Due vite

This drama takes place in 1990, shortly after the demolition of the Berlin wall had begun. This was a time when a young Norwegian lawyer felt that there was a good chance of winning a lawsuit against the Norwegian Government for reparations for the children of the Nazi Lebensborn program. Begun in 1935 the goal of the Lebensborn program was to produce more Aryan children for the Third Reich, mainly by way of Nazi leaders producing plentiful offspring. The program was expanded to occupied countries whereby Nazis would mate with with local unmarried women with many, but not all, of the offspring brought back to Germany.

The story unfolded in a way to keep my interest. On the one hand Katrine, the main character, is seen as the wife of a Norwegian submarine captain--part of a close, happy family. But early on she is seen on a flight out of the country where she completely transforms her appearance. At that point I was hooked to find out what her story was and I appreciated the slow reveal leading to some intensely dramatic scenes. The story is complicated enough to make it hard to describe without revealing plot details.

I had never heard of the Nazi Lebensborn program and this movie shows how focusing on personal experiences can explicate history in a more attention grabbing way than reading a history book. I wish there had been more explanation of the basis for the lawsuit against the Norwegian government. A little research on the topic explains how shabbily, and even cruelly, the Lebensborn children were treated, with the assent of the Norwegian government.

All the actors are in fine form--it's good to see that age is not keeping Liv Ullman off the screen.

"Two Lives" is one of the best movies I've seen in a long time. I watched it on Netflix. It's a German movie that takes place in Norway shortly after reunification of Germany. Part of the story is about a woman, played by Liv Ullman, who fell in love with a German soldier during the war and they had a daughter. After the war, such women were shunned and the children sent to orphanages in Germany. To say more would give away too much. It's a masterfully written screenplay about fictional people, but such events did happen. One small part I could have skipped, otherwise an excellent portrayal of a sobering story. It's the kind of movie where you watch all the credits roll by at the end because you can't turn it off.

Sadly the plot falls apart. The more you understand what has happened, the less plausible it is.

The seaside, buildings, mountains, etc. make for gorgeous background.

The characters are portrayed with depth and sympathy. Each deals appropriately with the stresses that they are under, and you can understand their actions.

The plot moves a long at a good pace, with flashbacks becoming clearer as the movie progresses.

But sadly when all is revealed, the plot has more holes than Romeo and Juliet. Coincidences, unlucky timing, unrealistic actions by professionals, ... it has them all.

You can read summaries of this movie's plot line elsewhere. This movie is all about Juliane Kohler's heart-searing portrayal of a woman coming to terms with her past. For me, five stars on Netflix, ten stars on IMDb.

Some have written that the plot is implausible. It is not. It is fascinating. I had never before heard of Juliane Kohler until coming across this movie on Netflix, but I now expect to see everything I can find with her. She is absolutely riveting. Her astonishingly expressive face is the centerpoint of every scene. In fact, at nearly fifty years of age, she is more beautiful than photos I have seen of her in movies ten and twenty years earlier.

Too, Liv Ullman is wonderful as her mother. I haven't see Ms. Ullman since her films with Ingmar Bergman in the late 50's and 60's, followed by the wonderful "The Emigrants". She has been too long away from the camera.The rest of the cast is also excellent. But Ms. Kohler: oh my, oh my, oh my.

I expected a 'small' film, very Scandinavian and moody about not much of anything. Instead, one of the most intriguing and suspenseful espionage stories ever AND based on a true case! Beautifully scripted, crisply directed and Liv Ullmann deftly underplaying her role steals every scene she is in! The spycraft is top-rate and believable and the human elements, above all, make this endlessly fascinating. I am not easy to please when it comes to Cold War thrillers.

The central character is endlessly fascinating to think about. The way she lives a lie and yet really and truly loves and has a family. Seldom does a movie keep me thinking long afterwards as this did.