The Collection

After the horrific events at the Chase family's home, and being captured by a brutal killer known as the Collector, Arkin (Josh Stewart) manages to escape his box prison and is recovering in hospital when he's approached by Lucello, an "employee" of an extremely wealthy businessman. Arkin learns that the businessman's daughter, Elena, has been kidnapped by the Collector and his help is required to get her back at any cost. Reluctantly willing to help, Arkin finds himself once again involved in a deadly game of survival, only this time the game is on the Collector's own turf.

After enjoying The Collector, I was looking forward to watching this sequel and while it's not as good as the first film I still found that it was worth the watch. This one definitely has much more of a Saw type of feel to it than the first as well which in one way is good because it generates a similar kind of dark, tense atmosphere but is bad in another way in that it's not very original BECAUSE it's just like Saw.

While there's a good amount of tension to this movie, I feel that it lacks the suspense of the first. The first had much more of a cat and mouse feel to it probably because it was in such a refined space like a house which brought about a good sense of claustrophobia. Here, even though the people are still trapped inside a building, it's a much bigger building and it just feels more open.

The movie comes at you right from the start and thankfully it keeps a decent pace. So many movies throw you right in at the deep end at the start but fail to keep you interested afterwards. The Collection doesn't do that, and after such an intense start, it keeps the pace up pretty well.

Gore fans should enjoy this one too, as that has been ramped up from the first one.

All in all, while The Collection isn't a cinematic masterpiece (and at least is doesn't pretend to be either), it's still a good movie to watch. Recommended, especially if you enjoy movies like Saw.

So here is something new for me -- Watching a horror movie sequel, not knowing it's a sequel, and it being good enough that I want to see the original. Weird, huh? Don't get me wrong, it has it's faults. An incredible body count that would draw the attention of the CIA, FBI, and any local police much less the Criminal Minds-type teams. It's completely impossible to have that many dead bodies in building and it not just REEK of death to the point you can't go in. But... it's a horror movie. Just go with it.

If you can just go with it, and you like really scary, psychological thrilling, torture-porn horror flicks like SAW, it's pretty good. It's certainly scary, quite unpredictable, and the acting is actually... not terrible. The plot is original. It's very gory. But it didn't come across as being all about the gore. It had you thinking, "What would I do if I was in that situation." Most of the time, my answer was - Sit down and cry.

I compare it to the Saw franchise, because it was written by some of the guys who wrote some of those, and because of the sadistic puzzles the people had to go through. But it really isn't the same as Saw because the plot was different. I would say if you like the Saw movies, you'd really enjoy this. If you didn't, don't waste you time. It's wouldn't be your type of film.

I gave it an 8 meaning it to be compared only to other horror movies, not to all movies in general. It certainly isn't for non-horror people. And it isn't a family film. Some of it was very hard to watch. I was proud of the fact that the ticket seller refused to sell a ticket to the 20-year-old in front of me trying to buy tickets for the 10 and 12 year olds she brought to this. It's not for kiddies at all.

I'm going to get part 1 (The Collector) on Netflix, then hope part 3 (if there is one) is as good.

"Saw" and "Feast" series veterans Patrick Melton and Marcus Dunstan keep up their predilection for inventive nastiness in this intense, atmospheric production that is at least on a par with the original "The Collector". One still has to be prepared to suspend their disbelief quite a bit, but Melton and Dunstan do get high marks for showmanship, if not subtlety. The movie never tops an early set piece set in a club, which - aside from the plethora of digital gore - may have some horror fans howling in appreciation. As before, there are plenty of elaborate booby traps and torture devices, and characters who are mostly thinly written; many of them are just there to add to the body count. Not that that's necessarily a bad thing.

The much abused thief turned reluctant hero Arkin (Josh Stewart, returning from the first movie) has made it back to the real world, but a man named Lucello (Lee Tergesen) blackmails him into joining in an operation ordered by Mr. Peters (Christopher McDonald), whose daughter Elena (Emma Fitzpatrick) is the latest person to be abducted by the monstrous Collector (Randall Archer, replacing Juan Fernandez). Since Arkin is the only person who's seen inside the enormous "house of horror" created by The Collector, he's the obvious choice to lead this group inside and attempt to rescue Elena. Naturally, The Collector makes quick work of this hapless bunch of schmucks.

There's enough action and pace here - not to mention gore - to keep things watchable. Most of the acting is inane, but Stewart is as reasonably engaging as he was the first time. Archer is a passable villain. Tergesen proves to be completely bad ass, and Fitzpatrick does well as a young women, who despite a handicap - she wears a hearing aid - refuses to roll over and play victim. Everything leads to a pretty good, fiery finale, and a rather amusing coda. Director Dunstan makes sure that "The Collection" hits the ground running, and it's also appreciatively short in length (82 minutes all told).

Not bad if one just wants to relax their brain.

