Wilson

A close view to people they try manage their unbearable lives. An interesting scenario with turns and Woody as always great, simple and to the point. Good playing of the cast. When everything is lost, always there is something, even fake,that gives meaning to our lives. A good film makes you search deeper. Not for under 15.

Miscast or something. I felt awkward watching it. Neither of the leads seemed even vaguely realistic nor did the plot. It was all trying too hard. I hated everything about it right down to Harrelson saying the name Pippi.

You need a charismatic lead for this. Though not to take anything away from all the other actors in this, who also do an incredible job. But the neurotic and cynic filled lead is just greatly portrayed by Woody Harrelson. This movie obviously isn't for everybody, no matter if the quality of it is undeniable. And it doesn't have to be, tastes are different.

So don't judge those who like or hate this. There is merit to both depending on what you like in movies or in life in general. So try to be open minded, you don't have to be friends with the character, you don't have to agree with his lifestyle or his choices. But you can have empathy for him and his quest for something in life. And the quirky way it is portrayed ...

A slice of life is how I describe these movies, where one sees the common and mundane in a certain context.

Wilson is the story of an average misunderstood man from another time who is shown as hurting and caring but perseveres to try and find meaning in his otherwise drab existence. An average man who, by today's standards, is the bogeyman but as this poster can attest, speaks of an era where people were unique and opinionated instead of self-absorbed and indifferent.

I am looking forward to a second viewing to further see the depth of Harrelson's Wilson. And if there are other Clowes/Eightball fans out there who haven't seen Wilson yet, I recommend it. I also hope The Death-Ray and Ice Haven are made into movies.

In 1944, legendary Hollywood producer Daryl F. Zanuck made a movie called "Wilson", a biopic about our highly educated, dignified and visionary 28th President – and the film went on to win the Academy Award for Best Picture. 2017's "Wilson" (R, 1:34) is NOT a remake of that film. Not even a little. The more recent "Wilson" is also not a spin-off of "Cast Away". The title character in 2017's "Wilson" doesn't have any of the qualities of that President who led us through World War I and who established the forerunner of the United Nations (except maybe for… honesty). And this Wilson has much more personality that Tom Hanks' famous volleyball buddy. This Wilson is more like a less volatile cousin of Michael Douglas' character in 1993's "Falling Down"… and is like a half-brother to Bill Murray's character in 2014's "St. Vincent". But, notwithstanding those cinematic comparisons, "Wilson", as portrayed by Woody Harrelson, is an original and unique character and one who I wish I could be like… sometimes.

Wilson is a lonely middle-aged man with a lot of faults, but he doesn't mean any harm. Wilson is honest… to a fault. He's impulsive… to a fault. He's even empathetic… to… well, you get the point. You see, it's Wilson's world and we're just living in it. He'll stop a stranger walking her dog, talk only to the dog – in a cutesy animal voice – and then act confused when the woman yanks her dog away and looks at Wilson like he's a weirdo. Wilson will ride a virtually empty train, sit right next to a businessman wearing earbuds, interrogate him about his life and not feel the least bit uncomfortable when the man forcefully asks Wilson to go sit somewhere else. Wilson is also the kind of person who will go visit an old friend in hopes of renewing their relationship but then change his mind and calmly tell his friend that he had forgotten what a joyless and unkind person his friend really is. But in spite of all this, the most important thing to know about Wilson is that he just wants to be loved… on his own terms, of course.

One fine day, Wilson decides to go looking for his ex-wife, Pippi (Laura Dern). He remembers Pippi as basically a crack whore – and that's how he describes her to everyone he encounters who he thinks might know her. With the help of Pippi's very WASPy sister (Cheryl Hines), Wilson is able to track Pippi down to her waitress job, where she is using a different name, but is still kind of a mess. Pippi is none too happy to see Wilson – or to endure the problems that his presence causes for her at work – but she still falls right back into bed with him. That's when she reveals that she had Wilson's baby sixteen years before and put her up for adoption. Wilson is beyond excited that he's a father and talks Pippi into coming with him to find their daughter, a surly, heavy-set girl named Claire (Isabella Amara). Claire lives with upper-middle-class adopted parents who neglect her… but she's still not thrilled to meet and be stalked by Wilson and Pippi. Nevertheless, Wilson is thrilled to have an "instant family" and won't give up on Pippi or Claire. And with a man like Wilson driving this train… what could possibly go wrong?? "Wilson" is wonderfully crude, funny and heart-felt. Wilson acts like we all wish we could act… sometimes. Personally, I envy his fearlessness and his ability to be himself and not care what other people think. Of course, he's also a jerk, he knows it and he doesn't care, so that part… not quite as admirable. In adapting his own innovative graphic novel of the same name, American cartoonist Daniel Clowes gives us a fully-drawn character who never really changes who he is as a person, but who still manages some growth. As directed by Craig Johnson ("The Skeleton Twins") and starring the versatile Harrelson, we get a fully realized character who is equal parts funny and obnoxious, but who still comes off as sympathetic. Besides the usual great work by the star, Dern gives a transformative performance and Amara shines in her most significant role to date. Margo Martindale, Mary Lynn Rajskub, Brett Gelman and (especially) Judy Greer contribute strong supporting performances. "Wilson" is an enjoyable foray into an uninhibited mind – and a reminder why we wouldn't really want to live that way. "A-"