Page Eight

Bill Nighy, Rachel Weisz, and Michael Gambon in very good form, playing charmingly audacious characters. The Security Service, and the sense of 'England' that is built around it, are both portrayed in an amusingly artsy, lighting-a-cigarette-under-a-lamppost-to-the-tune-of-modern-jazz manner that some might might find annoying - but which I felt more to be endearing. And a refreshing contrast to the bleak picture of the world and it's intelligence services painted in other modern spy shows, 'Spooks' being the prime example.

The story seems to ramble a little, at first, and is not as tight or conventionally depicted as audiences might be used to, but it soon picks up - leading to a 'Johnny on the run' sequence that is as good as any other staple 'spy in hiding' romp in any TV espionage thriller of recent years, but one which is much more believable and down-to-earth. An unexpected conclusion left me praising Nighy's character for doing the right thing, in normal person terms, rather than 'the right thing' in the usual On Her Majesty's Secret Service terms that we're usually force-fed by spy drama - one of the many things that made the character and those around him seem less like a phantom, emotionless government spook, and more like a human being.

Well worth watching.

When I see Bill Nighy, Rachel Weisz, and Ralph Fiennes in a cast, I know I have to check it out. I was not sorry I did. The three were together in at least one other great film - The Constant Gardener. Individually, there is seldom a really good film that doesn't have one of the three.

Of course the Golden Globes and BAFTA agree with me as they both gave the film a nomination.

The Prime Minster (Fiennes) seems to be up to his neck in deception. The meeting between Nighy and he was fascinating.

Page Eight was a positive surprise with good dialogue and an engaging story.

Atmospheric, intelligent, thrilling and without violence, this film shines as an example of exceedingly skillful work. There are some scenes of doubtful authenticity but those are still believable and in any case the quality of acting glosses over them. It is delightful when great actors have material and settings that allow them to give their subtle best. Even incidental parts are played convincingly by all and the barely plausible delivery by the Home Secretary only serves to keep things at a human level.

I hope and feel that we shall see more programmes of a similar standard from such a distinguished cast and clever crew. Simply superb from start to finish. (Viewed on iPlayer)

Bill Nighy really could be turning into this generation's David Niven - with a more world-weary edge, mind you, but he has an immense charm without any swarm, and puts it to excellent use in Page Eight. He plays a civil servant and security analyst coming to the end of his career in the upper echelons of Whitehall who discovers that politics and war are not honourable affairs.

With an outstanding cast and an intelligent plot this remains a thriller - but one without the usual resort to unlikely battles and chases - it is very British, both in its tone and in its look - and what we get is a very nice thriller indeed.

If you like 60s cold war spies movies, and want a break from the Bourne type, then this will fit the bill very nicely. Intelligent, beautifully paced and acted, and all in all a nice break from action films to something more purposeful and, really, a satisfying watch.

The cast is strong and the writing adept, and this carries a fascinating film dealing with the tensions between politics and intelligence gathering. David Hare clearly has been disturbed by how closely our (British) politicians may have become involved with 'extraordinary rendition' and intelligence gathered from the use of torture by the Americans.

Bill Nighy leads as a cerebral senior intelligence officer dealing with a world where fellow spies are not all Oxbridge, even if the Prime Minister is. His neighbour seems to appear from nowhere, and in the form of the lovely Rachel Weisz. Can she be trusted? And what of his one time tutor and now boss, played convincingly by Michael Gambon? The early scene where the spies meet the politicians, in the form of the Home Secretary (Saskia Reeves) and her assistant, is pure Hare theatre. A wonderful script delivered with panache.

The tension builds slowly but relentlessly. Maybe the grasp of the world of spies does not have Le Carre's inside track, but Hare gives us a film well worth watching.