VALUTAZIONE IMDb
3,2/10
1768
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe story portrays life inside a Nazi death camp using realistic visuals. It includes documentary footage, interviews with German teens about the Holocaust, and depicts the camp's depraved, ... Leggi tuttoThe story portrays life inside a Nazi death camp using realistic visuals. It includes documentary footage, interviews with German teens about the Holocaust, and depicts the camp's depraved, sadistic environment.The story portrays life inside a Nazi death camp using realistic visuals. It includes documentary footage, interviews with German teens about the Holocaust, and depicts the camp's depraved, sadistic environment.
- Regia
- Sceneggiatura
- Star
Nik Goldman
- Prisoner
- (non citato nei titoli originali)
Adolf Hitler
- Self
- (filmato d'archivio)
- (non citato nei titoli originali)
Harold Levy
- Dentist Prisoner
- (non citato nei titoli originali)
Alexis Wawerka
- Oven Prisoner
- (non citato nei titoli originali)
Recensioni in evidenza
This is the worst film ever made about WW2 and the Holocaust. It's probably been shot at a farmhouse somewhere, no resemblance to Auschwitz whatsoever. The scenes are ridiculous, acting is dreadful. They didn't even bother with hiring enough extras to fill up a train cart and the gas chamber. It all looks like a field trip that ended up a bit badly.
Uwe Boll apparently wanted to raise awareness about the Holocaust with the younger generations in Germany, but has blundered monstrously. This is a joke, and instead of raising awareness it raises your lunch. In my case, it was just some yogurt, but bad enough nevertheless.
As noble as Uwe Boll's intentions might be, please use some quality cinema on the topic and numerous "genuine" documentaries. There's a lot of those about, high-quality and accurate ones, so just chuck this one out immediately. In case you were stupid enough to cough up some cash for this joke. I was, for one.
Uwe Boll apparently wanted to raise awareness about the Holocaust with the younger generations in Germany, but has blundered monstrously. This is a joke, and instead of raising awareness it raises your lunch. In my case, it was just some yogurt, but bad enough nevertheless.
As noble as Uwe Boll's intentions might be, please use some quality cinema on the topic and numerous "genuine" documentaries. There's a lot of those about, high-quality and accurate ones, so just chuck this one out immediately. In case you were stupid enough to cough up some cash for this joke. I was, for one.
"Everybody wants to make a movie and my stupid brother too", goes the famous quote by Orson Wells. True enough but the real problem arises, when the proverbial stupid brother imagines himself to be Orson Wells – which brings us to the issue of Uwe Boll.
It's easy to make light of Boll's films, dilettantism and talent (pardon the sarcasm) when talking about his video-game "adaptations" or hackneyed attempts to rip-off blockbusters like "Lord of the Rings". However, when tackling a serious issue like the Third Reich and the atrocities committed in the concentration camps, it becomes difficult to keep a review light and funny.
So, to what film could we compare "Auschwitz" to? "Schindler's List"? Sure, in Bolls wildest dreams and delusions. The TV-series "Holocaust"? That would be to compare melted Belgium chocolate to something of similar colour and consistency (but not taste). No, for a comparison we have to reach back to a rather obscure, almost forgotten sub-genre, namely the "Nazi-exploitation films" of the 1970's. We're not talking the sleazy highlight, "Ilsa, She-Wolf of the SS", we're talking the low points like "Beast in Heat" and "The Last Orgy of the SS". The major differences are that the exploitation films actually intended to be exploitive. Boll handles the material with utter seriousness – albeit, free of talent or passion. Plus, if you expect nudity and acts of depravity like in afore mentioned exploitation films, you'll be disappointed – there are none.
There is no law in Germany – for once, I say unfortunately – that could prevent a hack like Uwe Boll from taking on a serious issue like the holocaust or WW2. To sum it all up: it's simply a bad film with a serious topic – too serious as to speak of unwanted humour in a bad film.
And that's already too many words wasted on a bad film.
It's easy to make light of Boll's films, dilettantism and talent (pardon the sarcasm) when talking about his video-game "adaptations" or hackneyed attempts to rip-off blockbusters like "Lord of the Rings". However, when tackling a serious issue like the Third Reich and the atrocities committed in the concentration camps, it becomes difficult to keep a review light and funny.
