Aggiungi una trama nella tua linguaWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimac... Leggi tuttoWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a mas... Leggi tuttoWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.
- Candidato a 1 Oscar
- 4 vittorie e 9 candidature totali
- Self
- (as Sgt Nathan Harris)
- Self
- (as Lt Col Christian Cabaniss)
- Self
- (as Cot Eric Meador)
- Self
- (as Lt Edward Hubbard)
- Self
- (as Chaplain Terry Roberts)
- Self
- (as Lt Cmdr Robert Gaines)
- Self
- (as Lt Cmdr Matthew Swibe)
- Self
- (as Sgt Chris MacDonald)
Recensioni in evidenza
The footage of Nathan at home, however, is what may bring out very different responses. He is obviously in extreme pain and has a harder life, yet is still very gung-ho and dreams of a full recovery and return to the front line (which got a gasp of disbelief by some in my theater). He also is very interested in firearms, and there are several shots of him and his pistols which he keeps near his bed and which he trains his wife how to use. She, meanwhile, must deal with the stress of caring for an injured husband while still performing her daily routine. Together, they see people in their community (who are quite positive), the marine doctors (who are hopeful for his recovery), and attend a very sad memorial for recently KIA soldiers at the base.
To anyone who is staunchly pro-military, the footage should be quite uplifting. Nathan is determined to recover (and he does noticeably improve though as of April 2011 is not fully healed) and the support of his community and especially his wife is heartwarming. Those who are not so gung-ho will probably be shocked by the footage. In the Q&A with the director and Ashley after the screening, one woman asked Ashley if she was scared for her life at all (a reference to Nathan's constant gun wielding, which she wasn't). Regardless of your leanings though this is an excellent documentary and should not be missed.
This documentary if on the basis of exposing how terrible the US Marines during combat, it should got 10 stars, because it had vividly shown us how pathetic the Marines were in general. But if you take it from a different patriotic angle, this documentary sucked big time, it did nothing to glorify the US forces, especially the Marines. They have mindlessly wasted their lives wherever they were thrown into. All of them just looked so lame, so timid, so scared, all they could and would do is just shooting blindly to their unknown enemies. What a pathetic documentary since what it showed to us only made us shaking our heads constantly.
I was entranced by how many ways the movie was pulling the opinion of the war. It first shows an injured Marine named Nathan who is crippled because of the war. Yet, the moment I began think it was an anti-war movie, Nathan is talking about how he wants to get back onto the front lines! I had to pause the movie and try to wrap my head around this and decide whether this was pro or anti-war. Then it hit me like a sack of bricks, this movie is not pro or anti, it's an actual documentary. It's what a documentary is meant to be, a picture of real life and a gap for the viewer to decide what is right or wrong. I un-paused the movie and continued to watch.
The rest of movie was as gripping and emotion provoking as the first fifteen minutes. The director managed to flip between the footage of the war and the home life of Nathan. You could see Nathan back home still recovering physically from the war while at the same time the 'flashback' clips of the war lets the audience remember that there is more going on than we can see. As an audience you are spell bound. You see Nathan playing Modern Warfare 3 and you wonder what is going on in his head. You see Nathan playing with a gun and you move to the edge of your seats and begin to think that something very real could happen right here. The sheer tension created in this documentary is massive and is not lost on audiences.
One of my favorite scenes in this movie is when Nathan and his wife are looking at a new house and Nathan opens a door. At that moment the movie flicks over to clips from Nathan overseas as he and his fellow soldiers are kicking down doors and then the movie flicks back to Nathan back at the new house where he is looking like he is about to throw up. The raw emotion in that scene really got me going. Overall I was pleasantly surprised at this movie. As a documentary it filled the requirements of not only being entertaining and thought provoking, but also being available to the public. The story was interesting and the people in the story were very real to me. I am giving this movie a 10 out of 10 rating and highly recommend that if you can spare 80 minutes of your life for this movie, then watch it.
The director took pieces of war and civilian footage to make a movie. The film maker uses the footage to show his personal feelings of war. I do say movie and film maker, because it is hard to call this 100% documentary.
Of course critical acclaim comes from a group that has political stances that are shared with the film maker.
This does not take away from Sgt. Nathan Harris. His journey in war and readjusting to life at home is a story that people need to see. The story itself is very real. But, there is a bias from the film maker that is easily seen throughout the film. But, in reality it makes you feel for Harris a lot more. Knowing that the film crew knew how they were going to portray things and betray confidence.
The director did not show any footage to the Harris prior to completion nor did he receive an invite to showings even for an Oscar nominated movie. Further showing that soldiers have enemies at home as well as on the battlefield.
The imagery is stunning, and the filming is pristine - especially considering the conditions - the camera and editing are high quality, and the shakiness is pretty subdued.
Most importantly, the stories are interesting and all too real.
The editing, which juxtaposes the return of the wounded Nathan Harris to America with the striking images of war is chilling. There is simply no other film which actually shows what it might be like to actually have PTSD.
The soldiers in this documentary are all too real, never joking with the camera while in combat, and coming close to death numerous times.
If you want proof, look closely, despite the presence of the camera, few soldiers ever look into it. This may have been a directorial call, but more than likely, it is because they are real soldiers, and one second looking at a camera - especially in such hostile territory - could cost you your life.
This movie is something special, and I doubt we will see anything like it again.
Honestly - props to this filmmaker Dennis - because he has some serious guts/grit.
Lo sapevi?
- QuizThe title is probably a reference to the classic war film All'inferno e ritorno (1955), which starred Audie Murphy as himself in a dramatic re-telling of his experiences as the most decorated American combat soldier of WWII. This could be regarded as a documentary version of the same concept.
- BlooperDespite an establishing shot of the exterior of a Walgreens pharmacy, the scene where Nathan's wife purchases his prescriptions is clearly filmed inside a CVS pharmacy, as seen on the cashier's name tag.
- Citazioni
Nathan Harris: If I do everything right, and all my men do everything right, I still can die. So You just have to accept it.
- ConnessioniEdited into Independent Lens: Hell and Back Again (2012)
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Botteghino
- Lordo Stati Uniti e Canada
- 40.634 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3413 USD
- 9 ott 2011
- Lordo in tutto il mondo
- 40.949 USD