if you are nostalgic for the hacker films of the '90s.

These comments are based on watching the film in Dutch with English subtitles.

Good lord is this bad. The acting is painfully forced, the hacking scenes are not even remotely realistic. Like a scrolling terminal that is too quick to read, and the guy is hammering away at a keyboard. I'M HaCKinG!! Ugh so bad.

At one point the protagonist say's she is going to have dinner with "a guy" and her lady friend (Who we never see again) ask's "is it a creep?". The protagonist then shows a mere photo of the guy at which point the lady friend says: "Oh, so not a creep" It is suggested that because the guy is cute, he's not a creep. Good lord...

The tropes, the cliches, It's all just painful to watch. I did it, so you do not have to. Skip this one.

Since it was a Dutch movie newly released on Netflix we were curious to see this movie. But it turned out to be disappointing. The storyline is straight out of fairytale and has nothing to do with reality and therefore makes it totally unbelievable. Acting is mediocre at best and there is a lot of running and saying "f#@k" all the time.

It makes the movie one dimensional and more like a (bad) cartoon.

Sadly this movie fits in a long row of Netflix productions we're quantity trumps quality.

To end with a positive note: the city of Rotterdam gets a great promotion with all its highlights, so if this movie inspires you with inspiration to vist this citty something good came out of this production.