Le streghe di Salem

Rob zombie has made some absolute rubbish in the past but this is actually quite creepy. One particular song in this film completely freaked me out for days! It's certainly isn't perfect but it is a decent horror film.

I can start by saying, at least at times this movie was a visual treat. I can't say all the time, though. The majority of this movie was Sheri wandering around aimlessly from location to location, where the script highlighted her laughably bad acting. I can't say she is by any means a bad actress, this movie just never gave her an opportunity other than to sleepwalk. Sleepwalking is probably the best way to describe this film, which takes a rather interested premise and manages to bore the death out of everyone with it. Literally the only saving grace is the orgasmic last 1/6th of the movie, without it this score would've been borderline 1. Also, I will add, for a musician to be making this film, I expected a far greater soundtrack.

Where did this go wrong? First thing comes to mind is the decision to make this a feature film. This film had about as much content as a short film, and if it would've stuck to this route, IMO, it would've been much better. The film almost consists of entirely filler. The first time we are introduced to the Salem witches it is a visual treat, the 10th time it has long warn thin. I'm just wondering why Hollywood can't seem to make a witch movie right. The Craft is usually pointed to, but upon second viewing the Craft is nothing special. Don't bring up Hocus Pocus, either. It seems that witch movies tend to be so poorly done, and it is such a shame. I really wanted Lords of Salem to bring something new to the table.

What we got instead was every horror cliché in the book, terrible acting, horrific soundtrack, filled with at least an hour of pointless filter.

This film far from accomplishes what it set out to do, though, I must admit, towards the end I had a smile on my face. It was a sad reminder of exactly what this film could've been. 4 out of 10.

Since he transcended from the realm of Rockstar to Film Auteur with "House of a 1000 Corpses", Rob Zombie has had mostly a love-hate relationship with his fans. And with his latest release, "Lords of Salem", Zombie, proves that this will be much of the same. Despite the fact that this time around, Zombie is completely thinking outside the norm of what has been his filming style and technique. Where before he set out for a certain shock value, with "Lords" Zombie has given us a very atmospheric, almost trippy film that borrows elements from such other masters of horror as Cronenberg, Polanski and Lynch.

If "Lords of Salem" was made in the 1970's (perhaps even as late as 1981) then it would have been hailed as an iconic horror film, much in the same way as such other greats of the genre of that time, as Dario Argento's "Suspiria", "Rosemary's Baby" or even that of Stanley Kubrick's "The Shining". Sadly, however, the film finds life in 2013 where most of the audiences that will go and see it will neither understand or have the patience for Zombie's latest creation.

We find ourselves following along the life of DJ Heidi Hawthorn (aka Heidi LaRox), played by Sheri Moon Zombie, living life in Salem, Massachusetts, as night time radio's hottest DJs. When One night after a show with her cohorts and hosts Herman 'Whitey' Salvador (Jeff Daniel Phillips) and Herman Jackson (Ken Foree), Heidi receives an old wooden box containing a vinyl record and a note saying it is from the band The Lords. Heidi takes the box home, and while she and Whitey are hanging around Heidi's apartment, Whitey plays the record. The music is mostly made up of string instruments being played in some strange rhythmic beat. The music, however, invokes a vision of days past for Heidi (and that of Salem) who sees what happens to a coven of supposed "real" witches back in the days that would get you killed for practicing or even being accused of witchcraft. The next night Herman puts the record up for the typical radio gig of Smash or Trash, dubbing the band The Lords of Salem. However, those women that are descendants of Salem that are listening to the show are hypnotized by the sound; stopping what they are doing entranced. Much in the same-way Heidi was the night before. Unaware at the time, the music triggers something inside Heidi that sends her spiraling out of control as she begins to see and deal with things that can not possibly be real.

Like many 70's films of the like, and while the film is set in modern day it has a definite 1970's feel to it, Zombie does as little as possible in the way of character development. Just giving you the bare essentials (Early in the film we see Heidi taking shots with her co- hosts after the job only later to find out that she is a recovering junkie. A fact sort of come into play later in the film.) of back-stories for them. Replaced instead with more back-story when it comes to plot. Although, that does not take away from the film. Zombie gives just as much as needed and doesn't get bogged down in useless or over dialogued scenes. Which is good. While I do not mind (as others) that Zombie puts his wife Sheri in all his films, her acting is quite limited, and at times with this film it is painfully so. As Zombie stretches Sheri Moon's acting ability and is a far cry from what she has done before. Zombie also has abandoned the shaky, hand-held almost documentary style of camera work from his previous films. Replaced now with thought out scenes shot on steady cameras using 35mm film; fantastic lighting and set designs with a moving, moody score that draws the viewer inside this strange world where a sect of ancient witches are hell bent in bring the Devil's child into our world. The plot is nothing new when it comes to this style and genre but Zombie makes it his own.

