Ship of Theseus

Have been more than 5 months since I saw the film. But it surely got to be a film which will stay with me forever. A film dealing with a philosophical paradox doesn't sound exciting but this film totally surprised me. The paradox of the Ship of Theseus is an underlying layer of the film which has 3 stories. The characters in the film deal with things that challenge their beliefs and in unexpected ways. The beauty is in the treatment which is effortlessly unpredictable without ever being manipulative or calculated. You feel tremendous empathy for the characters which seems to come for the filmmakers deep understanding of the human psychology and behavior unlike most films/narratives where the author/ filmmaker try to 'design' a character for the purpose of eliciting emotions. Here its all so natural that there seems no design and that is the best part about the performances. They are real as well as really intriguing. I found the character of monk played by Neeraj Kabi to be specially intriguing. His is an amazingly natural performance and yet larger than life in some ways. Sohum Shah was a revelation. For once I thought that he may have been casted in the film for being the producer but when you see the film, he was just brilliant. His performance is one which is so subdued that it took me sometime to realize how good he is. Aida who plays the photographer also delivers a delightful performance. I guess her role was the most difficult as she plays a character which one cannot normally find references in real life or even fiction and despite that she delivers such a natural performance.

What is most surprising about the film is its technical finesse. Cinematography is the best you'll see, the film is a visual treat. It took me sometime to realise that the film is set in Bombay not because its a Bombay which you rarely ever see in Bollywood films. It was later that I got to know that the film was shot on a Canon DSLR and I couldn't believe it. Sound design and mixing is also top notch something which is rare for low budget productions(In Indian context even for big budget films). The background score is absolutely mesmerising and only comes when needed. Particular mention should be made of the Naham Janami song which plays in the background during the monk story. I really believe that this film deserves a big screen experience and that is why am so happy that it is finally releasing in India otherwise most would have either not seen it or would have to see it on small screens which does not do justice to this film.

I can go and on about the film but at this point will end at this note that do not miss this film if you get an opportunity to see it. You'll thank me for this!

Well, I'll keep this plain, short and simple. I have no clue why this film is rated so low. In my opinion this film is an exceptional piece of art. The director keeps you hooked on to the movie right from the very start. You might be left wondering what is happening here but as the movie reaches it's conclusion, you will be left mesmerized. Each story has its own moments, its own ideas. Each idea is so subtly and thoughtfully expressed, I was left spell bound.The overall experience watching this movie actually raises thoughts in your mind about the issues discussed so beautifully. I saw this one at a film festival and in my opinion, this was the best film in the fest. 10/10

If one has got his/her basics in the right place, whatever is churned out (even if art) automatically scores good while transition from good to great is left to the creativity and imagination involved."Ship of Theseus" does exactly so and not only gets the basics right but also excels in each of them.With mind-blowing cinematography (How cud that be a DSLR?!!!!!), super-crisp editing,superb screenplay,superlative acting (Neeraj Kabi & Sohum Seth take a bow!!!!),music (that song in the monk story was simply amazing) and even comic reliefs there's not much room left for complaints. Now, coming to the gray area of creativity or whatever you call it, "Ship of Theseus" also scores (high enough) but may be not as seamless as its basics (off course IMO).The biggest positive that it has is not being either emotionally or intellectually manipulative.Its a treat to watch a film which is straight enough, with not much hidden in layers and yet so very subtle.Its left for the viewers to perceive once the film ends and continue the journey within.With so many chances that the director could have taken to succumb to push emotional epiphany he never compromises,not even in last reel.And once you know that the same man was involved behind "Kyunki Saas Bhi..." you understand what transformation/compromise(?) means as depicted in the film itself.To talk about drawbacks I found the film lacking in its background score.Not that the realtime sounds as in docu-feature style or absence of constant music is a problem.But more than often it doesn't do justice to the exemplary visuals or images that we see on screen.Those lash green grasses,the centipede movement,the array of photographs,the monk in white walking in rain or through huge sewage lines on both sides with black water flowing below-all of these scenes demanded some musical piece behind.The piece that would bind the film together.Also,of the three stories rather storeys only the first justifies the title while the other two are deeper and close.Yes,though it meets all regular and expected requirements, "Ship of Theseus" could have had a few more exciting requirements to its name.You can't complain,you can only wish and also wish more films like this gets a theatrical release and get the required backing (Thanks Kiran Rao).I am not sure whether this will be a life-changing film for all as selected by the Critics Circle,UK But as inspite of Neeraj Kabi,Aida El-Kashef,Vinay shukla,Sohum Seth and almost everyone else giving of Mr.Mehta (don't know the actor's name) that will stay with me for all as did the father in "A Separation", "Ship Of Theseus" also has every chance to stay with you for long.

Anand Gandhi's first feature-length film is an intriguing and thought-provoking piece of Independent cinema; it deals with life, purpose and philosophy. Gandhi's prior experience with short films helps him direct the three disparate story lines with certain finesse; the stories shed some light on Theseus's Paradox and give a transcendent look at consequences arising from individual actions.

In Greek Legend, according to Plutarch, Theseus's ship was preserved, and the decayed parts were replaced piece by piece until no part of the original ship remained. Plutarch asks whether you would call it the same ship or not. The paradox might seem too confusing to discuss, but Anand Gandhi just uses this to connect the three plots through the theme of organ donation, questioning identity in the face of change. Rather than making a statement, Gandhi just raises interest and discusses various important philosophies and issues; having compelling arguments for and against the topics, it helps us being a part of the discussion.

The characters are likable and interesting. All the actors have done a commendable job, and Neeraj Kabi's brilliant performance as the Jain monk stands out. As the three stories go, the first one (with the blind Egyptian photographer) deals with behaviour to change, the second one (with the animal-rights supporting Jain monk) might seem more philosophically and intellectually orgasmic, but it's the third one (with a stock broker seeking justice for a kidney scam victim) which oozes with brutal honesty. The use of humour to lighten the serious tone of the movie is delightful.

The cinematography is spectacular. Rarely have I seen such breathtaking visuals in an Independent film; the shots have a certain poetic and aesthetic charm. The blend of far-off shots and sudden close-ups gives us an intimate look at the characters' lives.

The movie is really good, but far from perfection. 2 hours 20 minutes is too long for the movie; with better editing, it could have maintained the pace and momentum well. And as most movies with multiple story lines suffer from this, the characters lack enough depth and screen-time for us to invest ourselves in them. The first story, though the idea of a blind photographer is a bit far-fetched, suffers from an abrupt ending. The second story has many interesting viewpoints and arguments, but part of them seem off-the-book and pretentious; it suffers from an illogical ending too. The third story, though quite honest and absorbing, is quite messy and detours from the main theme of the movie.

From writing screenplay and dialogues for cheesy soap operas to an intellectual independent feature film, Anand Gandhi has come a long way; I guess his experience as a playwright and short-film director must have come in handy.

Anand Gandhi's SHIP OF THESEUS is in one sentence an amazing story, amazingly shot. One rarely came across a film where narrative is powerful but the visuals add a whole new subtext, a new dimension to the overall experience. Without being too arty, intellectual or surreal, it is an original piece of cinema, where there are moments when you wish your characters to stay silent and they get into arguments and when you expect them to say the things, they stay silent yet speak a lot. It is a classic example of a wonderful use of the language of cinema. It engages your mind provided you have not left it at your home to watch a mindless entertainer. It is intense, sensitive thus overall a rare gem of cinema. Overall Good.