1920 Bitwa Warszawska
- 2011
- 1h 55min
VALUTAZIONE IMDb
4,4/10
2165
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaDifferent strata of Polish society oppose communist aggression from Soviet Russia. Love lives on a par with war.Different strata of Polish society oppose communist aggression from Soviet Russia. Love lives on a par with war.Different strata of Polish society oppose communist aggression from Soviet Russia. Love lives on a par with war.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Aleksandr Domogarov
- Kryshkin
- (as Aleksander Domagarow)
Viktor Balabanov
- Vladimir Lenin
- (as Wiktor Balabanow)
Recensioni in evidenza
Oh, I really wanted to like this! Unfortunately, I was a bit disappointed.
I have so many issues with this film. I assumed Jan (Borys Szyc) to be the film's hero, but he was absent for such a long time during the movie. I then aimed my attention at his wife, Ola (Natasza Urbanska), who was a far better prospect as the film's protagonist, but a bit unexplored.
Jan went to the war on his wedding day; while his wife was still in her wedding dress. We then follow Jan's journey from soldier to being accused of treason and sentenced to death. Luckily, he is saved by an invasion from the Bolsheviks, and his journey continued.
Ola in the meantime joins the army, as well, when she learns Jan is still alive. The film could have been so much better, but there was so much talk and so little action. The (few) action sequences were well made, but by no means impressive. I've seen many war movies and these battle scenes were not all that special. The film's colour grading also wasn't always great. Some scenes looked like they were entirely computer generated. Some looked like the camera had a filter over the lens. (Maybe this is due to the fact the film was shot for 3D. Apparently they used a Fusion Camera System, which shot in stereoscopic 3D. I suppose it looked much better in 3D, but I watched it in 2D).
One of the biggest issues I had with the film, was the score. Usually epic battle scenes have sweeping music, but with 'Battle of Warsaw' the score was almost too lively - like music you expect at a fair or circus. It completely clashed with the action on screen and made the battle scenes felt comical. Speaking of comical, moments during the attack scenes were actually funny - and I don't think it was intended to be! Tension could have been enhanced with a better score.
Ola was my favourite character, but even she was a bit unexplored. She had the potential to be a far more interesting character - like Rachel from 'Black Book' for instance.
Ultimately, the film fell flat on an emotional level. It simply was not effective enough as the love story they obviously wanted it to be. Note that it is still a reasonably good film one can enjoy, and it does have a feel-good ending.
I have so many issues with this film. I assumed Jan (Borys Szyc) to be the film's hero, but he was absent for such a long time during the movie. I then aimed my attention at his wife, Ola (Natasza Urbanska), who was a far better prospect as the film's protagonist, but a bit unexplored.
Jan went to the war on his wedding day; while his wife was still in her wedding dress. We then follow Jan's journey from soldier to being accused of treason and sentenced to death. Luckily, he is saved by an invasion from the Bolsheviks, and his journey continued.
Ola in the meantime joins the army, as well, when she learns Jan is still alive. The film could have been so much better, but there was so much talk and so little action. The (few) action sequences were well made, but by no means impressive. I've seen many war movies and these battle scenes were not all that special. The film's colour grading also wasn't always great. Some scenes looked like they were entirely computer generated. Some looked like the camera had a filter over the lens. (Maybe this is due to the fact the film was shot for 3D. Apparently they used a Fusion Camera System, which shot in stereoscopic 3D. I suppose it looked much better in 3D, but I watched it in 2D).
One of the biggest issues I had with the film, was the score. Usually epic battle scenes have sweeping music, but with 'Battle of Warsaw' the score was almost too lively - like music you expect at a fair or circus. It completely clashed with the action on screen and made the battle scenes felt comical. Speaking of comical, moments during the attack scenes were actually funny - and I don't think it was intended to be! Tension could have been enhanced with a better score.
Ola was my favourite character, but even she was a bit unexplored. She had the potential to be a far more interesting character - like Rachel from 'Black Book' for instance.
Ultimately, the film fell flat on an emotional level. It simply was not effective enough as the love story they obviously wanted it to be. Note that it is still a reasonably good film one can enjoy, and it does have a feel-good ending.
I was so interested in watching this and to see the polish perspective of these events and how Poland more or less looked like back than.
Sadly this was not presented in a believable way, everything looked new, it appeared to be some kind of costume show, hard to describe.
They also behaved kind of modern, but enough about that.
The cinematography was a joke, I have no idea why there was so much focus on Natasza Urbanska, all that singing didn't make much sense to me nor did it contribute to the story. It seemed very overacted, as if every actor was a theatre actor and not a movie actor.
Additionally the music was total out of place most of the time, often scenes appeared to be comedic because of the music and that was not intended.