I can see the influences that Zombie has when it comes to horror. "Lords" is much in the way of "Rosemary's Baby" was when it comes to subject matter; "The Shining" where the tension builds through the slow pace of the film helped with a heavy score; scenes that highlighted (while not of the 70's, but just as insane) "Twin Peaks". Though if it were made by Argento instead of Lynch.

"Lords of Salem" took me a little while to absorb. I was lucky enough to have seen it in an empty theater with no distractions that plague today's movie going experience, because in my opinion (an opinion that Rob Zombie will only half agree with) is that this film, to get the true experience, needs to be seen in the theater. Although a mostly, if not fully, empty theater. I believe the impact of the visuals will be lost when it comes to BluRay, and won't lend the same stimulation of the cortex of the mind that of the big screen.

Like with Sheri Moon, we find the usual Rob Zombie stand ins. Although, timeout if you blink you will miss Sid Haig and Michael Berryman. The real standout, acting wise, is Jeff Daniel Phillips (aka the Geico Caveman). Phillips brings forth a certain reality and believability to his character.

Love it or hate it, Zombie, with "Lords of Salem, does exactly what he sets out to do with the audience with the visuals, the sound and added factor of a creepy-ass, empty theater: the film sits with you long after it is finished. Leaving to think and discuss with others about what the hell you have just sat through.

I'm not exactly a Rob Zombie fan, but the three films I've seen from him (Halloween remake, House of 1000 Corpses, and Devil's Rejects) still have something in them that makes them memorable and not totally unworthy. I had no idea what Lords of Salem would be about but I expected the usual "Rob Zombie overload".

Much to my surprise, the film starts off pretty effectively. Although the annoying "loud sound" cliché is used here whenever there's something spooky in the background (HINT filmmakers- stop putting a loud noise over a great scare moment in an atmosphere such as this. It just ruins it) there was enough great build-up of atmosphere and the story was evolving nicely, not to mention many of the visual imagery really got under my skin. However, as I probably should have expected, Zombie's just not that smart of a film-maker to create a film like this. There's a really great version of this story to be told somewhere, but Zombie, as usual, over-indulges and just keeps on assaulting our senses starting in the second half that by the time the third act starts, I was honestly bored out of my mind and just rolling my eyes at all of the "visuals". The film just starts off great and burns out the more it goes on, and by the end it ultimately just leaves a very bad taste in your mouth and the second half just basically erases everything the first half build so cautiously to create. It feels pointless and redundant.

I've never disliked Moon Zombie, but her acting range has always seem limited. Here though, she's pretty impressive and I actually think Zombie did her a disservice. He should have just given a basic summary of this storyline to more talented filmmakers to write and direct it. Because it's definitely ambitious and definitely something that could have been truly amazing, that's what makes this film his most disappointing. I never expected anything unformulaic out of his other films, but because this started off with such potential and by the end I had to force myself not to fall asleep, it's just disheartening. A Rob Zombie film that is self-indulgent and stupid? Expected. But a boring one? Now that's a new low.

Before I begin my review, I should probably start by saying that I'm actually quite a big fan of Rob Zombie the musician (including White Zombie), and I also liked his first two movies (House of 1000 Corpses and The Devil's Rejects) very much - and I hated the first Halloween-remake so much, that I didn't even want to see the second one he directed, which allegedly should be even worse.

So, with that in mind, here's my review: The film is about a young, trendy rock-radio DJ, Heidi (Sheri Moon Zombie), who suddenly finds herself in the middle of an occult Satan-worshiping witchcraft scheme, because her ancestors did something bad 400 years ago or something.. She's sent an old, crusty LP, which she (of course) plays on the radio, even though it's just a bunch of creepy, monotonous notes, played over and over again, giving all the local women in the town zombie-like headaches.

Now, this isn't just all there is to the story, but it just as well might have been, as the plot doesn't really seem to develop much from that point on. The movie is all about setting a mood, showing creepy images, and basically just making the viewers generally uncomfortable - which it actually succeeds doing. I felt bad watching this, but strangely attracted to it at the same time.

The cast is pretty good actually, with Jeff Daniel Phillips and Ken Foree as the other two radio-hosts, and Bruce Davison as the historian who tries to get to the bottom of this whole witch-thing going on. The problem is just, that the movie doesn't really go anywhere with it's plot, and it's not really a slasher-movie or exorcism-movie, which you could expect. It's purely about making you feel miserable, and that's not (always) a good thing.

Oh, by the way... if you're expecting to see a lot of Sid Haig and Michael Berryman, think again, as they've only got small non-talking, not-interesting cameos. Meg Foster is pretty good as the witch-"queen", though.