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A Spanish orchestra conductor (Quim Gutierrez) deals with the mysterious disappearance of his girlfriend (Clara Lago).

I wish that IMDb had half stars, because I was torn between a 7 and an 8. I usually reserve the 8 for the top notch films, but this film was just so close to that mark I feel bad giving it a 7. Definitely one of the most suspenseful films in recent memory.

The imagery is solid, the terror real and plausible. There is nothing in this film that could not happen in real life, and if you dread isolation, starvation or claustrophobia... this may bother you. It is a very strong film with no perfect characters -- the emotions here are also real and very mixed, just like real life.

I was a little torn on the nudity and sexuality. At first, I felt it was a bit much. But as the film went on, I realized that the nudity was not there for an exploitative reason and actually plays an important role as the film goes on. (I cannot really explain further, but I will say it adds to the emotional trauma.) I am grateful to Fox World Cinema for picking this one up -- a real gem.

Ah, yes, perfect thriller for a rainy afternoon. Events begin in rather predictable, ordinary, mundane fashion: in the very first scene boyfriend receives a Dear John video from girlfriend, she disappears, her whereabouts is a mystery, boyfriend meets new girl, new girl's ex boyfriend - a cop - suspects foul play. What's going on here? At first, go ahead with the snack trips to the refrigerator -- you won't miss much.

But, watch out!

Have you ever watched a blurry, out of focus scene for some time, when suddenly the camera zooms in on a hitherto unnoticed object, the focus becomes razor sharp, and from that moment on everything is changed? Something like this happens here. Once it does, the remainder of the film remains locked on this brand spanking new story and nothing more. Things snap into focus that you hadn't even realized were out of focus. Through the use of unexpected, ironic, playful plot twists and flashback, we suddenly see everything in a new light. So much for trips to the refrigerator.

The use of flashback is particularly fascinating: the viewer witnesses a rerun of the same events, but on second viewing they take on a completely new significance from a different point of view. This is clever stuff. Sure, it's a gimmick, but it works. I suspect Hitchcock would be impressed, and maybe even a little envious.

My point: don't give up on this film, stick it out. If you enjoy thrillers, especially of the mind-variety as opposed to blood and guts, you will not be disappointed. I was literally on the edge of my chair shouting at the TV! We're not talking about a great classic film here, but it is pretty good guilty-pleasure that should keep you riveted through the end.

I have one minor gripe, important to me but probably not to most people: Since classical music has always been a big part of my life, what drew me to the film initially was that the main character is an orchestra conductor. I was disappointed in the music. Familiar themes are bastardized all the time in commercials and other venues that are designed for the general public or for special effects. But this is a story about a conductor, who is working with a real orchestra (Bogotá, Columbia) that is actually playing the music, not "lip synching". Excerpts from a movement of a Beethoven symphony begin true enough, but very soon, alas, the music dissolves into corny clichés that I'm sure would send poor Ludwig spinning in his grave. Unfortunately this same pattern is repeated each time we see and hear the orchestra, with Rachmaninoff, Tchaikovsky, Brahms. Can they not let Beethoven be Beethoven, must he be improved upon? On the other hand, almost making up for this regrettable sin: in the credits, every single member of the Bogotá Orchestra is listed, instrument by instrument. I don't recall seeing this in a film before. Bravo. I'm sure the musicians are appreciative.

A Spanish orchestra conductor named Adrián (Quim Gutiérrez) receives a video message from his sweetheart Belén (Clara Lago), in which she breaks up with him , after that , she is suddenly disappeared . Then the orchestra conductor has to deal with the mysterious disappearance of his girlfriend and he is main suspect . Her sudden disappearance leaves Adrián dejected , confused but keen to move on, as he swiftly becomes romantically involved with barmaid Fabiana (Martina García). The pair fall madly in love as Fabiana moves in with her new lover. However her opening few days at her new residence are tainted by a paranoia that she is being haunted , following a string of mystifying incidents taking place in the bathroom and bedroom . Fabiana, begins to spend time in the house alone she starts hearing noises and experiencing odd events. Could Belén be reaching out from beyond the grave for vengeance? Or is there something even more sinister at play ? It does have mysterious happenings in a big , spooky house along with pain, suffering of one or two scorned women.

This is an intriguing and suspenseful Colombian/Spanish co-production full of thrills , chills and twists and turns . ¨La Cara Oculta¨or ¨The Hidden Face¨ is a compelling tale of intersecting narratives, in a feature that could quite easily be released as two separate film . Despite being somewhat of a cinematic cliché, rarely has a feature been so aptly deserving of its description as a film of two halves . Acceptable performance by protagonist trio as Quim Gutierrez as wealthy , voguish orchestra conductor engaged to a Spanish girlfriend well acted by Clara Lago , whose sudden disappearance leaves Adrián stressed , saddened , leaving him the number one suspect in the eyes of the police , but he takes up with another woman shortly thereafter, , as he spontaneously becomes passionately involved with barmaid Fabiana finely played by the gorgeous Colombian actress Martina García . Furthermore , a special appearance of veteran and experienced actress Alexandra Stewart as a landlady . Thrilling and mysterious musical score by Federico Jusid . Glamorous and luxurious cinematography by Josep M. Civit . The motion picture was compellingly directed by Andrez Baiz in his second film , the first was ¨Satanas¨in which also worked Martina Garcia . Rating : Notable , above average , worthwhile watching .

LA CARA OCULTA starts out mediocre, with dialogue that seems cranked out by a ten year old without much imagination -- "Hi, how are you? Good and you? Good, thank you. Would you like something to drink? Yes..." And so on. TV soaps have better dialogue.

Quim Gutierrez' performance is at best lacking. He has two facial expressions that actually look very similar. And Martina Garcia reminds me of Jessica Alba in terms of her looks and her bare minimum acting skills.

I thought the movie might be a bust until, half way through the film, Clara Lagos shows up and the movie becomes a heart-pounding thriller with top notch acting and a series of fascinating and very creepy twists.

My advice: stay through the first so-so hour and you won't be able to turn it off.

And yes, Quim Gutierrez should have rehearsed the role of an orchestra conductor better and...

DO NOT WATCH THE TRAILER!

Movie begins slow and seems to be shallow love drama, but somewhere in the middle a surprise awaits you that will justify your patience. It's hard to give even brief summary without spoilers. I strongly advise you not to read reviews nor in any case watch the trailer, because the essence of this psychological drama is in the horror you feel when you finally realize what is actually going on and later in quite predictable, but no less terrible plot twist. Acting and directing are good, and excellent music perfectly contributes to the stressful atmosphere of the movie. Huge recommendation.

8,5/10