Here comes another history epic from the Poland's number one producer Erzy Hoffman who is a tireless re-creator of Polish war sagas. After a number of rather successful epic films dedicated to Polish Deluge period (late 17 c.) he turns here to a more recent - but by no means less dramatic and tragic period - the war for Polish independence from Soviet ("Red") Russia of 1920. The canvas he paints strikes with realism, meticulous attention to historical details everywhere, be it Polish fashion vintage 1920 or Red Army commissars' brutal faces, or the renegade Don Cossak's military uniforms. The war scenes are very graphic and realistic, the quality of camera work and dynamics of military action could well put Ridly Scott to shame. It is stunning how Mr. Hoffman managed to develop each character to a remarkable depth - they all, Poles, Red and White Russians are very credible psychologically and culturally. So my congratulations go to maestro Hoffman who created another quality history saga. 9 stars out of 10. One star less is given only for one drawback - very little attention is given in the film to the Soviet military genius - Mikhail Tukachewski ("The Red Napoleon") who was commanding the Red invasion and later became both the hero and the victim of Russia's Red Empire.
I love Polish history. I am fond of the Civil War period, and this particular period is of an extreme interest. 1920 was the year decisive for Poland, since Soviet powers decided to attack the land and take it making it a Soviet republic. The slim but brave Polish army defends the Motherland and due to several smart moves manages to defeat Soviet troops and keep the country integrity intact. That was history. Now, Jerzy Hoffman made a grand war film with a huge budget and great Andrzej Idziak as a cameraman. Great casting, excellent actors (Urbanska, Szyc, Olbrychski, Domogarow, Ferency, Kabo among many), superb color scheme, good music, awesome battle scenes, and a sheer explosion of patriotism galore. The film is generally very good, and a great period piece, the obvious similarities between Bitwa and Ogniem i Mieczem made it even better. But there are some weak dialogs, some prolonged scenes, some obvious caricature images of Bolsheviks - these all made the film good, but not perfect. Which is a pity, it could've been much better
I was sent this film (with subtitles) on DVD by a friend in Poland and found it engrossing.
I guess it helped that I had already read a book on the subject, Warsaw 1920 by Adam Zamoyski, so knew what direction the film was going before it started, and that helped my understanding. The love interest and sub-plots enhanced the film, but again some knowledge of 20th Century Eastern European culture and politics helped.
My initial thoughts were that some of the colours were rather vivid and maybe unrealistic but a variety of cinematic styles were used and as they were not used frivolously they worked well in the end. The cabaret scenes showed glamour, style and sensitivity where necessary - all in stark contrast to some, frankly, barbaric and unglamorous battle scenes. I suspect that they were actually quite realistic representations of the fighting. There were some interesting touches that most people would not think about eg the taking of soldiers'/prisoners' boots (sometimes before their wearers were dead) because of their value at the time.
The principal story is true and the outcome of the battle ultimately decided whether Poland enjoyed independence between its partitioning until the end of WW1 and its invasion by the Germans and then the Russians in 1939.
For those with an interest in Eastern European history, it has been said that Stalin's treatment of the Polish Army officers in WW2 (see the superb film Katyn) was determined by the outcome of this battle.
I guess it helped that I had already read a book on the subject, Warsaw 1920 by Adam Zamoyski, so knew what direction the film was going before it started, and that helped my understanding. The love interest and sub-plots enhanced the film, but again some knowledge of 20th Century Eastern European culture and politics helped.
My initial thoughts were that some of the colours were rather vivid and maybe unrealistic but a variety of cinematic styles were used and as they were not used frivolously they worked well in the end. The cabaret scenes showed glamour, style and sensitivity where necessary - all in stark contrast to some, frankly, barbaric and unglamorous battle scenes. I suspect that they were actually quite realistic representations of the fighting. There were some interesting touches that most people would not think about eg the taking of soldiers'/prisoners' boots (sometimes before their wearers were dead) because of their value at the time.
The principal story is true and the outcome of the battle ultimately decided whether Poland enjoyed independence between its partitioning until the end of WW1 and its invasion by the Germans and then the Russians in 1939.
For those with an interest in Eastern European history, it has been said that Stalin's treatment of the Polish Army officers in WW2 (see the superb film Katyn) was determined by the outcome of this battle.
Lo sapevi?
- QuizThe film takes place from August 12 to August 25, 1920.
- BlooperThe band playing 'The Internationale' has no percussion instruments, even though percussion can be heard.
- Colonne sonoreSpiewka 1920
Written by Krzesimir Debski
Performed by Natasza Urbanska & Borys Szyc
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Dettagli
Botteghino
- Budget
- 27.000.000 PLN (previsto)
- Lordo in tutto il mondo
- 8.417.043 USD
- Tempo di esecuzione
- 1h 55min(115 min)
- Colore
- Proporzioni
- 1.85 : 1
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