VALUTAZIONE IMDb
7,5/10
6194
LA TUA VALUTAZIONE
L'Iraq all'inizio degli anni '90 era una terra devastata in cui sopravvivere. Quando pensiamo all'Iraq, la prima cosa che ci viene in mente è la guerra e Saddam Hussein. Ma c'è un altro aspe... Leggi tuttoL'Iraq all'inizio degli anni '90 era una terra devastata in cui sopravvivere. Quando pensiamo all'Iraq, la prima cosa che ci viene in mente è la guerra e Saddam Hussein. Ma c'è un altro aspetto e molto di più.L'Iraq all'inizio degli anni '90 era una terra devastata in cui sopravvivere. Quando pensiamo all'Iraq, la prima cosa che ci viene in mente è la guerra e Saddam Hussein. Ma c'è un altro aspetto e molto di più.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 3 candidature totali
Shirwan Mohamad
- Jamal
- (as Shirwan Muhamad)
Recensioni in evidenza
There's almost always something special about a director's first feature film, as the charm comes from its inherent rawness, and perhaps willingness to take greater risks to get something finished. And this lack of experience at the helm also meant an appeal that audiences would be more forgiving, and open their hearts out in giving the film a chance. The magnificence is, when it works, like Bekas, you're going to embrace it wholeheartedly and completely.
Writer-director Karzan Kader draws deep from his own personal experiences of having to escape Kurdistan, Iraq as a young kid in the 90s, to come up with Bekas, a road trip tale of hope, following two orphaned boys Dana (Sarwar Fazil) and younger brother Zana (Zamand Taha), who have to fend for themselves at every corner and turn, growing up under harsh circumstances with little adult supervision. They have to rely on their street smarts, brotherly love and loyalty to each other to get themselves through day by day, earning their keep as shoe shiners for pittance, and homelessness meant sleeping out in the open at any random, but available rooftops.
And you would be mistaken to think that Kader would take the easy route out and flood his film with plenty of melodrama, to tug at your heartstrings at the plight of the boys. Instead, he fills his narrative with plenty of anecdotes and shenanigans that the two boys get into, which often result in either one, or both, being at the wrong end of a slap, ear pull, or in terms of greater insult, the slipper. But this is a story about growing up, and growing a hide that's thick to ensure survival, that the boys will have you in stitches most times when they get to the central plot device - of getting out of their predicament, and relying on any of their own means possible to get to America, and meet their idol Superman, whom they hope to enlist in a fight against Saddam Hussein, and to resurrect their dead parents.
Despite being non-actors, both boys Dana and Zana are set to charm your socks off with their banter, sibling rivalry, and inevitably, love. Kader knows when to push the right buttons in crafting scenes that will make you root for them to escape impossible situations, or to cheer them on as they encounter adversity after adversity in getting to their eventual destination, which is "just miles away" on a map that looks more like one from a discarded Risk board game. Anyone who thought Quvenzhane Wallis from Beasts of the Southern Wild, should take a look at these two boys, who are naturals despite their penchant to raise their voice most of the time. Whether or not it's Dana finding first love, or Zana being disappointed time and again by his older brother, these two boys put on a masterclass performance that makes your heart go out to them.
Filmed on location, the cinematography is excellent, capturing scenes seldom seen by many unless you've travelled to the region. And there's no more to ask for when the visuals have aural accompaniment that accentuated mood to provide that extra dimension of feelings. Through a road trip, Kader manages to link scenes up perfectly, as the boys go from episode to episode atop their donkey, and every other conceivable mode of transport from cars to trucks, to evade detection and capture as they pass through guarded borders. Whether or not they reach their destination, would be immaterial by the time the story ends, painting a bigger picture of hope and love, narrative themes which are far more powerful than the fictional deity they seek to locate in a foreign land, whom they probably found in each other.
Bekas is one fine film set in the Middle East, such as Son of Babylon, that will endear. A definite recommendation!
Writer-director Karzan Kader draws deep from his own personal experiences of having to escape Kurdistan, Iraq as a young kid in the 90s, to come up with Bekas, a road trip tale of hope, following two orphaned boys Dana (Sarwar Fazil) and younger brother Zana (Zamand Taha), who have to fend for themselves at every corner and turn, growing up under harsh circumstances with little adult supervision. They have to rely on their street smarts, brotherly love and loyalty to each other to get themselves through day by day, earning their keep as shoe shiners for pittance, and homelessness meant sleeping out in the open at any random, but available rooftops.
