Nate and Margaret

This is a really nice little movie about two people who have a deep friendship at stalled points in their lives. Nate is an incredibly shy film student who is trying to explore life as a gay man. Margaret is a woman with dreams of being a stand up comic who has not learned to speak her own truth. Their friendship is the spark for both of them to move forward in their lives, not without conflict, pain and difficulty. Still, it remains a sweet, light-hearted and hopeful film. Nate's story arc in particular has a very genuine feel. There is really nothing in the movie that feels forces or shoved in for moving the plot forward. Everything flows out of the characters.

It's always nice to see Chicago in a movie as well. It's a location with a lot of character that doesn't get utilized enough.

I watched Nate & Margaret because Tyler Ross was in it. I knew about Tyler from watching two excellent movies by Stephen Cone, The Wise Kids and Henry Gamble's Birthday Party. Tyler has a small role in Henry Gamble, a leading role in The Wise Kids. After watching Nate & Margaret, my opinion that Tyler Ross is a wonderful actor has not changed. But as for the movie itself, well, director Nathan Adloff should have a long talk with Stephen Cone about how to make a movie worth watching. Both of Cone's films have interesting, well-developed characters, interwoven stories, and excellent timing. Unfortunately, the excellent acting by the three leads, Natalie West (Margaret), Tyler Ross (Nate), and Conor McCahill (James) could not make up for the poor script and directing.

Sweet, good hearted little indie about the unlikely close friendship between at 19 year old gay wanna-be film-maker and his neighbor, a 52 year old wanna be stand up comedian.

While there are rough spots – the low budget shows through, not all the acting is everything it might be, some plot twists are either obvious or a bit of a stretch – this film deserves lots of credit for dealing with something as delicate and complex as friendship.

There are obvious parallels to the great "Harold and Maude" (especially when a folky singer who sounds a bit like Cat Stevens starts singing under the opening scene), but really the two films are very different. "Harold and Maude" was both far more farcical and more tragic, and dealt with romance. This film is quieter and smaller, dealing with the subtle humor and sadness of day to day life. A simple, lovely effort.

Well, folks, I gotta say ... I was taught the theatrical definition of "comedy" a long time ago, and, basically, it's "all's well that ends well." The rest is tragedy.

So I believe that this is a comedy, both in the strictest sense of the word, and, I think, too, in the enjoyment of the film. I agree with so many others here, this is a movie that stays with you. I've seen a lot of good movies this year, not all made this year but popping up on Netflix for my viewing pleasure: Extract, Butter, Price Check -- all for some reason revolving around food, Satisfaction Not Guaranteed ... the list goes on and on. No, this one is not a thigh-slapper, but then neither is the comedy of the main female character ... perhaps the one stretch is to think that her shtick could make it. Yet I think it is so endearing, and Natalie West underplays her roles so well, that is not beyond reality at all. I can't say this is a great movie yet ... time will tell how it sits. But it certainly is sweet.

Although this movie is the first from Adloff and Palmer, it's quite well done. But to tell the truth the actor Tyler Ross is the reason I watched this movie. As a matter of fact he looks a lot like the ex porn star now doing regular movies Sean Paul Lockhart (Brent Corrigan)specially in " Judas kiss" which is too a low budget, 1st movie. Fact is women's note for this movie is 8.5 whereas males give it a 4.5 . Likely reason : the real cute Tyler. His character is the perfect boyfriend, kind, clever, stable guy. Margaret is to my taste too shallow. Adding 20 minutes to the movies to give more details about the life of this women could have created more empathy. I give this movie a good 5 which is a good mark. Some informations are missing in the storyline towards the end. I really think 20 minutes more would have solved theses little problems.