The Tribe

I had read about this film and wanted to see it, so I was happy to find it streaming on Netflix. The story takes place at a Ukrainian school for the deaf, and what I didn't realize until watching was that aside from a few mumbles, gasps, and background chatter, the characters speak only in Ukrainian sign language, without the use of subtitles, translations, or narration. There's not even any music, for crying out loud (although we do hear all the other sounds of the world though, doors closing and footsteps and things, the absence of which I think would have felt pretty strange).

But honestly, none of that bothered me. Not having to read subtitles let me enjoy the film in a different way. Even if you understand sign language, I didn't feel like the filmmakers went out of their way to focus on the signing. Often it took place in the distance, or the character's back would be turned or at a funny angel. There are a few scenes where it's hard to tell what they're talking about, but overall I never felt like I was missing much. The relative silence added to the experience, and I even found myself at time subconsciously thinking that I was unable to hear, kinda like when I watched The Invention of Lying on an airplane and thought that I too, like the characters in that film, was unable to tell a lie. But that was the only good thing about that movie, if you can even call it a good thing.

So, back to The Tribe. Unless you understand Ukrainian sign language, the characters' exact word choice is anyone's best guess, but the story is simple enough and told in such a way that it's easy enough to follow based on context, body language, and the things we see happening. I think it is anyway, unless I got the story totally wrong! But hey, it made enough sense to me! I may have been confused at times, but always felt like I was meant to be, like that was part of the story and the filmmakers' intention.

But the acting didn't quite cut it. I don't think any of these were professional actors, since their main requirement would have been fluency in sign language, and it really showed, despite there being no spoken dialog. They walk strangely and unnaturally, as if uncomfortable on camera, and too often stare off awkwardly in order to avoid looking at the camera. In one scene, three of the main character push their way through a crowd, but the exrtas in the scene all but ignore the annoyance, staring awkwardly straight ahead or at the ground. And one fight scene toward the start of the film almost ruined it for me. It was too clearly choreographed and looked as though the characters were dancing. Fortunately, the best bit of acting comes from our lead character, who was well-cast with his perpetually blank expression.

There are a few pretty explicit sex scenes, which didn't bother me except for the fact that, in the filmmakers' attempt to show as much as possible, it becomes pretty obvious that the sex is simulated, and the scenes are unconvincing and ineffective.

I'm typically a fan of European film with long takes, such as the ones in this film, but too often here we see doors being left open for the cameraman to enter when they would normally be closed in real life. Sometimes it's excusable, but at one point a character who is being chased on foot stops to hold the door open for the cameraman behind him. Another time, an apartment door is left open to the world while illegal activity is conducted just inside, and multiple doors throughout the film are left open to the cold outside.

This movie wasn't terrible, but the flaws, which were sometimes laughable, were too numerous to ignore. But there were a few things I loved about this film. I very much enjoyed the camera-work in general: long takes following the characters through various environments, down hills and through trees, jumping between characters. One particular scene shows separate actions occurring simultaneously in two different rooms, both visible in the same shot from the outside through adjacent windows. It was well-done and clever, but never felt gimmicky. I love stuff like that.

And I'm glad that, despite the terrible fight scene I was forced to endure, I still gave this movie a chance and stuck around to the end, because the last scene is very very good. It's one of the best endings I can remember seeing in a while. It's very effective, well-acted, well-shot, and all around well done from a technical standpoint.

Overall, I didn't love The Tribe, but I recommend it for for the ending, if for no other reason.

At the time of writing (October 2014) this is on release in France but not the UK or the US so I'll write this for the benefit of audiences elsewhere in the world who might be wondering whether to go and see it or not. When not extorting money from other students at a boarding school for the deaf in the Ukraine, the 'tribe' of thugs in the title spend their time robbing train passengers, people in the street or, with the help of their teachers, pimp each other at a truck stop. New kid Sergey arrives and falls for one of the young hookers...which is about all the synopsis you need. There's no dialogue, or subtitles, all the communication between the characters is through sign language. Along with a total absence of incidental music this has the paradoxical effect of heightening the sound...the sounds of footsteps, lorry engines revving for example becoming sinisterly effective. It's not difficult to follow the narrative at all, so don't be put off. The bleak surroundings of the institution combine with a dreary landscape of crumbling apartment blocks, supermarkets at night time in a bitter, dirty grey winter, to heighten the feeling of an amoral universe, a dog eat dog world where everyone is out only for themselves. There's no compassion, the one intimate relationship which develops seems to be motivated by lust, carnality and characterised by opportunism on either part. There doesn't appear to be any real tenderness there. Is the closed institution an allegory for the Ukraine, or human societies as a whole? The Tribe is a unique piece of cinema and inspired me to write, I've seen nothing in the last few years quite so extraordinary, but be warned it most definitely is not for the faint hearted. The violence is sickening, stomach churning, and made all the more shocking by the use of sound and absence of music since even if averting your gaze you remain all too aware of what's happening on screen, with no music to distance or make things ironic. The Tribe forces you to gaze, unblinking, into the abyss of total human depravity.

2014 was a year of impressive films that utilized supposed 'gimmicks.' Boyhood had its 12 years, Birdman has its single shot, The Grand Budapest Hotel played with ratios, and The Tribe, a film that played well at film festivals without breaking out anywhere, has unsubtitled Ukrainian sign language. It's bold, and tough to get used to, but you have to subdue yourself to the fact that you will never know the details. It's kind of a shame, the beauty of film is in the details, but The Tribe has enchanting visual poetry. A lot of the film is done in long takes, often following characters from behind with steadicam leading to a separate scenario, and it's immaculately choreographed. The extent of Miroslav Slaboshpitsky's ambition exhausts itself there however, although it does have inventive A Clockwork Orange-esque brutality. There's a cold intimacy between the characters, whether it be through punches or sex, but we're not with them. It's a film that deliberately pushes the audience away by being lost in translation. With characters acting solely as archetypal figures, it lacks anything to identify with. It's such a shame because it could have been more concisely powerful rather than a purely superficial and disconnected experience. No deaf person will sleep well afterwards though, even if they don't understand the sign language. It touches a nerve there at least.

7/10

The Tribe hit my radar a while back when I heard about the novelty of a film being silent in the world of the hearing impaired in a foreign country w/no subtitles in existence. What is essentially a silent film made in the digital age, eschews themes we've seen in other cinematic rites of passage w/silent thieves on the make all the time going from one score to the next. One wonders if the bleakness depicted translates to other schools of impairment around the world where the easy way out of dealing w/adversity is to turn to a life of crime. The choice of an non-subtitled version really puts the onus on our viewing collective who don't have the patience for this interesting endeavor.

I think anybody who appreciates cinema will be applauding the director of this movie for giving us something truly unique. For a two hour film to keep someone gripped, without any spoken dialogue or subtitles to guide us, shows the power of the good old fashioned visual storytelling. The movie tells the brutal story of a boy trying to fit in, in a boarding school for the deaf. Graphic sex scenes, brutal violence, and an overwhelming sense of dread, combine to make this a very uncomfortable viewing experience. Unfortunately i felt some scenes were dragged out unnecessarily, which prevented it from being the masterpiece thats said to be. I think cutting it shorter than 2 hours would have greatly benefited it, because there were a few occasions where the specific scene made its point, but hung around longer than its welcome. Not a masterpiece, but certainly an intriguing and unique look into the future of film making!