And you would be mistaken to think that Kader would take the easy route out and flood his film with plenty of melodrama, to tug at your heartstrings at the plight of the boys. Instead, he fills his narrative with plenty of anecdotes and shenanigans that the two boys get into, which often result in either one, or both, being at the wrong end of a slap, ear pull, or in terms of greater insult, the slipper. But this is a story about growing up, and growing a hide that's thick to ensure survival, that the boys will have you in stitches most times when they get to the central plot device - of getting out of their predicament, and relying on any of their own means possible to get to America, and meet their idol Superman, whom they hope to enlist in a fight against Saddam Hussein, and to resurrect their dead parents.
Despite being non-actors, both boys Dana and Zana are set to charm your socks off with their banter, sibling rivalry, and inevitably, love. Kader knows when to push the right buttons in crafting scenes that will make you root for them to escape impossible situations, or to cheer them on as they encounter adversity after adversity in getting to their eventual destination, which is "just miles away" on a map that looks more like one from a discarded Risk board game. Anyone who thought Quvenzhane Wallis from Beasts of the Southern Wild, should take a look at these two boys, who are naturals despite their penchant to raise their voice most of the time. Whether or not it's Dana finding first love, or Zana being disappointed time and again by his older brother, these two boys put on a masterclass performance that makes your heart go out to them.
Filmed on location, the cinematography is excellent, capturing scenes seldom seen by many unless you've travelled to the region. And there's no more to ask for when the visuals have aural accompaniment that accentuated mood to provide that extra dimension of feelings. Through a road trip, Kader manages to link scenes up perfectly, as the boys go from episode to episode atop their donkey, and every other conceivable mode of transport from cars to trucks, to evade detection and capture as they pass through guarded borders. Whether or not they reach their destination, would be immaterial by the time the story ends, painting a bigger picture of hope and love, narrative themes which are far more powerful than the fictional deity they seek to locate in a foreign land, whom they probably found in each other.
Bekas is one fine film set in the Middle East, such as Son of Babylon, that will endear. A definite recommendation!
This is a great little movie (no pun intended), about friendship and about dreams. About growing up and about much more that covers part of life as well. It might seem impossible at times (especially considering what our main actors try to achieve), but it's always engaging enough to make you interested in what's going on currently.
With a movie like this, it's a question of how'd you end it. Because you do know that one thing will not happen. But then again, this movie has a way to show you that there can be more. That fate might intervene in your favor. Whatever that might be and whatever it will show you. The kids are really great and natural
With a movie like this, it's a question of how'd you end it. Because you do know that one thing will not happen. But then again, this movie has a way to show you that there can be more. That fate might intervene in your favor. Whatever that might be and whatever it will show you. The kids are really great and natural
10evaris
I wasn't expecting much out of this movie. Looking at the movie poster thought it's just a funny kiddie movie set in Iraq but I was wrong. It was one of the best regional movies I have ever watched. The director has done an amazing job with the direction and working with the kids. The small kid was just out of the world, he cud easily beat the best when it comes to acting. I wonder why such kids don't get an opportunity on the bigger stage. The movie is sad but very funny at the same time. I can't imagine there are still innocent kids living like that even now, matter of fact in even worser conditions. I personally wud like to forget the sadder part and keep the funny moments in my memory, not that am not concerned abt their plight. I wud like to recommend this movie to everyone. This is must watch movie.
I just wanna say one of the best movie i had seen. Karzan all kurdish people proud of you
I have watched Bekas during Stockholm festival and must admit it has certainly delivered something. Each of the kids' story, their surroundings, Iraq landscape under Saddam's regime along with the Kurds conflict can be a tempting subject for a heartfelt depressing drama. Bekas has managed to combine all and make us laugh. With all the empathy and the connection we made with the 2 kids, we still laughed. Perhaps how intact their innocence and spontaneity were portrayed was the secret behind such a good movie. Bekas is certainly not meant to be a comedy thou (in the classic sense); I think it is a real fantasy and an opportunity for a lot of us to reflect on what we had throughout our childhood.
Lo sapevi?
- QuizPart of the Dubai Film Festival (2012) and The Bangalore Film Festival (2013)
- ConnessioniReferences Superman (1978)
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Dettagli
Botteghino
- Budget
- 2.000.000 € (previsto)
- Lordo in tutto il mondo
- 479.226 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 2.35 : 1
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