Transatlantic Coffee

In this exploration of profound loneliness and loss, Erik Peter Carlson miraculously has made a life-affirming, even inspiring film. Seamless camera work, gorgeous art direction/cinematography and truly challenging scenes help to bring us deep into the mind of an eccentric man who chooses an eccentric way to heal from his extraordinary trauma. Carlson has made a movie that subtly captures the essence of what we all love about cinema...that singular carnival ride that transports us into someone else's life experience.

My name is Randy Becker and I run NexTV Entertainment. We get thousands of submissions each year from emerging artists trying to make a mark on the list of significant industry players that we bring to our panels. TRANSATLANTIC COFFEE stands out not just because of the cohesive and compelling aesthetic or the challenging and topical subject matter, but because, at its core, it tells us a great story...one well worth experiencing.

-Randy Becker NexTV Entertainment

This is supposed to be a character driven movie, but the main character seems too twitchy and bizarre to relate to at times. Pinassi plays a man-child called Alex that falls for a teen girl from London. Alex is a loser with no life, which SHOULD make us all relate to him on some level.

Overall, this is not a Hollywood cookie-cutter movie, which is the exciting part. It does many times have really sincere and personal moments that are very enjoyable. The ending offers a huge impact. I give the film some credit for being different and original with some scenes of fantastic performances and direction.

Watched this film on Prescreem.com the other night after hearing about it from a Twitter friend. I usually don't do reviewes on movies but I thought this film deserves to be heard.

In an American market of highly commercial, audience appealing pictures with typical subject matters, special effects and bland characters (just look at today's movie listings) this film takes all of that and flushes it. It's obvious that the filmmakers had a vision and went with it, not worrying about what the American public is familiar with. This film is something to be experienced and I mean that.

As the film starts, you'll notice the unique way the story will be told, with it's long takes, allowing the actors on screen to become real. The writing is deep and has so many moments of "Wow, that is so true". The actors in the film, Kevin Pinassi and Rachel Marie Lewis, whom I have never seen before on screen. do a tremendous job. They are fearless in their approach.

As other reviews mentioned on this page, the music and visuals are something you usually don't see in a low budget movie. Everything down to the costumes and the setting of the main character's apartment are so real, you feel you've been living there yourself by the end of the movie.

The direction and writing of the movie is very well done. The ending, although a great surprise to me, may have others catching on somewhat early in the film, but the way the story is told, the way it's designed as a whole, simply convinces you that these are real people, in a real world, experiencing real subject matters. I give this credit to the director, Erik Peter Carlson and the producers who have accomplished something that proves that independent film is something you need to be involved in, for no other reason than to realize that there is much more than special effects in cinema.

The movie is very intense with scenes that make you shiver, for many reasons. However, I never feel it's done in bad taste, but to bring you into the moment and into the lives of these characters, mostly the main character.

To conclude; it's an extremely well done movie that has all of the elements any great movie should contain; a great story, compelling characters, it stimulates many emotions, has the compelling "wow" factor and forces you to watch it again. Great job.

It's very difficult to summarize what "Transatlantic Coffee" is all about. It's a very complex film that engages heavily on an intricate character. Let me just say this from the start - it is not for people wanting to see a sweet love story. End of story.

I saw the film at a festival in New York after reading information on the film through the festival's web site. It seemed like a very odd story, which is something I'm always attracted to. I didn't have a date, so I went alone ...which probably ended up being a good thing.

As I prepared for the movie to start, I realized I knew nothing about this film. This is rare for me, as I am a film review buff. I really didn't know if I was going to laugh, cry or be seriously depressed. The theater was pretty full, as I believe it was the first evening the film was screening at the fest. I wondered if any of these strangers around me knew anything I didn't about what we were all about to see. The lights went out ...then, all of the emotions mentioned above occurred, and then some.

The film is slow paced, which I believe was done on purpose as it is driven primarily by Kevin Pinassi's performance as Alex. Let me tell you something, he is brilliant. I can't imagine anyone else playing that part after watching his performance. I was hoping he'd be available for a question and answer after the screening, but he wasn't. He knocked my socks off, and I have yet too find them.

The mood of the film can only be described as creepy, dark and at times, very disturbing. This is accomplished by the amazing performances, the truly unique and unpredictable direction and writing of Erik Peter Carlson, and the dream-like cinematography through the film. Carlson has a way of making you feel the film will go in one direction, but like a sly magician, takes you somewhere you never knew existed.

90 minutes into Transatlantic, there were times where I was shocked, confused and sometimes appalled by what was shown on screen, but at the same time, I was completely involved. I had no idea whatsoever what was going to happen next. By the 90 minute mark, I said to myself "I like this film". Then came the final act, which was not only a huge surprise to me, but obviously to the rest of the audience as well. There were plenty of gasps and seat shifting. At this point, I said to myself "I really like this film." I can't remember another time where there was so much discomfort in a room full of people.

The lights came up as the credits rolled ...and nobody moved. I don't think a single person left until the final credit faded off the screen. At this time, the woman next to me who was with a date, muffled, "Well, that was brilliant."

There's a lot to watch and understand in Transatlantic Coffee for a picture with very few characters and settings. It's very vague (which will be annoying to some) and makes you work very hard in interpreting what you just watched. This surely will not be for everybody. Don't leave upset thinking you missed something that the others in the theater caught on to - you didn't. For the ones who liked it the first time around, I guarantee you'll want to see it again so you can pick up on the small pebbles Carlson tossed around, purposely making it the task of the audience to make their way home.

Some will like this challenge, others simply will not. I did.

This is a different kind of film than most big dramas, and is likely to be remembered as the director's quiet, breakthrough indie film that is more widely appreciated as the years go on, and his work is more widely recognized. . But if anything, it is a powerful demonstration of true range, and a hint at the great works that are yet in his future.

Kevin Pinassi is quite good when he's within his element though, really shines when he interacts with costar Rachel Marie Lewis or when he is left to be the focus on screen, which occurs multiple times in the film. Marcel Torres, who plays the best friend, does an OK job being the comic relief, however it never feels forced, which is a breath of fresh air.

Carlson has taken the extraordinary risk of handcrafting a film specifically to showcase the unique talent of his cast, revolving it around characters that absolutely no one else could pull off. The risk has paid off marvelously. This film extracts the best performances of any indie film I've seen in recent time, while drawing us in with an odd - and oddly touching - romantic tragedy. A delight to watch.