Savannah

The story of Ward Allen is not unknown to hunters. THe relationship he shared with freedman Christmas Moultrie seems to confound and confuse people like Roger Ebert. He cannot see how a White man "of the manor born" could befriend a Black man in those times, and therefore assumes that only Southerners would like this film.

This is my first review on IMDb. I want people to know that this film is far more than worth a watch. The complexities of a new world and a new way of life in post Civil War America, more specifically Savannah, are captured honestly here. THere is no scenery chewing, or unnecessary verbosity in the film. The marrow of the film is the story of friendship, family, loss, and inevitable change. THis film succeeds in making a complicated era of American history a simpler issue, one of laws, man, and the spirit of going against the standard of a mans time and station.

I am very happy that I was able to watch this, and I hope that it gets more respect from humble movie goers like myself who are willing to give it a fair shake, and ignore the Roger Ebert's of the world.

"Savannah" is an entertaining film of fiction that is based partly on a book about a somewhat legendary character from the turn of the 20th century in Savannah, GA, and his lifelong friendship with a freed Black slave. Other reviewers have noted the problems with the shaky plot and script. But this film is very entertaining and a fun watch fit for the whole family.

Two things that stand out in this film are worthy of praise. First is the scenery and cinematography along the marshes and backwaters of the Savannah River. Second is the acting. The entire cast gave top performances; but like other reviewers, I especially enjoyed Jim Caviezel's portrayal of the lead character, Ward Allen. If the real educated and sophisticated yet down-home Ward Allen was half as vibrant, witty and disarming as the character played by Caviezel, he was a most colorful character indeed.

Ward Allen (Jim Caviezel) likes what he likes. Born into a family of wealth in Savannah Georgia at the turn of the twentieth century, he nevertheless does not become a businessman. Instead, he likes to be on the marshes near the ocean, hunting duck for the fine restaurants of Savannah. With him is his constant companion and partner, Christmas (Chiwetel Efiolor), a former slave. This alone is a cause of gossip at a time when whiles and African Americans didn't socialize in the South. but, in truth, Ward just loves the "wild places" over sitting in an office somewhere. Very handsome, he catches the eye of a lovely woman, Lucy Stubbs (Jamie Alexander) who her stuffy father (Sam Shepherd) has promised to another man. Yet, Lucy is also a lady who walks to a different beat. She shuns her father's choice and pursues Ward. Soon, they are married and living in Ward's opulent mansion. Still, his married state doesn't change Ward, who continues to hunt and get roaring drunk at the local bars, where he tells long stories. From time to time, Ward is also hauled before a judge (Hal Holbrook) for charges of hunting in forbidden waterways. Yet, Ward always gets off easy, for the judge likes him and his strong arguments for his chosen profession. Naturally, this creates some conflict for Lucy, especially when she discovers she is expecting a baby. Will Ward ever change? This beautifully lyrical movie, an homage to the loveliness of Savannah and its surroundings, will charm a certain type of movie fan. Its quiet, unusual story is paired with sumptuous scenery for a visually stunning experience. Also, Caviezel is one attractive and talented man, an actor who tops my list of "men who can make the heart pound". Alexander, Holbrook, Shepherd, Efiolor and all of the supporting cast is very fine, also. Do you consider yourself drawn to artistic, independent flicks? Take a trip to this Savannah soon.

Go back in time, a couple of decades after the civil war, to Savannah, GA, and meet a largely unknown character choosing to live against the flow of prevailing contemporary attitudes and social mores. Enjoy stunning cinema-photography, a host a familiar actors performing at their best, and sit back and enjoy what the best movies do----tell a wonderful story in a unique way. "Savannah" was truly an emotional journey through primarily the life of one man while also taking time for the viewer to invest in the lives of those whom our protagonist chooses to invite to share in his adventures and way of life. I enjoyed the flow of the movie, enjoying each change of perspective. I contend the director prevailed in accomplishing balance in moving our story along in every way.

Greetings again from the darkness. Beginning with "Based on a True Story", the movie takes us on a bumpy ride known as the life and times of Ward Allen, a silver-tongued duck hunter with a free spirit like few others. Director Annette Haywood-Carter utilizes Jack Cay Jr's "Ward Allen: Savannah River Market Hunter" as her source material, and the marsh lands of Savannah make for a beautiful setting.

Jim Caviezel dives into the role of Ward Allen and it's initially quite startling to see him play such a loquacious character … we are so accustomed to his normally quiet and stoic nature. Caviezel seems to revel in the courtroom scenes where he recites Shakespeare and charms the judge (Hal Holbrook) and gallery. Flip a switch and the next scene will have Allen exchanging familiar glances and verbal jousts with his duck hunting buddy Christmas (Chiwetel Ejiofor), a freed slave who is the perfect companion for Allen.

Evidently the real Mr. Allen was smart and engaging, but drank too much and constantly pushed the limits of legal hunting. His loyal dog, Rock, follows him everywhere and seems to anticipate his every need. This odd life takes a turn towards normalcy as Allen falls for a beautiful socialite played by Jaime Alexander. The two hit it off and get married, against the wishes of her father played by the great Sam Shepard. Unfortunately, it's at this point that the movie gets convoluted and loses focus, trying to be too many things at once.

Caviezel and Ejiofor have a really nice screen presence together, but the interjections of home life between Caviezel and Alexander just stomp out any flow to the story telling. The attempts to make Mr. Allen a legendary, larger-than-life figure fall short because of the clunky script structure. The bookend with Christmas telling the stories to both a young and adult Jack Cay (Bradley Whitford) just beg for continued focus on the bond between kindred spirits Allen and Christmas. The enigmatic Ward Allen was clearly an interesting man and I look forward to reading Cay's book … it's just disappointing that the script was not sharpened prior to filming. It should be noted that there are a few tremendous songs throughout, including two very different versions of "Wade in the Water".