VALUTAZIONE IMDb
7,1/10
11.463
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe lives of four drug dealers, one user, and two prostitutes are explored.The lives of four drug dealers, one user, and two prostitutes are explored.The lives of four drug dealers, one user, and two prostitutes are explored.
- Premi
- 2 vittorie e 5 candidature totali
Patrick Hearn
- Liability
- (as Patrick O'Halloran)
Chris Donnelly
- Prison Guard
- (as Christopher Donnelly)
Recensioni in evidenza
I can only assume that people didn't like this film because it was too dark, or it simply wasn't their type of film.
If you like films like Kidulthood & Adulthood I can promise you will LOVE this.
I personally thought it was better than the above said films.
Not only was it very well produced and directed, the acting was top notch! I've never seen (or noticed) Ed Skrein in a film before, and he played his part perfectly - Totally believable, and basically a right nasty piece of work.
All the other parts were played excellently too(with maybe the exception of Kirby's character)
It had a great story that keeps you engrossed from beginning to end, it is shocking, harrowing,and some good humor was thrown in too.
After it finished, I text a handful of friends (who I knew would like it) and told them to watch it asap.
Nuff said, 10/10
If you like films like Kidulthood & Adulthood I can promise you will LOVE this.
I personally thought it was better than the above said films.
Not only was it very well produced and directed, the acting was top notch! I've never seen (or noticed) Ed Skrein in a film before, and he played his part perfectly - Totally believable, and basically a right nasty piece of work.
All the other parts were played excellently too(with maybe the exception of Kirby's character)
It had a great story that keeps you engrossed from beginning to end, it is shocking, harrowing,and some good humor was thrown in too.
After it finished, I text a handful of friends (who I knew would like it) and told them to watch it asap.
Nuff said, 10/10
Ill Manors is a film that does far more than just push the boundaries previously set by British films such as Kidulthood, Adulthood and Harry Brown, of which Ben Drew played key roles in. It bends moral boundaries to a level rarely seen before in British cinema, even when the character does things for the 'greater good', the brutality of the streets re balances the already lop sided scales back into darkness, corruption and greed.
A fantastic blend of black and white re winds, flash backs and present time, in a style similar to that of Pulp Fiction where each characters story gets told and varied perspective on events is shown, on this poor and heartless council estate in London. Narration in the form of a truly brilliant soundtrack by Plan B, and although a surprisingly low amount is used, it makes it all the more effective. The film may seem too much to handle and over worked – this couldn't be any further from the truth. What also impressed me was the micro budget Plan B had to work with, and the way he managed to produce such a professional piece with it - he saves a large amount by recruiting local musicians and up and coming actors/actresses to play key roles, though they play them as naturally and effective as any world-renowned star. Throw in some fantastic performances from the young members of the cast, and Ben was on to a winning formula.
The gritty realism will undoubtedly be difficult for some people to even view, let alone understand or relate to. The films climax is one of the most unforgettable and unpredictable I have ever seen in recent years. The extent to which this film impressed and shocked me, in the standard in which is was created, the plot, characters, and actors involved, means Ill Manors easily waltzes into my top 3 of the year so far.
A fantastic blend of black and white re winds, flash backs and present time, in a style similar to that of Pulp Fiction where each characters story gets told and varied perspective on events is shown, on this poor and heartless council estate in London. Narration in the form of a truly brilliant soundtrack by Plan B, and although a surprisingly low amount is used, it makes it all the more effective. The film may seem too much to handle and over worked – this couldn't be any further from the truth. What also impressed me was the micro budget Plan B had to work with, and the way he managed to produce such a professional piece with it - he saves a large amount by recruiting local musicians and up and coming actors/actresses to play key roles, though they play them as naturally and effective as any world-renowned star. Throw in some fantastic performances from the young members of the cast, and Ben was on to a winning formula.
The gritty realism will undoubtedly be difficult for some people to even view, let alone understand or relate to. The films climax is one of the most unforgettable and unpredictable I have ever seen in recent years. The extent to which this film impressed and shocked me, in the standard in which is was created, the plot, characters, and actors involved, means Ill Manors easily waltzes into my top 3 of the year so far.
10Art Snob
I've been coming to the TIFF for fifteen straight years, and all I can say is "wow!" If you've seen the trailers at IMDb and YouTube and been impressed, rest assured that the movie more than delivers on what they promise.
The movie was made on a shoestring, and is quite possibly the greatest shoestring movie ever I sure can't think of any other low budget film that can touch this. If I can luck out on a rush ticket Saturday, it will be the first time I've ever seen a movie TWICE at the festival, (I have a feeling that this film will take time to reach the American market – perhaps being toned down in the process -- and I've GOT to see it again.)
This is certainly a helluva directing debut for musician Ben Drew (a.k.a. Plan B) who also wrote the pulsating soundtrack. I've never seen music more effectively tied to visuals than here, whether they're real time, time lapse, or stop action. Especially effective are transitional passages staged as rap music videos.
There's plenty of great acting too, thanks to a large talented ensemble cast of relative unknowns. Especially impressive Is Riz Ahmed as the character who bridges several interconnected stories about life on the mean streets of East London over a several day period. And in a knockout debut, young Ryan De La Cruz is incredible as a naïve 13-year-old out to buy some weed who gets transformed into a killer in a very believable way.
The realism is astounding. I've seen movies like ARGO and END OF WATCH at the fest, and while they were certainly well-made, they seem overly stagey in comparison (although, to be fair, just about ALL movies do). I voted this for best picture on my way out – I know that nothing I'm going to be seeing from this point on is going to top this.
