Leave It on the Floor

The new movie musical "Leave It On The Floor" does for the world of Ball competitions & gay houses what Birth of a Nation did for the Emancipation Proclamation. Both films written, directed & produced by white men seek to portray one dimensional, dysfunctional, shiftless, self destructive African Americans. The men in Leave it on the floor are gay ball dancers in the House of Eminence who are so self loathing they actually except abusive, destructive relationships and sing about those conditions as "Black Love". Leave it on the Floor is a gay black exploitation film. The subject matter as well as the performers are exploited for the benefit or the writer, director and producers. It is highly offensive to African- Americans and Gay African American males specifically. The actors did the best they could with an uninspired script and weak amateurish song writing. Poorly written, filmed, edited & directed.

The movie that finally gave some attention to the ballroom community pre-Pose style. There were a few stereotypes & maybe no dancing that would top the grit of Paris is Burning, but the minute the singing began, I was impressed! Great musical and a very fun & underrated storyline!

This comedy drama musical about young love and ambition was indeed a wonderful surprise. The inexperienced cast is very talented and lent credibility to the great blend of humor and drama - neither of which became overbearing at any point in the film. Barbie-Q was especially good as house Mama Queen Latina. The love triangle between Bradley, Carter and Princess Eminence was well set up, although I would have preferred Bradley and Carter to meet under different circumstances.

For a musical, the choreography and dance routines are quite standard, but it was very entertaining and the music and costumes are fantastic. The film's Sound Design was also very good, as well as the cinematography. The dialogue and lyrics are witty and well crafted and will no doubt become legendary in everyday speech. In general, this is a musical treat to treasure for years to come.

I have had this movie for some time, but never really paid attention to it, pushing it back on my viewing list. I finally watched it last night.

My spouse and I were overwhelmingly impressed with the acting, the singing, and the costumes. Being an indie film, we were not anticipating such a production, because it was gay themed it made it more incredible.

Being white gay men, it was certainly an incredible experience and pleasure to see a number of black actors getting parts. This is one movie I will watch multiple times.

At first glance, this is nothing more than a slight, upbeat story -- along the lines of the Step Up franchise -- of how pursuing one's artistic dream (music, dance, and drag, in this case) redeems everything. But there is both more—and less—going on in this film. Here, the filmmakers, both white men, set a love story in the midst of the ballroom scene in a poor section of Los Angeles. The mostly black, mostly trans kids of the House of Eminence live to "walk" the runways at competitions and dream of "taking home tens" and trophies. Leave It on the Floor depicts the poverty, homelessness, and marginality of its characters' lives but somehow imagines those conditions as having no impact on their existences; they've been thrown out of their homes and done time in prison; no one has a job. And yet they happily fall in and out of love, treat each other reasonably well, and live in a sort of idyll of sister/brotherhood. It's a Disney fantasy of poor queers of color; on the other hand, it's essentially the only film about poor queers of color. Deconstructing this flight of fancy will provide more insight into class, race, and gender than does the film itself; on the other hand, the characters are at peace with their queer, trans, outcast selves; they build friendships and families and fall in love. There's not much "realness," but there is a kind of pushing back against "realistic" stories of ruined, gritty, miserable black lives, and that's a provocative stance, the film's many weaknesses notwithstanding.