So, to what film could we compare "Auschwitz" to? "Schindler's List"? Sure, in Bolls wildest dreams and delusions. The TV-series "Holocaust"? That would be to compare melted Belgium chocolate to something of similar colour and consistency (but not taste). No, for a comparison we have to reach back to a rather obscure, almost forgotten sub-genre, namely the "Nazi-exploitation films" of the 1970's. We're not talking the sleazy highlight, "Ilsa, She-Wolf of the SS", we're talking the low points like "Beast in Heat" and "The Last Orgy of the SS". The major differences are that the exploitation films actually intended to be exploitive. Boll handles the material with utter seriousness – albeit, free of talent or passion. Plus, if you expect nudity and acts of depravity like in afore mentioned exploitation films, you'll be disappointed – there are none.
There is no law in Germany – for once, I say unfortunately – that could prevent a hack like Uwe Boll from taking on a serious issue like the holocaust or WW2. To sum it all up: it's simply a bad film with a serious topic – too serious as to speak of unwanted humour in a bad film.
And that's already too many words wasted on a bad film.
The best I can say is that this gets people talking/thinking about Auschwitz and the Holocaust. That is why 2 stars, not one.
I have no idea if the intentions of Uwe Boll were noble. It doesn't feel to me like he was trying to be exploitative. I'll give him the benefit of the doubt.
I'm not sure attempting to show the true horror of Auschwitz in this way is useful or necessary. Either way, if this is the best you can manage as "realistic" and suggest as coming anywhere close to the true horror of Auschwitz you should not have bothered.
Nothing looks or feels right. The trains are not dark enough or packed enough. All the buildings are totally wrong. I could go on and on and on....... Admittedly budget probably prevented giving any idea of the true scale of the industrial conveyor belt of death that occurred at Auschwitz, but given that why not zoom in and follow one or two people as individuals with much narrower focus? Or better still just stick with the interviews of german teens along with some of the facts and archive images.
The interviews and, for the most part, stunning lack of knowledge about the holocaust are the only compelling parts. The problem is I'm not convinced by this film that Uwe Boll's knowledge of this part of history is much better than the majority of interviewees.
Something like Son Of Saul is far more effective at achieving what Uwe Boll claims to have wanted to achieve.
I have no idea if the intentions of Uwe Boll were noble. It doesn't feel to me like he was trying to be exploitative. I'll give him the benefit of the doubt.
I'm not sure attempting to show the true horror of Auschwitz in this way is useful or necessary. Either way, if this is the best you can manage as "realistic" and suggest as coming anywhere close to the true horror of Auschwitz you should not have bothered.
Nothing looks or feels right. The trains are not dark enough or packed enough. All the buildings are totally wrong. I could go on and on and on....... Admittedly budget probably prevented giving any idea of the true scale of the industrial conveyor belt of death that occurred at Auschwitz, but given that why not zoom in and follow one or two people as individuals with much narrower focus? Or better still just stick with the interviews of german teens along with some of the facts and archive images.
The interviews and, for the most part, stunning lack of knowledge about the holocaust are the only compelling parts. The problem is I'm not convinced by this film that Uwe Boll's knowledge of this part of history is much better than the majority of interviewees.
Something like Son Of Saul is far more effective at achieving what Uwe Boll claims to have wanted to achieve.
There is a lot of bad press surrounding Ewe Boll, but just to buck the trend I find most of his work, a rewarding experience. Okay he did not have the budget to recreate Auschwitz 1 or 2 but the mechanics of the holocaust are exactly right. Other reviews rightly pointed out there should have been many more in the gas chambers but having less, gave them a grave individuality. The most disturbing aspect though, is interviews with German teenagers (of today), Their lack of knowledge and understanding (of what happened) is so stupid, it actually borders on the supernatural. Balanced out, right at the end, by one bright boy who knew more than all the rest put together. One downside, is I wish it had been a lot longer and with less interviews.
Lo sapevi?
- QuizThe film was virtually ignored throughout its production until the release of its first trailer online which was hugely controversial. Director Uwe Boll was lambasted for shooting a short cameo of himself which he included in the trailer in which he plays an SS officer who appears to be falling asleep whilst on guard outside a room in which masses of people are being gassed to death in. Critics attempted to boycott the movie after the release of its gruesome trailer.
- BlooperThe people depicted as condemned in the gas chambers are meant to be Jewish. Yet many appear to be uncircumcised which is contrary to Jewish custom.
- ConnessioniFeatured in WatchMojo: Top 10 Worst Uwe Boll Movies (2016)
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