Seven out of 10.

Though this is the sequel to "The Collector" and ties in well with the ending of the first film, it actually has very little to do with the original. For starters, you have to forget the premise of the first as well as The Collectors modus operandi. Like the original, these films work well if you don't think... at all. Once you do you'll start spotting the massive gaping flaws in the story. So in this chapter, The Collector has upped his game and has gone after a club full of young adults. From which one survives. Luckily for her, she has a loving and rich father who will do anything to get her back... so he sends in his own band of mercenaries to get her out... okay, everybody, let's march into the blood-spattered decrepit hotel and chant at the top of your voices, "Let's Go Die, Let's Go Die". And so the carnage continues.

The thing which made the previous film so good is the same thing that makes this... the tension and suspense. Dunstan is a maestro at manipulating the pace and atmosphere to get you on the edge of your seat. Every time a trap is sprung you wonder how nasty it'll be... answer... very nasty. That's the second thing keeping the audiences attention, the kills and the action. There is a tonne of gore, enough to keep Hershall Lewis smiling in heaven, and plenty enough for the gorehounds.

Stewart is much better as Arkin in this film. It would appear that being the collector's plaything has added an extra depth or two to him. His motivation to escape is evident in every scene he's in. Lee Tergesen does a passable job as the hired killer Lucello. However, the rest of his merry men are ten-a-penny redshirts... proper cannon fodder. So, it would appear that the writers decided not to fill out their characters too much. Then there was Fitzpatrick as Elena, who was okay while she didn't say anything. However, when she did speak she spoke with wooden tongue.

The special effects were awesome, the re-breaking of Arkin's arm and the escape attempt is quite nearly sickening. The sewn together body parts is eerie and disturbing. And the traps are gruesome and deadly. Hopefully, all of this should be enough to satisfy, who needs a story, right(?)

The story really could have made this into a better and stronger film. In the original, all you had to do was forget that it takes time to jerry-rig a house with all the traps, the collector used - forgivable, for entertainment's sake.

The character of the collector breaks into a house and leaves a present for the homeowners. A trunk, inside of which is a tortured person from his previous escapade. This "Present" is for shock value to throw the prey into confusion and fear. Then he sets about torturing and killing everyone, but one, in the house... nobody lives.

This is even mentioned on a TV News Broadcast in the sequel. There's been a spree of home invasions with this MO. Even though it's the police being interviewed in the broadcast there appears to be no manhunt for The Collector. No Task Force. No FBI. Then there's a party at a secret location... not too secret as TC's had time to set up a really nasty combine harvester trap, which is rigged to the trunk, hidden away in one of the rooms of the derelict house. Boy, he was really hoping that somebody would be curious enough to go looking through a condemned building, so they'd set the trap off.

Then when we get to his hotel it just gets worse. Not only does this killer torture and murder homeowners but he must also be picking up people off the street judging by the number of dismembered cadavers laying around... Not only that, but he now has "The Collection" roaming around the place too. People too scared to try and escape. Most of which are high on drugs. TC must be cooking the stuff or he really is one sick rich dude. However, the strange thing is the traps in this place... a place that's his so he has all the time in the world to construct the best traps ever, but are really weak-assed. One of them is a hallway of plywood with nails knocked through them. They don't even move together. Another is a hallway full of bear traps. Which you can easily get through by just walking to the side of them. Damn this place really needed Kevin McCallister's touch.

Then there's the stitched together body parts. Looks, like TC's been watching The Human Centipede, what a sicko... This absolutely breaks with his persona. There is no way that he would do this. And then to arrange them in some kind of fluid inside glass canisters... believability is out the window.

Had the writers chosen, not to go down this path but to remain on the original and begin to explain TC's psychosis and background a little then it would have only helped to define the character better. The strongest films give their audience an inkling into the psychopath and his thinking. You know what's eating Norman, what's driving Michael, why Freddy is so evil, and even Jason gets a backstory and motivation. These add to the power of their characters and hopefully the films.

If you're a gorehound then this film is definitely for you. If you don't like blood then I'd recommend you stay away.

"The Collection" is a fun, gory time at the movies. A sequel to "The Collector", the story is about a serial killer who uses elaborate contraptions to kill groups of people but he always seems to take one away alive, and bring one of his "collection" to his next murder scene. After a jaw-dropping opening sequence in a club, he snatches a girl who is the daughter of a rich man. The man hires mercenaries to rescue her, bringing along the survivor from the first film. So they head off to The Collector's house of horrors to find her...

The film is pretty much non-stop action, violence, and gore. There are plot-holes a'plenty here -- the killer must be a multi-billionaire and able to control time and space to be able to do what he does, so too much thinking (heck, ANY thinking) will only damage your enjoyment of the film. But if you want to spend 90 minutes at a fun, gory flick, "The Collection" will do just fine.