Your Sister's Sister

My rating: 88/100

I ended up seeing this movie at the Toronto film fest in a rather circuitous way but I'm awfully glad I did.

Nary a car chase nor explosion, but instead a quiet and thoughtful film. It touches on relationships, death, siblings, betrayal, unrequited love, honesty, fears, and forgiveness… and does so in a very believable and refreshing way.

Most of the movie takes place at a secluded rustic waterfront cottage, a family cabin that Iris (Emily Blunt) has suggested her 'bestie', Jay (Mark Duplass) visit to clear his head; he's still emotionally stuck at the one year anniversary of his brother's death.

The secluded locale - without phones, computers and the usually daily distractions - is the conduit which allows the abundance of emotions and introspective feelings bubble up and expose themselves to a trio of characters connected in various and interesting ways.

These three individuals are both frustrating with their flaws, yet endearing with their fragility and weaknesses. How easy it is to identify with all of them! … which can perhaps be attributed to the impromptu conversation Director Lynn Shelton nurtured and encouraged from the mere 70 page script. She confessed that 75% of the dialogue was improvised allowing a unique honesty to develop within each character, thanks to a stellar cast.

I'm thankful Shelton stuck around Toronto for this third screening – she's originally from Seattle which is where this was filmed - and was more than willing to open up to the audience at a post Q&A where we heard her speak passionately and reflectively about the 12 day shoot (wow!) with almost no funding and how she lucked in to Emily Blunt coming on board (thanks to a shared agent) who was keen on the challenge and experience. Also it was nice to hear that during the festival the film had found distribution through IFC, and that cast and crew would now be compensated for this wonderful collaboration.

This film's a winner to me. I hope you have an opportunity to see it.

This film is about a man who gets invited to a country house by his best friend, where he sleeps with his best friend's sister after a drunken night.

"Your Sister's Sister" is close to a single location film with a minimal number of characters. Most of the film takes place in a house with only three people. For a film like this to be good, either the characters have to be interesting, or the plot has to be emotionally intense. "Your Sister's Sister" is unfortunately neither. The plot lacks tension or emotional climax. It is just too plain to sustain attention or interest. Mark Duplass portrays an unlikable loser, and yet he gets all the adoration from the two sisters which is rather unbelievable. Rosemarie DeWitt plays a selfish woman, and she is not likable either. Emily Blunt's character is the only interesting character, but she is not enough to save the uninteresting plot or characters. It is unfortunate that "Your Sister's Sister" is an underwhelming drama, as it could have been a lot more than it currently is.

i've seen several films that were just played out by one character or two , such as "Conversations with Other Women (2005)", "The Man from Earth (2007)" and "The Sunset Limited (2011)", but they were all so good that i never got bored from the very beginning to the very end. these three movies were all with great dialog and just because their dialogues were so alive and true, the dialogues themselves had become the storyline, the scenarios and the plots. but sadly, this movie totally missed the mark and turned out to be one of most boring movies i've ever watched. the location was Seattle, the two women one with English accent, one with American and they claimed to be sisters? half-sisters? how come two sisters grew up together would have different accent? this was such a bad casting job. i don't want get into details of this movie's flaws, i just want you guys to read all the reviews with the lower or lowest scores, those reviews would tell you what were wrong about this movie and then, you'd know how stupid and how ridiculous this movie was.

This movie is a real treat to watch, i saw it on a rainy afternoon, alone, at my local cinema, it was pretty quiet, but I must say I think it added to my enjoyment, watching it alone almost made me feel as though I was a fly on the wall in this little cottage with three others and all the goings on. The story is rather sweet, not much really big happens, it's a bit of a slow burner but sometimes that's what you need, but in saying that it is actually a rather complicated story, it's just written and directed quite simply so it's easy and a pleasure to watch. Mark Duplass is not an actor I have seen before, but he has a nice presence on screen, Emily Blunt is her usual exceptional self, but it's Rosemarie Dewitt who steals the show I think, she has plenty of great scenes and she handles her difficult and really not that likable character very well, most of the things I've seen her in she has been good, she seems like a very natural actress, I do hope that she gets a little more recognition and she is cast in more well known films.

I was surprised to find out that a lot of the film was improvised, the story seemed like it would have been one where things were planned out, but then at the same time I guess it is a film which would quite easily be improvised, and knowing that makes the actors performances even better, it's a crime films like this go somewhat unnoticed, because in my opinion I think Dewitt delivers an award worthy performance, but sometimes it's a movie being small and unknown which makes it special.

It's funny, it's touching, it's dramatic, it's everything an indie film lover would enjoy in a movie, I really do highly recommend you catch this movie while you can, it's a real charmer.

I hope you guys enjoy it. :)

A dialogue heavy film, which I am often very fond of and this is no exception. Basically a three- hander with a trio of sublime and believable performances from Mark Duplass, the always excellent Emily Blunt and the seriously under rated and forever sister (United States of Tara, Rachel's Getting Married) Rosemarie DeWitt. They simply inhabit these characters.

A film told with great honesty and natural flair, with a lot of the dialogue being apparently improvised, I was entertained and intrigued from beginning to end. I laughed out loud on a number of occasions at the spoken wit and the extreme awkwardness of some of the scenes. These are all flawed people, but they are all relatable and likable.

It does fall into a little bit of predictability and cliché as it moves on through the story and I surprisingly had no issue with one aspect that angers many a gay woman, as to me it made sense for the character.

It was a journey I very much enjoyed and it felt quite different from your average rom-com.