Jackie Cogan è un sicario assoldato per regolare i conti dopo il colpo messo a segno da tre criminali da strapazzo durante una partita a carte in una bisca, che ha provocato il collasso dell... Leggi tuttoJackie Cogan è un sicario assoldato per regolare i conti dopo il colpo messo a segno da tre criminali da strapazzo durante una partita a carte in una bisca, che ha provocato il collasso dell'economia criminale locale.Jackie Cogan è un sicario assoldato per regolare i conti dopo il colpo messo a segno da tre criminali da strapazzo durante una partita a carte in una bisca, che ha provocato il collasso dell'economia criminale locale.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 9 candidature totali
- Kenny Gill
- (as Slaine)
Recensioni in evidenza
A really enjoyable little gem!
This is extremely dialogue heavy and I can only like excessive dialogue to a point. I also felt like the dialogue was just words instead of things I can think about. I felt like the words were just going in one ear and out the other.
There are also so many characters in such a short time that I had to rewatch the earlier scenes to actually grasp the whole plot. As for the plot, it seemed very poorly paced.
Everything aside, the great scenes were great. I love the car drive conversation before the robbery and I think that the ending was enjoyable.
I think that my favorite part of this movie were the actors and their characters. Everyone played a different character and I felt like the characters worked well with each other. I especially liked seeing James Gandolfini and Ben Mendelsohn in this movie.
The last thing is that the sound design in this movie is very unique and hit-or-miss. I personally found it an interesting change, but it could definitely be irritating for some.
Overall, you should give this movie a try because on the off chance that this is your cup of tea, you'll love it.
But there are some serious, reality sound bites that give us the same thing. There is that continuous backdrop of Political rambling rhetoric that mirrors the Character's innate ability to speak much and say little.
This is an against the grain try at alternative, smart Cinema with just enough stylized graphic violence to make it obvious that this has Artistic commentary and not Documentary style Cinema Verite on its mind. Overall it is a well done and interesting kind of side-step from the usual whiz-bang editing and shaky Camera stuff that has become so common.
This is slow, bordering at times on tedious, but never a bore. It is well crafted but does not quite reach that level of great Prose transferred to great Film. But it is a good try at a very difficult, rarely achieved process that creates the best of this kind of thing.
The cracks started to show when Cogan(Pitt) has his first talk with Mickey(Gandolfini). It's the latest in a long series of head to heads that play out more like acting master-classes than anything relating to the film. That scene effectively breaks the spell and reminds us that we are watching "good quality acting" combined with "a good script".
The film seems to go off the rails after this. Any charm or involvement is soon stopped by another showy scene from the director who seems more concerned with showing off his film making skills than actually making a good film.
The final thing that jars is Brad Pitt. He had the same effect on Fight Club. Pitt is too big a star for a film like this. He simply doesn't convince as the cynical cold blooded killer. Why would such a man spend that much time on his physical appearance for instance?. A more earthy, hard boiled actor could have made the character believable.
Not a bad film but overbearingly condescending at the finale (which I won't spoil here). The film that went before doesn't earn that pay off and its impact isn't felt on the screen. Which makes the end deeply unsatisfying.
Shame really as with more editing and less egos involved, this could have been so much better.
** 1/2 (out of 4)
Three idiot, wannabe thieves rob a mob run cards game and make off with a ton of cash. Then Jackie (Brad Pitt), a hit-man, is called in to figure out who was behind the robbery and to take care of them. KILLING THEM SOFTLY is being called by many a masterpiece and by many others as one of the worst films of the year. I think most people are really going to hate this film because it's just so different from other stuff out there but I'm going to fall somewhere in the middle of the two groups. While I enjoyed the style and the performances, at the same time the film just takes way too long to really get to where it's going and there are some other questionable things that I'll comment on in a bit. What I did like about the picture is that it's pretty brutal and ugly in regards to its violence and characters. The film really doesn't show any of the characters in a good light as the "good" guys are bad and the bad guys are really bad. There's never an attempt to make you connect with these people or enjoy what they're doing. The film also benefits from some wonderful characters actors. Pitt, James Gandolfini, Richard Jenkins, Scoot McNairy, Ben Mendlesohn and Ray Liotta all fit their roles nicely and deliver very good performances. This is especially true of Gandolfini and Liotta. The problem with the picture is that it just has way too many moments where things seem to really get dragged out. Another major problem is that the film tries to be too much like Tarantino. The scenes early one with the two thieves talking dirty about a wide variety of objects is just going to remind people of PULP FICTION. The dialogue here offers up some funny stories but it's not good enough to really grab one and bring them into the picture. KILLING THEM SOFTLY certainly has a unique look and feel to it but in the end it adds up to very little. The Bush-Obama bits of dialogue thrown in throughout the movie also add up to a big nothing, although I'm guessing the point was that even low-life criminals have bit hurt by the economy.
Lo sapevi?
- QuizThe Turkish former minister of culture found the movie so offensive that he told the press that he wanted the age bar for this movie to be raised from 13 to 18 or, if possible, remove it from the theaters altogether.
- BlooperAfter using his shotgun and putting it in the getaway car, Jackie wipes down the car of evidence but fails to retrieve his gun and his fingerprints on it.
- Citazioni
[last lines]
Barack Obama (on TV): [on TV delivering his election victory speech] ... to reclaim the American dream and reaffirm that fundamental truth that out of many, we are one.
Driver: You hear that line? Line's for you.
Jackie Cogan: Don't make me laugh. We're one people. It's a myth created by Thomas Jefferson.
Driver: Oh, now you're gonna have a go at Jefferson, huh?
Jackie Cogan: My friend, Jefferson's an American saint because he wrote the words, "All men are created equal." Words he clearly didn't believe, since he allowed his own children to live in slavery. He was a rich wine snob who was sick of paying taxes to the Brits. So yeah, he wrote some lovely words and aroused the rabble, and they went out and died for those words, while he sat back and drank his wine and fucked his slave girl. This guy wants to tell me we're living in a community. Don't make me laugh. I'm living in America, and in America, you're on your own. America's not a country. It's just a business. Now fucking pay me.
- Versioni alternativeThere are two versions of this film. One is the theatrical release, and another the rough cut. Runtimes, respectively, are: "1h 37m (97 min)" and "2h 30m (150 min) (rough cut):.
- ConnessioniFeatured in At the Movies: Cannes Film Festival 2012 (2012)
- Colonne sonoreDosruk
Written and Performed by Carl Stone
Used with permission of Electro-Acoustic Music (ASCAP)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Mátalos suavemente
- Luoghi delle riprese
- Claiborne Avenue Bridge, New Orleans, Louisiana, Stati Uniti(Jackie meeting with Driver under the bridge)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 15.026.056 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.812.900 USD
- 2 dic 2012
- Lordo in tutto il mondo
- 37.930.465 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1