Hemel

... this is a great film... w-many-outstanding-performances... Hannah Hoekstra's phenomenal ... almost ten years coming across it... will surely watch-it-again.

I was initially drawn to this movie due to the captivating presence of its lead actress, Hannah Hoekstra. I was eager to witness her expressions, gestures, and overall beauty. I must confess that my initial impression only grew stronger as the movie unfolded. Hoekstra's appearance in the later segments of the film exuded a subtle yet profoundly captivating allure. Her portrayal was more sophisticated and impressive than any computer-generated or artificial intelligence-based character I've encountered before. Could the secret to this appeal be in her nuanced lip movements? It's akin to Hitchcock's observation that even the tiniest rearrangements of reality can evoke profound horror.

Admittedly, a few minutes into the movie, I found myself somewhat put off by the gratuitous nudity on display. However, this initial discomfort gradually transformed into a sense of fulfillment as the acting unfolded. The movie grapples with a challenging subject matter, so viewers should persevere through these scenes to grasp the narrative's essence.

As I delved deeper, I discovered that the director is Sacha Polak, a woman. This aspect is noteworthy as it's crucial that these delicate themes receive representation from women "behind the scenes," countering the multitude of male-driven fantasies prevalent in cinema. I can't help but wonder how much of the director's own experiences are interwoven into this film.

In conclusion, I wholeheartedly recommend this movie to a mature audience.

I came away feeling that the father did not prepare Hemel for life without him. It's not a skin flick but simply a warning NOT to raise a daughter as this one did. She deserved better.

"Hemel" is a remarkable film--like Greenaway's best for example, what you find disquieting at first--here the raunchy soft porn realism of Hemel's love/sex life--slowly becomes fascinating when you realize that she is actually suffering a great deal. And Hemel, the emotionally stunted tart in this 2012 Dutch release directed by Sascha Polak is certainly promiscuous. Like Peter Pan, the boy who wouldn't grow up, Hemel is happy leading the life of a wayward adolescent. She sleeps with just about anything that comes her way, including one unsavory character who chokes and rapes her and a thin blond Dutchman who makes her shave her private parts before having intercourse. Hemel's cold dad Gijs is at the root of much of her trauma and this film is also a smart psychological study. Hannah Hoekstra as Hemel tows a fine line between sexy and skanky-she bears an uncanny resemblance to Nicole Kidman, both in her fine, uh, features and superb acting ability.

Here is a psychological quality movie with razor sharp and often funny quotes, although there is not a huge amount of conversations in it. The storyline starts with daughter 'Hemel' who devours men. How do you detach from your parents. It is a movie that slowly crawls under your skin and makes you feel. And feel the pain. The movie contains strong intense screen shots and subtle supporting sounds/music combined with a layered story that is blended in a way of rare beauty. What starts as an apparent superficial movie (a dutch and very explicit, but not too shocking start), slowly unravels in questions of how do you detach from your parents, which tecniques do you use to be loved, do you hurt or get hurt, life and death, do you get enough attention and do you "miss the bus". The sex is more or less something that you have to look through to see what the movie really is about. Telling the story would spoil a lot of it, so my advice would be go and feel that movie.