La signora dello zoo di Varsavia

The Zookeeper's Wife, a poignant symphony of courage and compassion. Jessica Chastain's performance as Antonina Zabinska was a masterclass in emotional depth, breathing life into a character whose strength resonated long after the credits rolled. The film editing wove a seamless narrative, navigating the delicate balance between heart-wrenching moments and the glimmers of hope that defined the Zabinskis' wartime experience. The movie's strength lies in its ability to portray the resilience of the human spirit amidst the darkest of times. While it occasionally felt like certain aspects were touched upon too lightly, the music served as a gentle yet powerful undertone, enhancing the emotional impact. The cinematography painted a vivid portrait of both the beauty and brutality of war-torn Warsaw. At 7/10, The Zookeeper's Wife is a moving testament to humanity's capacity for kindness in the face of adversity.

Outstanding effort by everyone involved. True story -- one of heroes we didn't know even existed. The acting from the leads and support cast and direction give life to a wonderful story. Should say Academy Award winner, Golden Globe award winner, People's Choice award winner. Oh well - Hollyweird politics.

I enjoyed The Zookeeper's Wife and would recommend it to most audiences. Skillful direction by Niki Caro, excellent sets and costumes, a slightly washed-out look to the cinematography which nonetheless has a full range of color, and a capable cast. The story is based on the actions of the owners of the Warsaw Zoo, who saved the lives of more than three hundred Jews during the Nazi occupation of Poland.

Nonetheless, the performance of Jessica Chastain is the single most important factor in the film. Unlike many American actors, she understands that a Polish woman of the 1940s does not look, move, or carry her features like a contemporary American. So fully does Miss Chastain inhabit her character that I never had the sense of an actress making choices.

The film is a bit long and a bit slow, like most films today, but not to a damaging extent. I particularly admired the way that the official from the Berlin Zoo who becomes a Nazi officer, well played by Daniel Bruhl, has certain scruples and personal moral standards although he embraces the Nazi philosophy. He's a villain, but not a cardboard villain, and part of the suspense of the film is waiting to see which lines he will cross and which he won't.

A film with promising actors and based upon an incredible true story, however didn't fill up to its high expectations, sadly.

Something that always troubles me, is feeling the need to speak English with an accent to show that they're actually speaking another language. It's in fact ridiculous, knowing that Johan Heldenbergh is pure Belgian (and actually speaks English with a Flemish/Ghent accent) and Jessica Chastain is pure American (her English/polish accent is just ridiculous). Either you just speak plain English or you make the movie with Polish actors. Besides that, Johan Heldenbergh, the zookeeper, (world-renown in Belgium but his first introduction in a bigger US production), was impeccable & perfectly casted.

The film didn't blow me away and was predictable from beginning till the end. Fairly enjoyable for a regular weeknight if you have nothing to do, but will most certainly be forgotten the next day - not anywhere near classic holocaust movies like Schindler's list or The Pianist. Too bad, cause everything was there (especially book & script) to make a much stronger impact.

Another saturated topic, we typically get two or three WWII films a year. Frustratingly, this is another typical holocaust film and one that will not standout against the packed crowd. In saying that though, this is an excellent "story" film to which I was fully immersed. A factual fictionalisation of the Warsaw Zoo surviving WWII where both animals and humans are in danger. The owners soon start to hide Jewish residents within the zoo in an attempt to save their lives from the Nazi holocaust. I expected a film about zookeepers and nearby residents saving animals from Nazi capture, boy was I completely wrong. The zoo animals only take precedent during the first fifteen minutes, and then the narrative's focus is purely on the owners, Jews and the Nazi regime. Soul draining is how I would describe this. It's bleak, depressing and not an ounce of happiness until the last five minutes. Director Niki Caro captures the horror of the holocaust and does not shy away from the brutality of it. She evokes powerful imagery that isn't portrayed in the film, we see a young girl being taken into a tunnel by two Nazi soldiers. We don't see what happens, but the detail in every scene enables us to imagine the terror that unfolded. Another synonymous scene would be when Jewish children are carried onto a train. We know where it's going, but the story never informs us. It's subliminal, and that might be due to the over saturation of this genre. Jessica Chastain stars as the eponymous character in what is one of her more nuanced performances, but emotionally vulnerable. When she cries, my God I feel it. Daniel Brühl was also captivating as the Nazi zoologist. Would I have liked the focus to be strictly on the zoo animals? Yes. It would've been different, less generic and perhaps more emotive. Can I complain about what was presented instead? No. A perfectly good WWII drama that is harrowingly depressing which will not set the cinematic world alight.