Not for the genteel, faint-of-heart, or British accent-averse, but if you're none of the above, prepare yourself for a real treat. Never a dull moment! Feel free to base your expectations on the available trailers and videos – they don't deceive in the slightest.
The movie was made on a shoestring, and is quite possibly the greatest shoestring movie ever I sure can't think of any other low budget film that can touch this. If I can luck out on a rush ticket Saturday, it will be the first time I've ever seen a movie TWICE at the festival, (I have a feeling that this film will take time to reach the American market – perhaps being toned down in the process -- and I've GOT to see it again.)
This is certainly a helluva directing debut for musician Ben Drew (a.k.a. Plan B) who also wrote the pulsating soundtrack. I've never seen music more effectively tied to visuals than here, whether they're real time, time lapse, or stop action. Especially effective are transitional passages staged as rap music videos.
There's plenty of great acting too, thanks to a large talented ensemble cast of relative unknowns. Especially impressive Is Riz Ahmed as the character who bridges several interconnected stories about life on the mean streets of East London over a several day period. And in a knockout debut, young Ryan De La Cruz is incredible as a naïve 13-year-old out to buy some weed who gets transformed into a killer in a very believable way.
The realism is astounding. I've seen movies like ARGO and END OF WATCH at the fest, and while they were certainly well-made, they seem overly stagey in comparison (although, to be fair, just about ALL movies do). I voted this for best picture on my way out – I know that nothing I'm going to be seeing from this point on is going to top this.
Not for the genteel, faint-of-heart, or British accent-averse, but if you're none of the above, prepare yourself for a real treat. Never a dull moment! Feel free to base your expectations on the available trailers and videos – they don't deceive in the slightest.
This film quite literally blew me away and had I listened to some of the posts off here, I possibly could of missed out!
Personally, judging by the posters who have come on here to discuss this film, I think the film has inadvertently aimed itself or been swept into the wrong market. It seems it is being judged by the people who are unfortunately incapable of grasping the brilliance of it all.
Despite being set in a similar environment, this film is not another 'Kidulthood' and tackles much more deeper questions about morality. 'Kidulthood' was aimed solely at the people it portrayed such as the teens and young adults who live in these areas. For me, 'Ill Manors' is for a more mature market and is a harrowing message that should be seen by the masses and the more privileged of us out there who need a window to peer through in order to grasp the horrors that take place right on our doorstep. It is also for the real movie lovers out there who want to be taken on a roller coaster ride and really feel the angst and despair that these true to life characters have to go through just to survive. Without question, this film will take you in from the first minute and drag you into the hurricane that is the working class of London where you have no idea how or where you will end up.
From a spectacle point of view, this film is breathtaking one minute and the so raw the next that you will feel the need to look away.
I can quite readily say that I did not expect nothing close to what I saw and I am extremely glad that I took the time to check this brilliant film out.
9/10 for me.
Personally, judging by the posters who have come on here to discuss this film, I think the film has inadvertently aimed itself or been swept into the wrong market. It seems it is being judged by the people who are unfortunately incapable of grasping the brilliance of it all.
Despite being set in a similar environment, this film is not another 'Kidulthood' and tackles much more deeper questions about morality. 'Kidulthood' was aimed solely at the people it portrayed such as the teens and young adults who live in these areas. For me, 'Ill Manors' is for a more mature market and is a harrowing message that should be seen by the masses and the more privileged of us out there who need a window to peer through in order to grasp the horrors that take place right on our doorstep. It is also for the real movie lovers out there who want to be taken on a roller coaster ride and really feel the angst and despair that these true to life characters have to go through just to survive. Without question, this film will take you in from the first minute and drag you into the hurricane that is the working class of London where you have no idea how or where you will end up.
From a spectacle point of view, this film is breathtaking one minute and the so raw the next that you will feel the need to look away.
I can quite readily say that I did not expect nothing close to what I saw and I am extremely glad that I took the time to check this brilliant film out.
9/10 for me.
Saw this the other week at the cinema. Watch a film. Although this type of film has been done before with the likes of 'Kidulthood' and so on, but the material has never been fresher. I'm not Plan B's biggest fan music wise. I think he's very talented and my girl loves him, but I'm more into my underground grime rather than commercial. I did, however, think he did a good job in 'Adulthood' and 'Harry Brown' so I'm guessing I'm more into his acting than his music. And I'm hoping to see a lot more after this. It's the story of different characters who connect in some way or another. Each story filled with tragedy and each character dealing with issues. Plan's B's singing narration before each story is brilliant. This won't be for everyone. There's crackheads, prostitution, pedophiles, drugs and violence but there's also an incredible empathy for even the most horrible characters. There's also some good humour too. The acting's fantastic. With some faces you know and some you don't, each performance is bang on. Overall a deep, very well made film with terrific performances and a truly original style. ****/*****
Lo sapevi?
- BlooperWhen Ed is arrested he is shown in a cell. The gaoler is shown wearing Her Majesty's Prisons uniform. Later it was stated that he was released without charge; if that was the case he would have only got as far as being held in police custody, which is run by the police rather than the prison service.
- ConnessioniReferences L'urlo di Chen terrorizza anche l'occidente (1972)
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Dettagli
Botteghino
- Budget
- 100.000 £ (previsto)
- Lordo in tutto il mondo
- 714.441 USD
- Tempo di esecuzione
- 2h 1min(121 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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