VALUTAZIONE IMDb
4,6/10
24.771
LA TUA VALUTAZIONE
Una giovane ragazza cerca di capire come abbia misteriosamente acquisito il potere di dare fuoco alle cose con la sua mente.Una giovane ragazza cerca di capire come abbia misteriosamente acquisito il potere di dare fuoco alle cose con la sua mente.Una giovane ragazza cerca di capire come abbia misteriosamente acquisito il potere di dare fuoco alle cose con la sua mente.
- Premi
- 7 candidature totali
Recensioni in evidenza
I don't think I've ever seen the Drew Barrymore version of this Stephen King story, nor have I read the book, so I honestly can't tell you if this lived up to either of those. What I can say is that, despite some interesting flourishes, mostly this is a pedestrian adventure and I'm not sure who the target audience is.
Charlie McGee (Ryan Kiera Armstrong) is a young girl with a supernatural power, when upset, she can generate an intense and destructive fire that she is impervious too. An incident at her school exposes her to a government agency that would like to bring her in for experimentation, one that has a dark history of dealing with people with powers. As her mother Vicky (Sydney Lemmon) and father Andy (Zac Efron) try to get her to safety, another powered individual Rainbird (Michael Greyeyes) is on their trail.
Blumhouse Studios has quite the history of successfully soft rebooting horror films now and their success with "The Invisible Man" is plastered all over the advertising for this one, unfortunately it's not telling anything like as interesting or relevant of a story. Dangerous power in the (relatively) unstable hands of a child is a familiar plot but here it's crowbarred into a low rent revenge action film, if anything - desperately lacking in scares, or invention, to make the experience worthwhile.
I did like the 80's aesthetic. Though it didn't extend to the actual setting, the typeface and style of the credit sequences are retro inspired and interesting, and there's a John (and Cody) Carpenter provided score, which is full of the sort of synthetic sounds that he's know for. I also can't actively criticise the performances of anyone involved, though by the same token, nobody particularly stands out. The visual effects are fine, if a bit toned down for what they might have been.
It's just all in service of a story that's not very interesting. I know it's not a horror story in the way some other King narratives are, but it's desperately lacking in any sort of thrills.
Charlie McGee (Ryan Kiera Armstrong) is a young girl with a supernatural power, when upset, she can generate an intense and destructive fire that she is impervious too. An incident at her school exposes her to a government agency that would like to bring her in for experimentation, one that has a dark history of dealing with people with powers. As her mother Vicky (Sydney Lemmon) and father Andy (Zac Efron) try to get her to safety, another powered individual Rainbird (Michael Greyeyes) is on their trail.
Blumhouse Studios has quite the history of successfully soft rebooting horror films now and their success with "The Invisible Man" is plastered all over the advertising for this one, unfortunately it's not telling anything like as interesting or relevant of a story. Dangerous power in the (relatively) unstable hands of a child is a familiar plot but here it's crowbarred into a low rent revenge action film, if anything - desperately lacking in scares, or invention, to make the experience worthwhile.
I did like the 80's aesthetic. Though it didn't extend to the actual setting, the typeface and style of the credit sequences are retro inspired and interesting, and there's a John (and Cody) Carpenter provided score, which is full of the sort of synthetic sounds that he's know for. I also can't actively criticise the performances of anyone involved, though by the same token, nobody particularly stands out. The visual effects are fine, if a bit toned down for what they might have been.
It's just all in service of a story that's not very interesting. I know it's not a horror story in the way some other King narratives are, but it's desperately lacking in any sort of thrills.
I should have known better than to be the least bit excited for this. This was bad. The original, was one of my favorite movies when I was young. I was hoping they improved on that. I don't know why. With the exception of Dune (as that's all that comes to mind right now) remakes have traditionally been bad, overall. I don't know why I thought this would be any different. They did very little marketing before it was out. Which is usually an indication that they don't even have faith in their own movie. I should have known better.
Firestarter 2022 is not a total fail but nothing remarkable or at least entertaining - forced at gunpoint to decide, I would prefer to watch again the version from 1984 starring Drew Barrymore. No, I am not a great fan of that one either but it is the more entertaining one of both movies. The new version just rolls on and I watched the whole affair rather indifferently. The technical aspects (acting, cam, production) are okay, but if you know the old version I do not know why one should watch the new one. On the horror-o-meter this one is also a very low one. Final word: redundant.
The biggest mistake of Blumhouse Productions was to dismiss Fatih Akin, whom they considered as the director of this project. It could have been a very good movie, but the resulting production turned out to be a decent movie from TV movies.
Lately when I watch a new movie, I ask myself "how would this movie be without it's special effects?". Too many movies get by on shiney and sparkley colors on the screen for a large part of the movie.
If you do that here, you don't even have an average movie.
What happened to Hollywood in terms of smart writing? I'd throw acting in there too, but I think it's unfair to judge actors when they have the scripts and writing they're dealing with now. I'm not even sure how they can say many of the lines with a straight face, so that's impressive I guess.
If you literally have nothing else to do, this would be ok to have on in the background.
If you do that here, you don't even have an average movie.
What happened to Hollywood in terms of smart writing? I'd throw acting in there too, but I think it's unfair to judge actors when they have the scripts and writing they're dealing with now. I'm not even sure how they can say many of the lines with a straight face, so that's impressive I guess.
If you literally have nothing else to do, this would be ok to have on in the background.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Lo sapevi?
- QuizJohn Carpenter, who did the music for this film, was set to direct the original Fenomeni paranormali incontrollabili (1984), but was replaced when his previous film, La cosa (1982), failed at the box office. He would instead direct another Stephen King adaptation, Christine - La macchina infernale (1983).
- BlooperWhen Charlie is in the woods trying to aim her abilities at firewood, you can see someone walking by in the background. She is clearly not alone and would've been seen.
- Citazioni
Vicky McGee: [to Rainbird] How can you be still helping them after everything they've done to you?
- ConnessioniFeatured in Amanda the Jedi Show: FIRESTARTER is a Trash Fire | Explained (2022)
- Colonne sonoreControl, I'm Here
Written by Douglas McCarthy, Bon Harris
Performed by Nitzer Ebb
Published by Mute Song Limited by arrangement with Bank Robber Music, LLC
Courtesy of Geffen Records under license from Universal Music Enterprises
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Dettagli
- Data di uscita
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- Siti ufficiali
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- L'incendiaria
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- Aziende produttrici
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Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.739.250 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.827.715 USD
- 15 mag 2022
- Lordo in tutto il mondo
- 15.039.250 USD
- Tempo di esecuzione
- 1h 34min(94 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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