VALUTAZIONE IMDb
6,6/10
1375
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen two friends tape-recorded the fights of their violently noisy neighbors, they accidentally created one of the world's first 'viral' pop-culture sensations.When two friends tape-recorded the fights of their violently noisy neighbors, they accidentally created one of the world's first 'viral' pop-culture sensations.When two friends tape-recorded the fights of their violently noisy neighbors, they accidentally created one of the world's first 'viral' pop-culture sensations.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 candidature totali
Eddie Lee Sausage
- Self
- (as Eddie, 'Eddie Lee Sausage')
Mitch Deprey
- Mitchell D
- (as Mitch, 'Mitchell D')
Robert Mothersbaugh
- Self - DEVO
- (as Bob Mothersbaugh)
Henry S. Rosenthal
- Self - Film Producer
- (as Henry Rosenthal, Henry S. Rosenthal)
Mark Gunderson
- Self - Radio Host - The Sound of Plaid
- (as Trademark G, Mark Gunderson aka Trademark G)
Christy Brand
- Self
- (as Frillypants, Christy Brand aka Frillypants)
Doug Levy
- Self - Obsessive Fan
- (as Doug Levy, Douglas Levy)
Recensioni in evidenza
It may actually be a plus that the director takes no moral viewpoint about the material, but it is disturbing that no one really sees the ugly moral, if not legal, ramifications of the exploitation of the two drunks. Yes, it is difficult not to laugh at any colorful alcoholic, as comedians have alway known, and the recent suppression of such humor may only add the laughs we are indulging in when we hear these two.
The pranksters, of course, went way past that and harassed them with prank calls, still, it could have been viewed as edgy, if caustic, humor. Those who went crazy for this stuff, however, are the type of people who kick a cripple, and watching the attempts to turn this fad into a big Hollywood payoff is car wreck time, you want to look away but you can't.
It's funny that the identity of the big name comic who wanted to do the movie is protected, the two losers are granted no such compassion or dignity. Indeed, the director displays no real interest in them other than as push pin dolls for comic derision. Who were they, really, and how did they get to such a desperate state of life? To ask these questions might have spoiled the fun of deriding them.
The pranksters, of course, went way past that and harassed them with prank calls, still, it could have been viewed as edgy, if caustic, humor. Those who went crazy for this stuff, however, are the type of people who kick a cripple, and watching the attempts to turn this fad into a big Hollywood payoff is car wreck time, you want to look away but you can't.
It's funny that the identity of the big name comic who wanted to do the movie is protected, the two losers are granted no such compassion or dignity. Indeed, the director displays no real interest in them other than as push pin dolls for comic derision. Who were they, really, and how did they get to such a desperate state of life? To ask these questions might have spoiled the fun of deriding them.
In the end, this movie felt like an excuse to milk the tapes for a little more fame and/or money.
The first 2/3rds nicely chronicle how the whole phenomenon took place. And it truly is fascinating. You get a sense of how strange, serendipitous and organic it must have been to have a personal project turn into a meme.
But the key word is "organic". Other people drove the Pete and Ray story. The partners, correctly, said "go ahead" since, in effect, it wasn't really theirs to control.
It's when they take control that movie inadvertently reveals that, rather than a sweet, hapless pair that fell into something, they've staked their identities on this one thing and they've become kind of self-important assholes.
When Eddie Lee made proclamations about "art" my first thought was - "Really? What other art have you created? Because an artist normally creates more than one piece of art and all you did was tape some guys screaming at each other. Other people picked it up and turned it into something. Duping tapes and giving them to people...well...that's not really art." After that, the pair goes on a quest to do the one thing that art should never do - explain itself. Tracking down Ray, the roommate, felt like a stunt. It was a fishing trip to solve the riddle of whether Pete and Ray were lovers. That's dull and pointless.
Art, imho, allows people to project themselves into and onto what they see. These two, Eddie in particular, seem to want to prove something that doesn't need to be proved. Wrapping up the film with the Pete and Ray dancing sucks everything that's interesting about the relationship out of it.
The first 2/3rds nicely chronicle how the whole phenomenon took place. And it truly is fascinating. You get a sense of how strange, serendipitous and organic it must have been to have a personal project turn into a meme.
But the key word is "organic". Other people drove the Pete and Ray story. The partners, correctly, said "go ahead" since, in effect, it wasn't really theirs to control.
It's when they take control that movie inadvertently reveals that, rather than a sweet, hapless pair that fell into something, they've staked their identities on this one thing and they've become kind of self-important assholes.
When Eddie Lee made proclamations about "art" my first thought was - "Really? What other art have you created? Because an artist normally creates more than one piece of art and all you did was tape some guys screaming at each other. Other people picked it up and turned it into something. Duping tapes and giving them to people...well...that's not really art." After that, the pair goes on a quest to do the one thing that art should never do - explain itself. Tracking down Ray, the roommate, felt like a stunt. It was a fishing trip to solve the riddle of whether Pete and Ray were lovers. That's dull and pointless.
Art, imho, allows people to project themselves into and onto what they see. These two, Eddie in particular, seem to want to prove something that doesn't need to be proved. Wrapping up the film with the Pete and Ray dancing sucks everything that's interesting about the relationship out of it.
