The Door

This film chills with ideas and suggestions more than with visuals and gore or straight action.

The director, IMO, does a great job with a modest budget and pulls out a bag full of skillful director's tricks (lighting, camera angles, shadows, color variations, etc) to achieve his ends. When there is an effect, it happens in shadowy spots of the screen image, reinforcing a spooky ambiance in the film.

One of the best low-budget/minimal-FX films I've seen in years.

It worked for me.

My hat is off to the director/writers and actors for a job well done.

This is a very solid little horror film that does a great job of combining mock-documentary footage and a straight narrative. Also, the filmmakers have seeded the film with subliminal word messages hidden in a few quick cuts and blurry images, which is kind of funny and amusing. It's individual words sprinkled through the film o spell out: NOW YOU WILL SEE THEM TOO!!! I really appreciate this little touch and would love to read or hear about this choice. I watched it on VOD, so now I'll have to pick up a copy of the DVD or blu-ray to see if they talk about this at all.

I am a sucker for a good ghost story, and while this isn't "ghosts", it is creepy and made the hairs on the back of my neck stand on end more than once. It also reminds me of my college days of staying up late and listening to Art Bell on his spooky AM radio talk show.

If you like creepy, slow-burn horror you should defiantly give this a watch.

I hope this review does not conflict with the User Review Guidelines.

The opening said was based on facts. Why was the movie not filmed in Eastern Kentucky?

The jumping required me to watch it again to pickup the story line better.

If I were able to pay more attention, I wouldn't have had to watch it a second time.

The basic premise to me would have been better if it were a documentary. Maybe even a miniseries.

More time given to the background as it relates to the story. I would have wanted more history on the Charlie Crowe character. This along with more history on the shadow people, when the stories were first written down.

If the movie comes on again I may watch it again.

When at the beginning I saw the 'Reality' footage added in, I thought immediately that I was NOT going to like this (I HATE 'Reality Shows' and most 'Found Footage' films) But, I must say, that it was actually used very judiciously throughout the movie.

I don't usually care for Dallas Roberts that much either, but I must admit that he did a decent job in his role. Every time I see the guy, I get this eerie feeling that John Ritter has been resurrected! DAMN! Also, as you actually get to see the real people here involved in the 'True' case, it does have a sneaky way of drawing you into the film.

With such a simple concept, the way it was done was decent and moderately effective. When I saw the REAL guy I truly felt quite sorry for him, especially when they show the credits at the end (not to give anything away) I really just felt bad for him.

I think the thing that I appreciated most was that the way it was put together and the way it was put across, you never get the feeling that the film makers are exploiting the idea like so many other 'True' stories. Especially with the footage of the real guy, you get a strong sense that they are honestly trying to portray events as they actually 'happened'.

A surprisingly interesting and mildly effective film that somewhat surpassed my earlier expectations...

Rarely do I come across anything in my viewing of horror movies that makes me jumpy or paranoid after turning the TV off. Most times I enjoy the film and then go on about my business with no worries. However, every once in a while a true gem of fear comes along and leaves its imprint on me as I shut off all the lights in the house and head to bed. Matthew Arnold's "Shadow People" had me searching the walls and windows for ghastly spots of unexplained darkness after watching it.

Participants in an experimental sleep study in the 1970s report seeing strange shadowy figures. They and several hundred other individuals die in their sleep soon after. The phenomenon was given the name SUNDS, which stands for "Sudden Unexplained Nocturnal Death Syndrome." Doctors wouldn't talk about the shadows.

In the present, failing radio talk show host Charlie Crowe begins receiving calls from a teenager claiming shadowy intruders are coming for him. At first, Charlie believes the kid is mentally ill. His theory is challenged when the boy dies in his sleep. Things get even weirder when listeners of his talk show and people he tells about the mysterious shadowy figures begin dying in their sleep. Are these clusters of deaths a coincidence or are there sinister nocturnal forces at work?

"Shadow People" takes the sort of ideas our nightmares are made of and puts them in a visual package. Everything you've ever thought about someone or something watching you in your sleep is brought to life in this creepy little indie film.

Director Matthew Arnold shows great promise through his mastery of timing. He has a knack for setting up what you would expect to be your typical jump scare and somehow delivering it in an off-tempo manner that leaves the viewer surprised and shuddering.

I can't say I completely agree with every choice of filmmaking he used for "Shadow People." The movie is presented in the manner of many true crime TV shows are. It's a re-enactment of "true events" with the actual people involved giving their commentary along the way. The concept is interesting but gets a bit distracting as the terror unfolds.

Many religious individuals would express their belief that shadow people are demons or evil spirits. Much like in "The Possession" or "The Exorcist," the person has brought something into their house that allowed the entity access. I am of that mindset more so than any other concept brought up in this.

If I were to compare "Shadow People" to other movies out there just as a way to spark people's interest, "The Ring" and "The Apparition" immediately come to mind. By no means is this a carbon copy of either of those films. They just came to mind as I sat watching it.

"Shadow People" is that rare horror movie that leaves a lasting impression on its audience. The fear might wear off over time, but you'll never completely stop thinking about it. We all wake up in the middle of the night gasping for air, feeling like something is sitting on us, or thinking we're being watched. Is it just our imagination or could it be the shadow people?