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The first season is exciting to watch - the characters, the costumes, the story, the humour, the pathos... it's great! However, season is a mess. Eileen Atkins refused to return because she didn't like the scripts for season 2, and she was right. The first couple of episodes are okay, but when the writers ran out of ideas they dredged up some non-sequitur throw-away stories that include a lesbian affair and a boxing match that have no overall impact on the story. The last two episodes are dark and depressing and rush towards an unsatisfying conclusion. My advice is watch season one as a movie in three parts and pretend season 2 was never made...

Just finished watching the Upstairs Downstairs reboot from 2010-12, which got mostly admiring reviews when it came out, some even comparing it favorably to the original series. I'd forgotten how weird and randomly plotted the second season is--the household at 165 Eaton Place gradually comes to include Sir Hallam Holland's mother's Sikh manservant (played by a heavily bearded Art Malik, so no problem there); the little daughter of a German Jewish refugee who collapses and dies shortly after getting triggered by the chauffeur's Union of British Fascists blackshirt getup (the daughter suffers from traumatic mutism for a couple of eps as well); Sir Hallam's long-lost sister, who has Down syndrome and has been tucked away in an asylum for most of her life; his mother's much younger half-sister (who was her father again?), a lesbian archeologist whose ex-lover writes a sexy novel that causes a terrible scandal; and Lady Holland sr's monkey, Solomon (looks to be a rhesus macaque), who outlives his mistress by a couple of episodes, for reasons that have nothing to do with the story as such (see below).

The Duke of Kent, a bisexual aesthete who really did exist, keeps us updated on the gathering storm in Europe, so no complaints there either. A Jewish-American millionaire (who made his fortune selling a product that sounds like Alka-Seltzer just in time for the repeal of Prohibition) conveniently opens a garment business in the East End so Lady Agnes (Keeley Hawes, always fabulous) can embarrass her husband, yet again, by posing for a sexy ad for nylons. Claire Foy, future ER II in The Crown, draws the short straw as Lady Persephone, Lady Agnes's younger sister, a Nazi sympathizer who prefers to live in Germany, like the RL Unity Mitford, and gets into all kinds of scrapes when she returns.

No surprise then that Dame Eileen Atkins, co-creator of the original series who played Lady Holland sr in S1 of the reboot, refused to have any part of S2. The cast is uniformly excellent, except possibly for Sir Hallam himself (Ed Stoppard, son of Tom), who's meant to be what the English call a bit of a stick and doesn't get much of a chance to stretch. (He spends most of the series fretting about Why England Slept and being mortified by the outré antics of his household.)

I'm not saying the show's not entertaining, just that the storyline's really herky-jerky and OTT. The writers seem to be straining to pander to current notions of diversity and inclusiveness, which, I'm guessing, may be the reason that Dame Eileen just wasn't into it. IIRC the show got clobbered in the ratings by a soapy competitor, Downton Abbey, and was canceled after the second season.

Rose is supposed to be six years older than she was at the end of the seventies series. Well... It isn't easy to make 35 years look like 6. But who cares. After all, Jean Marsh is the clip between the legend and it's sequel.

It was with much trepidation that I watched this series on BBC over the Christmas break, I was sure that it was going to be a major disappointment as a remake of the classic 1970s TV series. However I am glad to say that I was very wrong.

Rather than a remake, this is a continuation of the story of 165 Eaton Place in Belgravia, the scene of the original series.

Jean Marsh, who appeared in and co-created the original series, returns as Rose Buck, and helps the new tenants assemble a new retinue of housekeeping staff.

The new series is set in the late 1930s and to add to the trials and tribulations of the new servants, we see initial interest in British fascism and the ensuing riots, Jewish fugitives from Germany and evidence of aristocratic flirtations with Nazi Germany.

The three episodes were very poignant and involving and included much humour also. The entire cast were uniformly excellent and I can only hope that the episodes were successful enough to result in a full blown series.

If you enjoy Belgravia& Downton Abbey then you will enjoy Upstairs Downstairs.

The 2010-2012 version of "Upstairs, Downstairs" is a revival of the beloved British drama, set in the same iconic house at 165 Eaton Place, but this time during the tumultuous years between the two World Wars. While attempting to capture the charm and essence of the original series, this adaptation introduces new characters and storylines, providing a fresh perspective on the interwoven lives of the upper-class Bellamy family and their dedicated servants. Despite its attempt to recreate the magic of the original, some viewers found the revival lacking the same depth and authenticity. However, the series still manages to offer an engaging portrayal of a bygone era, with its lavish costumes, elegant settings, and compelling performances from the cast. Ultimately, "Upstairs, Downstairs" (2010-2012) serves as a respectable homage to its predecessor, though it may not fully recapture its timeless appeal.