I saw this documentary at the Traverse City (MI) Film Festival. Two Midwestern college grads move to California in 1987, only to find that their new apartment has a pair of profane, arguing drunks living next door. After being awakened repeatedly by their new neighbors' rants, the guys start audio taping the fights. Eventually they collect dozens of hours of material, share bits with their friends, and an underground sensation begins. Tapes, comic strips, a play, and even a puppet show depicting Peter and Ray, the fighting neighbors, emerged throughout the 90's. At one point 3 competing movie productions were planning films about the couple.
The first 30 minutes or so of the doc sets up the scenario and lays the background to the story. It is this part, when we are first introduced to the vulgar fighting couple, where the movie is at its best. Unfortunately the film can't sustain the humor and energy from the first third of the film, as we follow the legal battle to determine who has the rights to the recordings. The film ends with the college guys returning to the scene of their recordings, 20+ years later, and investigating what has happened to their old neighbors. Still, I found the story engrossing and interesting enough to sustain my attention through the second half of the film. The movie is entertaining, but if you're easily offended by profanity look elsewhere!
The first 30 minutes or so of the doc sets up the scenario and lays the background to the story. It is this part, when we are first introduced to the vulgar fighting couple, where the movie is at its best. Unfortunately the film can't sustain the humor and energy from the first third of the film, as we follow the legal battle to determine who has the rights to the recordings. The film ends with the college guys returning to the scene of their recordings, 20+ years later, and investigating what has happened to their old neighbors. Still, I found the story engrossing and interesting enough to sustain my attention through the second half of the film. The movie is entertaining, but if you're easily offended by profanity look elsewhere!
Imagine, if you will, a couple of cartoonist Harvey Pikars living in the next apartment in 1987 San Fran; only these two aren't savage cartoonists and don't have Harvey's wit or wide-ranging interest in humanity. They're just a couple of aging men, roommates, one gay one straight.
Shut Up Little Man! An Audio Misadventure is the strangest documentary you'll see this year or almost any because nothing really happens except that filmmakers Mitchell D and Eddie Lee Sausage tape their two old neighbors, who, when drunk, verbally abuse each with the same repetitive expletives, the most memorable being Ray's, which is the first part of the film's title.
Two elements of the experience are worth noting: a viral fame came by way of a world-wide network of lending tape organizations (remember, no You-Tube or Internet), and talk of litigation about privacy rights appears and then vanishes.
These two topics could have been the heft needed to counterbalance the repetition of Ray and Pete's rants, which are strangely uninteresting except for our voyeuristic interest in loser humanity and the sheer banality of their lives, perhaps reminding viewers of their basest moments of stupidity and anger against a loved-one.
The doc is peopled by geeks who spend a large part of their lives pursuing these tapes as if they were the private conversations of Charlie Sheen. Wait! That's the answer: We love the salacious, degraded moments of someone else's life because we feel superior or we need to know that others have the same weird moments we do. I must admit to a fascination with the rhythmic patterns of their language, poetry from the tenement but not T.S. Eliot.
Its lowness mystifies me, an art house fan, and yet attracts me, as a winsome prostitute might. I know she's not part of my life, but for some reason I'm compelled to invite her in.
Shut Up Little Man! An Audio Misadventure is the strangest documentary you'll see this year or almost any because nothing really happens except that filmmakers Mitchell D and Eddie Lee Sausage tape their two old neighbors, who, when drunk, verbally abuse each with the same repetitive expletives, the most memorable being Ray's, which is the first part of the film's title.
Two elements of the experience are worth noting: a viral fame came by way of a world-wide network of lending tape organizations (remember, no You-Tube or Internet), and talk of litigation about privacy rights appears and then vanishes.
These two topics could have been the heft needed to counterbalance the repetition of Ray and Pete's rants, which are strangely uninteresting except for our voyeuristic interest in loser humanity and the sheer banality of their lives, perhaps reminding viewers of their basest moments of stupidity and anger against a loved-one.
The doc is peopled by geeks who spend a large part of their lives pursuing these tapes as if they were the private conversations of Charlie Sheen. Wait! That's the answer: We love the salacious, degraded moments of someone else's life because we feel superior or we need to know that others have the same weird moments we do. I must admit to a fascination with the rhythmic patterns of their language, poetry from the tenement but not T.S. Eliot.
Its lowness mystifies me, an art house fan, and yet attracts me, as a winsome prostitute might. I know she's not part of my life, but for some reason I'm compelled to invite her in.
It's grumpy old men for a new generation. They were hilarious, fascinating, and I wish more of their backstory was known. If your dad can curse a blue streak, this will make you laugh!
Lo sapevi?
- QuizFirst feature to be made and released from the South Australian Film Corporation's FilmLab initiative.
- Curiosità sui creditiArchival Material "Bale Out! Christian Bale Remix! Acoustic Version" by EWKUTB
- ConnessioniFeatures Shut Yer Dirty Little Mouth (2001)
- Colonne sonoreToo Drunk To Dream
Written by S. Merritt
Performed by The Magnetic Fields
Licensed courtesy of Warner Music Australia Pty Ltd
© Gay and Loud Music / Notting Hill Music Ltd.
Administered by Universal Music Publishing Pty Ltd
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Shut Up Little Man
- Luoghi delle riprese
- The Castro District, San Francisco, California, Stati Uniti(Multiple exterior shots.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 23.901 USD
- Lordo in tutto il mondo
- 23.901 USD
- Tempo di esecuzione
- 1h 30min(90 min)
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