The Trip

(REVIEW FOR SERIES) What we've really got is two series. One is the comedy of "Steve Coogan" and "Rob Brydon" exchanging barbs and doing impressions and making witty observations. These parts generally occur over the six meals they share, and I really enjoyed them. Some of their banter is hilarious... I had already seen the Michael Caine routine several times on YouTube and yet I still laughed at it. The other film involves the contrast between these people/characters: Steve, trying to bolster his acting career and struggling with a relationship that's starting to crack, and Rob the less successful but content family man. And I really enjoyed this part as well. Rob's calls home to his wife are amusing but also quite touching. Steve's existential midlife crisis is engaging and insightful as well. The two halves of the film do bleed into each other a bit, but I genuinely appreciated the separation between them. Winterbottom knows that it's okay to just let these two guys play off each other with their natural comedic chemistry and not worry about whether or not it's pushing the "plot" forward. The photography is mostly functional, concentrating on the personalities, but quite lovely when capturing all that gorgeous English countryside. While the film isn't as post-modern as the previous collaborations (24 HOUR PARTY PEOPLE and TRISTRAM SHANDY, both of which seem to get minor callbacks in the first episode, though it may be merely coincidence) it still maintains an unconventionality.

8/10

(REVIEW FOR FILM) I'm very glad I watched the series before the movie. The film does contain the highlights from the show, most of the big belly laughs are intact... the "to bed" sequence is still a riot. But although I can't point to too many specific instances of scenes that I miss, the whole thing doesn't hang together well enough. You can tell there's stuff missing, it feels so fragmented and slapdash. I'm not even sure I want to keep the DVD. There's a generous deleted scenes section (running nearly as long as the film itself), but it doesn't even include everything from the series (about an hour of it is different takes of the "to bed" scene). If I was to watch it again I'd rather see in its original form. It just flows so much better. Like the fine wines Steve & Rob imbibe, the moments need to breathe.

6/10

The Trip is a trip. It is a hilarious talkie-talk film made for an intelligently critical, foodie-obsessed, British humor-junkie like me!

I admit/know that many WILL hate watching this film about two British comedians (Steve Coogan and Rob Brydon playing "loose" versions of themselves by reprising their "characters" from the earlier film Tristram Shandy: A Cock and Bull Story) driving around the North Country (of England) eating in pubs and fine-dining restaurants while making fun of wine, food and culture snobs with little witticisms, bon mots and uncanny impersonations of some of Britian's top exports. There is also a lot of film and pop culture references to go along with the literary history thrown-about as the pair trek the highlands of some of Britian's late-greats (poets, writers, historians) and explore castles, manors and northern Moors.

The "story" is that Coogan has been tasked by The Observer (a British magazine) to travel the northern portions of England and write a food/wine/travel piece about his experience. As Steve's girlfriend backed-out of the trip at the last moment to fly to the states and his other go-to friends have all declined his invite, Steve reluctantly asks his old friend Rob to accompany him. Too bad for Steve; but "hahaha" for us!

The film is NOTHING more than these two getting on the other's nerves; making fun of snooty things (themselves included); eating in fine-dining establishments (glorious food prep/food porn here!); and making people laugh. If you aren't a British humor enthusiasts, avoid this one! It isn't slapstick/Benny Hill bawdy comedy here ... it is all understated, subtle humor in the delivery of lines of what these two men observe.

I found this to be somewhat of a treat to listen to (these are two highly gifted comedians) ... the beautiful Lake District and countryside of Britain was just an added bonus to it.

The first thing I noticed about this pair up was that the two were made for each other. Their dialogues are so easy, so effortless follow there was no awareness of the intrusion of false, unnecessary dialogue. This is for the movie version. I had a hard time buying the notion that this was a piece of fiction when it most likely was, but that's how smooth the personal and theatrical mixed in. The other lovely part is how the theatrical structure for the piece, the necessary obstructions, personal dilemmas, blended in so seamlessly. These people weren't acting. Oh yes they were! The story, low key as it is, is set against the bleak north country with snow on the ground and complemented by the considerable sophistication of the restaurants. It takes a genuine student of human character to illuminate human behavior in a way this comprehending of the slight struggles for control, as well as the peculiar side effects of self indulgence. It looks simple and easy. To make it this recognizable and entertaining is not. Or maybe it is if you're in their profession in a non Hollywood sort of way.

If you have 2 minutes to waste reading this review, I suggest instead you go to Youtube, search "the trip michael caine" and watch it. If it makes you laugh, expect more of the same in this movie. If it doesn't do anything for you, then don't bother watching the film. Although I can't imagine any human with a pulse not being tickled by that great scene.

"The Trip" has no real story. As explained in the first 10 seconds of the film, it's simply about Steve Coogan (played by Steve Coogan) who reluctantly invites his quasi-friend Rob Brydon (played by Rob Brydon) in on an assignment reviewing restaurants in northern UK.

What follows is 172 minutes of bizarre, awkward and painful humour which, like in the "Michael Caine" clip, centers around the 2 quirky characters and their polite antagonism of each other. If you haven't already seen the Coogan-Brydon schtick (as in "Tristram Shandy: A Cock & Bull Story") I can only describe it as classic. It's almost a throwback to Laurel & Hardy or Abbot & Costello but with intelligence rather than slapstick. Coogan plays the somewhat superior egotist while Brydon plays the clown (who always gets the better of his counterpart).

"The Trip" was originally a 6-part series that aired on BBC in 2010, strung into a feature film released in 2011. The whole show was largely improvised, and in the excellent bonus features on the film DVD we can see the evolution of their routines as well as some other gags that didn't make it to the final version (such as the hilariously surreal "C-NT SONG" and accompanying dance choreography).

The pacing of the film is somewhat slow, but that works to its advantage. It makes the whole experience flow realistically, not contrived. The gags are like islands of hilarity in a sea of Coogan's otherwise dreary life. Also note, even though I said there's no story, there actually is if you read between the lines. Ironically, it's a rather heavy story touching on the themes of loneliness, dissatisfaction and Shakespearean "sound and fury signifying nothing". I was extremely impressed that director Michael Winterbottom could make such a funny film within such a bleak premise.

Watch it closely and you'll be both entertained and affected. Films I'd compare this to are "Tristram Shandy" (another excellent Coogan-Brydon-Winterbottom collaboration), "Coffee and Cigarettes" (also featuring Coogan in a stylish, artistic comedy by Jim Jarmusch) and some of the Christopher Guest films, such as "A Mighty Wind" and "Best in Show".

The Trip, the television program, is a poignant, rambling, beautiful little series, starring comedians Steve Coogan and Rob Brydon as fictionalized versions of themselves.

The Trip, the film, which I was able to catch at a packed SIFF screening, is an edited version of the television show. The six episode series clocks in at about 180 minutes, and the film, at 107 minutes, feels truncated and rushed comparatively. Both follow these hilarious gents as they review restaurants in the English countryside, but with those seventy-so minutes edited out, much of the nuance and poignancy is lost—the tone shifts from somber (but funny), to seemingly desperate for laughs. The film does often get those laughs (Coogan and Brydon, in their largely improvised conversations, are very humorous), but it fails to really make much impact beyond providing entertainment. The more melancholy scenes retained from the television series often feel tacked-on, and the transition between jokes and sentiment clunky, with quiet moments and breathing time largely cut out.

Audiences looking for droll popcorn fare will not be disappointed, but those wanting to be genuinely moved should skip the flick and instead seek out the superlative television series, using whatever means they can.