Cogan - Killing Them Softly

Killing Them Softly is about a trio of thieves who rob the wrong people and end up with the gang and a hit-man (Brad Pitt no less) on their trail. The advertising describes it as a 'black comedy/drama,' although I found little to laugh at during the whole thing. It seems like its trying to be a homage to 'overly-talkie' films like Quentin Tarrintino writes, but sometimes the dialogue simply went nowhere.

The actors are all great. It has a stellar cast who do their best, plus the cinematography is all top notch. There's some, but not as much as you may have been led to believe, violence in it. If you've heard this is a violent film, they're probably referring to one particular scene midway through the film. Apart from that, there's actually very little else that will shock you visually.

So it has good actors, a good setting, quirky dialogue and a premise that, although not totally original, is certainly watchable. I can see how some people liked it. Although, not everyone did. Some may say that the only thing missing from such greatness is a story. The narrative doesn't really have much focus and flits back and forth from different people leaving you wondering where you'll be next.

And then there's the politics. Throughout the film we're constantly seeing the 2012 presidential election campaign on TV screen. Apparently (and I have to confess that I didn't get this) the whole film is an allegory of modern America, i.e. one character represents the American public's sense of despair and apathy, while another represents the American public's sense of knowing what's really happening, but knowing they can't do anything about it and so on.

There's a lot to like about Killing Them Softly. There are some very good bits here and there. But then that's the problem - for every good scene there's a dull one that either goes on for too long or doesn't go anywhere.

Not bad, but could have been better.

This movie was done in a style that was quite unique from your standard issue shoot 'em up or Scorsese gangster movie in a number of ways I found refreshing. It slowed down the pace of dialogue scenes to a relatable and believable level, made the violence far more realistic, and didn't overdo the music. Those who can't handle too much, or too realistic of violence won't like this movie.

Some might feel the dialogue makes the movie drag just a bit, but if you like realistic filmmaking, they've made it feel as if you're sitting in on actual conversations. The scenes and cuts are long but are livened up with the fairly constant scummy-ness of the characters. James Gandolfini seemed to prattle on a little too much but I suppose that was the point.

The violence can be summed up as unsentimental; much of it can be defined by the difficult achievement of not falling into played out Hollywood clichés. There are no heros in this movie as the director doesn't use cheap tricks, like voiceovers, disproportionate screen time, or happy music to convince you that one criminal is worth rooting for over the others. There is no glorification or demonization of violence, as it is depicted without the influence of music, and the audience can decide for themselves about what is being shown. There are no Schwartzenegger-style shoot outs, as the violence is usually sudden but brutal and loud. Every gunshot is closer to being as loud as real life, so you get a little jolt with every shot like being at a gun range.

The use of music is also played down and important in making both the violence and dialogue distinct. There is some music which gives the movie some energy, but overall far less than the average Hollywood film. This adds an element of suspense as the music doesn't give away what is about to happen in every scene (like a movie with ominous music when something bad is about to happen, etc.). The lack of music also allows the audience a semblance of neutrality in what they are observing; characters are allowed to be likable without being good.

This is the sort of movie you could expect if the hero was removed and you only had the villains and thugs left over--it is far less boring.

With all the dragging on of some scenes, the constant soundbytes of the 2008 presidential campaign, the abrupt ending, a lot of pointless dialogue, I'm just not sure of what to think of this movie.

There are two separate scenes where James Gandolfini's character is just dragging on and on and on about his ex-wife for what felt like 20-30 minutes. You think he might finally shut up about it but he keeps on talking about it. There are a few other scenes with dialogue don't move the plot forward or contribute to it. And sometimes the dialogue itself is just plain dumb.

I see other reviewers talking about how violent this movie is. I assure you that the claims about this movie being brutal or very violent are way overexaggerated. I think movies like Casino and Goodfellas are more violent than this. This must be their first time watching an R rated film.

There was so much potential with this movie had there been a different script writer and director, but it is what it is. Since I can't decide on any rating I'll just give it a 6. Watch it by yourself because watching it with someone else will ruin any good mood.

This is a movie that I did not personally like, but I know for a fact that there are certain people that this movie was made for.

This is extremely dialogue heavy and I can only like excessive dialogue to a point. I also felt like the dialogue was just words instead of things I can think about. I felt like the words were just going in one ear and out the other.

There are also so many characters in such a short time that I had to rewatch the earlier scenes to actually grasp the whole plot. As for the plot, it seemed very poorly paced.

Everything aside, the great scenes were great. I love the car drive conversation before the robbery and I think that the ending was enjoyable.

I think that my favorite part of this movie were the actors and their characters. Everyone played a different character and I felt like the characters worked well with each other. I especially liked seeing James Gandolfini and Ben Mendelsohn in this movie.

The last thing is that the sound design in this movie is very unique and hit-or-miss. I personally found it an interesting change, but it could definitely be irritating for some.

Overall, you should give this movie a try because on the off chance that this is your cup of tea, you'll love it.

Watching Killing Them Softly put me in mind of the great crime caper film of the Seventies, Charley Varrick. That's the one where Walter Matthau and some accomplices pull off a bank heist in a small out of the way bank in an obscure New Mexico town. Only the bank is a place where syndicate money is held and laundered. Joe Don Baker is the hit-man sent after them and he loves his work. Fortunately at least for Walter Matthau he's smart enough to outwit Baker. Killing Them Softly has no Matthau among the targets as the tale is told from hit-man's point of view.

The hit-man or at least one of them is Brad Pitt and he gets no pleasure in his work, it's a business like any other. He wants to be well compensated for his services. In fact he wants to Kill Them Softly which to him means taking them out with a rifle with scope because he doesn't want to hear their pleadings. Or by surprise in one case where everyone knows its coming, but the victim.

Two real criminal losers Ben Mendelsohn and Scoot McNairy are hired by Vincent Curatola to rob an illegal gambling establishment run by Ray Liotta. With Liotta you can see a bit of his Henry Hill from Goodfellas, with Hill running just this kind of place as he headed into middle age in the mob.

The reason for this target is that several years earlier Liotta ripped his own card game off, but eventually was forgiven when the gambling started booming again. Curatola is sure the mob will look right at Liotta again. Not that they don't look at Liotta again, but they're smarter than that. They always are.

Once the caper goes down in comes Pitt, but also with a few competitors, James Gandolfini being one. That's where Pitt starts negotiating his deal.

Brad Pitt gives a good performance here, but for me the real stars are McNairy and Mendelsohn. You will rarely losers with a capital "L" portrayed on the screen as they are with these two. In a way they ought to be put out of their misery for their own good. Still you feel sorry for them somewhat.

Interesting mob movie with some deep black comic overtones.