Trade of Innocents

This could have been so much better if they had found some actors that could actually "ACT" Dermot Mulroney and Mira Sorvino could have been replaced by two planks of wood and no one would have noticed the difference.

The Asian villain over acted his heart out! He never gave up, like a cornered rat he put up a fight.

The subject matter was never going to be an easy one to deal with, however, it was over simplified and put together like something from a Christian NGO workshop training video.

One really annoying thing about it other than the two main actors was the jumping between subtitles when the actors were "speaking Khmer" or whatever it was they were speaking and then the same actors talking in English for some reason. They should have just left it one way or the other.

Certainly not the worst movie around, but pretty poor mainly due to the pathetic script and bad acting.

I've seen some of the other reviews on this movie and am saddened that people seem more concerned about quality acting, than the point that children are being sold as sex-slaves, right now, today! It shows how numb the world has become to horror. The heart of this movie will touch yours, I hope. But this film also reminds us of the importance of art, the power of media, and will stir you up to share, like, tweet, post, whatever else you can do to a) raise awareness of the heinous crime, and b) help prevent it happening. If it saves ONE little girl, or ONE little boy from this horror, isn't it worth it. Besides that, I actually think the storytelling is really strong, the characters have great arc, and Oscar-winner Miro Sorvino is just fantastic. The bad guy is appropriately disgusting and tormented. I would STRONGLY recommend this movie to anyone who cares about life.

What a great film; poignant story, beautifully crafted, and a powerful message. Christopher Bessette and Philip Hurn make a dynamic team. This is a powerful treatment of a sensitive topic. Christopher's keen insight gave him the ability to thoroughly uncover a complicated topic. His recognition from the Breckenridge Festival of Film and The Canadian International Faith and Family Film Festival (CIFF) as best director testify to Christopher's consummate skills. He is able to draw out the subtle nuances of the characters that can speak louder than words. The veracity in the treatment of character, scenes, and all aspect of the story is impeccable. Don't let the ability of this film to express the delicate shadings of meaning, feelings, and value escape you if you are used to some films that are more superficial. Congratulations to Christopher and Mira Sorvino on the most recent of a growing list of awards garnered by The Trade of Innocents. I highly recommend this film.

I won't slam this film for being a poorly disguised Christian-value morality pusher. I won't knock it for it's 3rd-grade script and monotone actors. I'm not even going to examine the scores of plot-holes and racist inaccuracies present in an obviously NGO-funded and bible- thumper backed waste of space in my BitTorrent stream.

Instead I'd like to point out that this film, supposedly made about Cambodia and "based on real events" has:

a) Not a single Cambodian actor in the entire film

b) Not a single line of dialog that sounds Khmer

c) Not a single actual shot of Cambodia, Siem Reap, or Angkor Wat

d) Not a single shred of present-day reality

This movie will only shock & surprise those whom are easily fooled. The flimsy story-line and cheesy dialog, "I trained my whole life for this!", are enough to make milk curdle. Yeah, we know child trafficking sucks, we know people are working to stop it, but we're not dull enough to believe that it's as black & white as it's poorly portrayed here.

The thing that really gets me is that I saw the three actors, the only white guys in the movie, out together in Soi Cowboy during the making of the film. Really? You're gonna make a movie about how terrible the sex trade is and then go get a 16-year-old lap dance and boom boom when you've punched off the clock?

Scratch what I said above. There was one thing right about this movie, the pedophile go away in the end. That's what happens in 99.999% of the cases, they go back home from their holiday without hassle (incidentally, 19 out of 20 sex trade customers come from the same continent).

I wish filmmakers could stop themselves from making films about a country that they know nothing about and can't even bring themselves to hire someone from that country to help make the movie. It's insulting, demeaning, and racist. But hey, what do I know, Thais, Cambodians, Vietnamese -- heck, even Chinese -- they all look the same and a stupid Western audience won't be able to see or hear the difference, right?

It simply amazes me how films like this, ones that show the contrast between depravity and compassion, are hated. I cannot understand how stories such as this get buried under misguided judgment. I hear and read reviews that entirely miss the heart of the story and interested only in pointing out ill-perceived shortcomings. How many critics have actually stopped and fully considered the intent of the writer and what he was trying to accomplish? How many have placed themselves in the story and asked "what if this happened to me" or "what would've I done"? How many reviewers have been to places such as Cambodia and seen the horrors that this director has? Instead of pushing aside bias and taken in the film for what it was meant to be, they've done a great disservice by asserting their opinion based upon ill-perceived notions and toxic world view.

"For evil to prevail, all it takes is enough good men to do nothing..." Christopher Bessette made a stand and a hard-hitting statement with this film. It has personally inspired me to keep giving my own money to support brave men such as those in an organization called "Underground Railroad" who put themselves at risk rescuing children from sex trafficking all around the world. I believe Mr. Bessette has done humanity a great service by awakening the hearts of those who'll listen to his stories. He's done his part and I can only hope he and others like him, will continue to make films of this magnitude to enflame the rest of us to do something.