Jersey Boys

3 out of 4 stars.

I was really excited for this movie. I saw the play in Chicago about 5 years ago and loved it. Clint Eastwood is one of my favorite directors and I thought "Jersey Boys" would be one of my favorite films of this year, but I was disappointed by Eastwood's adaptation of the hit Broadway play. Maybe I set my expectations too high. It's hard not to compare it to the play.

The acting is top notch (particularly John Lloyd Young, who won a Tony for the play), the sets are authentic, and the music is great. However, I felt Eastwood decided to add more talking moments and put the music to the side. The music becomes more background noise and not the driving force of the film. The film becomes more of a standard music biopic than the musical on Broadway. I understand why they made some of the choices and some of them work very well, but I would have liked to have seen more musical moments.

A lot of time is placed on the exposition and I thought it kind of slowed the film down. The actors break the fourth wall throughout the film, but I don't think Eastwood's style worked as well with it. Films that break the fourth wall and talk directly to the camera (like Woody Allen's "Annie Hall" or Martin Scorsese's "Goodfellas) have a particular energy that drives the film. Eastwood, though, has a slower and more patient style and I'm not sure if breaking the fourth wall always went well with the film. The actors are good enough to make it work though.

The movie is at its best when the music comes to the forefront. Eastwood does a good job of showing the fun the band has creating music and the audiences' reaction to the music. It shows the power of their music. One of my favorite moments is when the band plays "Cry for Me" for the first time. It's music being created so naturally and shows why Frankie Valli & The Four Seasons are great. Other great song moments include "My Eyes Adored You" and the tear jerking rendition of "Can't Take My Eyes Off Of You."

Eastwood's "Jersey Boys" has its faults, but the sheer power of the music and the acting makes it a treat worth seeing.

My wife and I were extremely and pleasantly surprised. I've never been into musicals...ever...my favorite up to this point was "The Sound of Music," which inspired me to get into the film industry in the first place, yet, we found ourselves seat dancing and bopping in our seats. We really enjoyed the interpersonal approach of having the characters each expressing their takes and their understanding of each situation, which brought a lot of comedic character moments to the storyline and subplots.

But the the thing that impressed us the most, was the decision to make the film NOT feel like a musical. No-one busted out in song at the wrong time...and the singing moments felt completely unforced. It was like watching a living biographical film. Great Directing job by Clint Eastwood.

Lastly, we didn't realize how many great hits Frankie Valli & the Four Seasons had. We thoroughly loved this movie....and can't wait to buy the soundtrack.

The theater was pack...and it was the biggest theater in the Tampa Bay area.

I saw the stage play 27x in Chicago and 1x on Broadway. I was fully prepared to hate The movie. But, I thoroughly enjoyed it. It's not easy to take a stage production and make a good movie. Some reviewers say it started out slow but so did the musical. Jeez, you have to get the beginning of their story! Eastwood kept the same premise by letting each member tell their story...you know there's each person's perception and then there's the real story. You can watch this movie and tap your feet and clap with the music. There was no one behind me so I got up and danced in my seat a couple times!! There was applause a few times in the theater just like at a stage production. There were a few things Clint changed that I wish he had left alone. There were a few things he expounded upon that I enjoyed. I will be going back over and over and over again. This is a good time to be had by all. I'd like to slap some professional critics who panned it. They are way off base.

Going into the movie I knew and liked the Four Season's music, but was unsure if I would like the movie (it would not have been my first or second pick to go see). However, I was able to see an early viewing of the film and took advantage of it. I must say I LOVED it. It had all of the songs I loved. The film has the right amount of humor when needed. I have not seen the Broadway show version. If you like their music it is worth going just for that as it is a mix of recordings from the Four Seasons and also recordings from the cast. While it is rated R for language, I did not find it excessive. Erich Bergen's performance stood out for me.

I have never seen a Clint Eastwood film that he has been either a producer or director. I was wary about seeing the film, but must admit that I thoroughly enjoyed it. I would Recommend this film

"Four guys under a street lamp, when it was all still ahead of us, the first time we made that sound — our sound." Frankie Valli (John Lloyd Young)

It's next to impossible to compare director Clint Eastwood's entertaining Jersey Boys with the popular juke-box stage hit without feeling that the live production is superior. It could be using some of the stage cast, including the excellent John Lloyd Young as Frankie, highlights the electricity of physical presence over the celluloid mimicry. Or maybe because it seemed like a fuller musical on stage, with complete songs and less family squabbling. Or maybe because Christopher Walken's mobster, Gyp DeCarlo, is underplayed.

But more to the point, this film is a story of rags to riches with the speed bumps large and disorientations many despite the transcendence of the music (Sherry Baby and Walk Like a Man are only two of the memorable hits by this unusually gifted group). Eastwood spends considerable opening capital on the home life of the Jersey boys with the overdone Sopranos accent and run-ins with local cops to the exclusion of the actual development of their famous songs.

With the emergence of the Four Seasons, the musical becomes vibrant. Eastwood deftly weaves the songs into the narrative without bringing attention to just the songs. Somehow after the death of Valli's beloved but troubled daughter, My Eyes Adored You fits the distancing that fame brought to the relationship and the sadness of the loss. As Frankie moves into performances without his original group in order to pay off mob debt for his partner, Tommy DeVito (Vincent Piazza), the songs still evidence the greatness of the falsetto and the humanity of the singer.

Eastwood builds the sentiment into the narrative arc, beginning roughly in the hood and ending sweetly at the Hall of Fame, where the reunion reminds us of their unique charm even though they are old but not out of tune. Jersey Boys may not be the fullest musical imaginable with its middlin' family life sequences, but when it breaks into song with tunes accurately fitting the times, the film becomes a testimony to Clint Eastwood's ability in any genre and the glorious sound of real humans trying to balance audience, mob, and songs.

Maybe it's in the New Jersey water—someone ought to bottle it; otherwise never again will we enjoy the high-pitched romance of local boys making great music. A musical about that rarity has its challenge built into a narrative that must compete with the almost supernatural expression of music:

"After silence, that which comes nearest to expressing the inexpressible is music." Aldous Huxley