1920 Bitwa Warszawska

The movie plays out like a bad "Winnie The Poo" episode - but with a lot of fireworks.

There are some great performers here; a beautiful woman, handsome hero; and great, colorful costumes, horses, and all the spiel that comes with making a big-budget-movie. However, as it usually is the case with Polish cinema, the movie (as a whole) falls short. It falls short unable to decide whether it wants to be a slapstick comedy or a serious, patriotic war hymn.

The cinematography is great. Natasza Urbanska is beautiful, graceful, and not a bad actress either. But the first half of the movie is very choppy, with the action moving back-and-forth between several threads in a matter which fell short from challenging me to really care about the characters or the story.

Some of the scenes, or rather dialogues, are overtly infantile even for a Winnie The Poo episode - ruining the whole movie.

The 3D effects in some scenes are phenomenal, and in others are extremely poor.

Michael Malak - Polish-American

Slow, boring, predictable, messy, long. It was a great subject to have made a much interesting and historic film than this shamble where we have singing, dancing, humour, war, terrible acting, all in one.

Don't waste your time....

Oh, I really wanted to like this! Unfortunately, I was a bit disappointed.

I have so many issues with this film. I assumed Jan (Borys Szyc) to be the film's hero, but he was absent for such a long time during the movie. I then aimed my attention at his wife, Ola (Natasza Urbanska), who was a far better prospect as the film's protagonist, but a bit unexplored.

Jan went to the war on his wedding day; while his wife was still in her wedding dress. We then follow Jan's journey from soldier to being accused of treason and sentenced to death. Luckily, he is saved by an invasion from the Bolsheviks, and his journey continued.

Ola in the meantime joins the army, as well, when she learns Jan is still alive. The film could have been so much better, but there was so much talk and so little action. The (few) action sequences were well made, but by no means impressive. I've seen many war movies and these battle scenes were not all that special. The film's colour grading also wasn't always great. Some scenes looked like they were entirely computer generated. Some looked like the camera had a filter over the lens. (Maybe this is due to the fact the film was shot for 3D. Apparently they used a Fusion Camera System, which shot in stereoscopic 3D. I suppose it looked much better in 3D, but I watched it in 2D).

One of the biggest issues I had with the film, was the score. Usually epic battle scenes have sweeping music, but with 'Battle of Warsaw' the score was almost too lively - like music you expect at a fair or circus. It completely clashed with the action on screen and made the battle scenes felt comical. Speaking of comical, moments during the attack scenes were actually funny - and I don't think it was intended to be! Tension could have been enhanced with a better score.

Ola was my favourite character, but even she was a bit unexplored. She had the potential to be a far more interesting character - like Rachel from 'Black Book' for instance.

Ultimately, the film fell flat on an emotional level. It simply was not effective enough as the love story they obviously wanted it to be. Note that it is still a reasonably good film one can enjoy, and it does have a feel-good ending.

Here comes another history epic from the Poland's number one producer Erzy Hoffman who is a tireless re-creator of Polish war sagas. After a number of rather successful epic films dedicated to Polish Deluge period (late 17 c.) he turns here to a more recent - but by no means less dramatic and tragic period - the war for Polish independence from Soviet ("Red") Russia of 1920. The canvas he paints strikes with realism, meticulous attention to historical details everywhere, be it Polish fashion vintage 1920 or Red Army commissars' brutal faces, or the renegade Don Cossak's military uniforms. The war scenes are very graphic and realistic, the quality of camera work and dynamics of military action could well put Ridly Scott to shame. It is stunning how Mr. Hoffman managed to develop each character to a remarkable depth - they all, Poles, Red and White Russians are very credible psychologically and culturally. So my congratulations go to maestro Hoffman who created another quality history saga. 9 stars out of 10. One star less is given only for one drawback - very little attention is given in the film to the Soviet military genius - Mikhail Tukachewski ("The Red Napoleon") who was commanding the Red invasion and later became both the hero and the victim of Russia's Red Empire.

I was so interested in watching this and to see the polish perspective of these events and how Poland more or less looked like back than. Sadly this was not presented in a believable way, everything looked new, it appeared to be some kind of costume show, hard to describe. They also behaved kind of modern, but enough about that. The cinematography was a joke, I have no idea why there was so much focus on Natasza Urbanska, all that singing didn't make much sense to me nor did it contribute to the story. It seemed very overacted, as if every actor was a theatre actor and not a movie actor. Additionally the music was total out of place most of the time, often scenes appeared to be comedic because of the music and that was not intended.