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Infanzia clandestina

Titolo originale: Infancia clandestina
  • 2011
  • T
  • 1h 52min
VALUTAZIONE IMDb
7,0/10
2768
LA TUA VALUTAZIONE
Ernesto Alterio, Cristina Banegas, Tristán Bauer, Luciano Cazaux, Elvira Onetto, Natalia Oreiro, Luis Solanas, Marcelo Müller, Benjamín Ávila, César Troncoso, Darío Valenzuela, Douglas Simon, Pablo Cura, Luciana Dulitzky, Marcelo Mininno, Julia Martínez Rubio, Pedro Onetto, Paula Ransenberg, Mayana Neiva, Luciano Ricio, Teo Gutiérrez Moreno, Violeta Palukas, Luis Alí, Romina Michelizzi, Dylan Ezequiel Rodríguez, Lucas García, Lucas Zenone, Candelaria Irigoyen, Rodrigo Romero Odriozola, Florencia Camila Pagliaroli, Franco Defeliche, Pablo Sznitowski, Joel Sebastián Serrano, Luis Ricardo Asensio, Sebastián Carballido, and Ariel Matías Morosín in Infanzia clandestina (2011)
Argentina, 1979. After years of exile, Juan and his family come back to Argentina under fake identities. Juan's parents and his uncle Beto are members of the Montoneros Organization, which is fighting against the Military Junta that rules the country. Because of their political activities they are being tracked down relentlessly, and the threat of capture and even death is constant. However, Juan's daily life is also full of warmth and humor, and he quickly and easily integrates into his new environment. His friends at school and the girl he has a gigantic crush on, Maria, know him as Ernesto, a name he must not forget, since his family's survival is at stake. Juan accepts this and follows all of his parents' rules until one day he is told that they need to move again immediately, and leave his friends and Maria behind without an explanation. This is a story about militancy, undercover life, and love. The story of a clandestine childhood.
Riproduci trailer1:39
1 video
12 foto
Dramma

Aggiungi una trama nella tua linguaJuan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has... Leggi tuttoJuan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true facts, set in the Argentina of 1979, this film is "one about love... Leggi tuttoJuan lives in clandestinity. Just like his mum, his dad and his adored uncle Beto, outside his home he has another name. At school, Juan is known as Ernesto. And he meets María, who only has one name. Based on true facts, set in the Argentina of 1979, this film is "one about love".

  • Regia
    • Benjamín Ávila
  • Sceneggiatura
    • Benjamín Ávila
    • Marcelo Müller
  • Star
    • Ernesto Alterio
    • Natalia Oreiro
    • César Troncoso
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    2768
    LA TUA VALUTAZIONE
    • Regia
      • Benjamín Ávila
    • Sceneggiatura
      • Benjamín Ávila
      • Marcelo Müller
    • Star
      • Ernesto Alterio
      • Natalia Oreiro
      • César Troncoso
    • 13Recensioni degli utenti
    • 97Recensioni della critica
    • 55Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 22 vittorie e 18 candidature totali

    Video1

    Theatrical Version
    Trailer 1:39
    Theatrical Version

    Foto11

    Visualizza poster
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    Visualizza poster
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    + 6
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    Interpreti principali34

    Modifica
    Ernesto Alterio
    Ernesto Alterio
    • Tio Beto
    Natalia Oreiro
    Natalia Oreiro
    • Charo…
    César Troncoso
    César Troncoso
    • Daniel…
    Teo Gutiérrez Moreno
    Teo Gutiérrez Moreno
    • Ernesto…
    Cristina Banegas
    Cristina Banegas
    • Abuela Amalia
    Mayana Neiva
    Mayana Neiva
    • Carmen
    Douglas Simon
    • Gregorio
    Violeta Palukas
    • María
    Candelaria Irigoyen
    • Victoria
    Lucas García
    • Felipe
    Lucas Zenone
    • Esteban
    Dylan Ezequiel Rodríguez
    • Sergio
    Rodrigo Romero Odriozola
    • Claudio
    Florencia Camila Pagliaroli
    • Natalia
    Joel Sebastián Serrano
    • Juan 7 anos
    Franco Defeliche
    • Gonzalo
    Paula Ransenberg
    • Senorita Zulma
    Elvira Onetto
    • Directora
    • Regia
      • Benjamín Ávila
    • Sceneggiatura
      • Benjamín Ávila
      • Marcelo Müller
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

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    Recensioni in evidenza

    8hiltonbarlach

    what a sad story!!!

    When we see this movie, we start to think: what kind of people voluntarily put their own children in the middle of a dirty war?? What kind of fanaticism produces people like these? Unfortunately that kind of "leftist" fanaticism of the 1970's is somehow being replaced by other kinds of fanaticism so many innocent "idealists" keep falling for the sake of "ideas", ideologies or religions. In the middle of that craziness the only sane voice seems to be the kid's grandmother. But nevertheless, despite the sad story (the world is full of sad stories, isn't it?), this movie is very well realized and the acting, direction and editing are very good. The idea of using drawings to replace certain violent scenes was already used before in an Israeli movie but nevertheless was very well done.
    6SnoopyStyle

    Need more intensity

    It's 1979, Argentina. 12 year old Juan and his family returns after their exile in Cuba. They are guerrillas hunted by the military junta. Juan hides his true identity to everyone including his friends at school where they know him as Ernesto.

    It's an Argentinian film with the potential of compelling characters. For a film of paranoia, we need to feel it much more. The filmmaking style is slow paced. It needs a lot more energy, and I'm not advocating some big action scene. There's got to be more intensity in this story.

    The kids do good work. I like their characters. Their scenes have the intensity I'm talking about. I actually think the adults don't contribute as much. This feels like a lesser 'Running on Empty'. I do like the animation to break up some of the violence. It works well as from a child's point of view. Overall it tells an interesting story.
    8DogeGamer2015

    A faithful portrait of reality

    A totally dramatic, deep and emotional film, I highly recommend it.
    8Reno-Rangan

    To be a child of the revolutioners must be hard.

    This was the Argentina's submission for last year's American Academy Awards and failed to make into the final five. But it was a clean sweep in Argentinian Academy Awards in the same year. Forget that past sad occurrence, I mean the Oscars, this movie was great and I liked it very much. After a very long gap I saw an Argentinian movie reckoning to be a good and it was. I am satisfied and glad I saw it which was loosely based on the director's real life story when he was a child.

    This story was told from the perspective of a kid called Juan. His parents are the activists during the Cold War known as the Dirty War. After their return to the home country with different names, Juan joins the school known as Ernesto. He finds hard to understand his parents' behaviour, but comfortably settles with his new fake name with a little help from his uncle. The problem arises when his true identity matters the most. Whether he reveals or not is the crux of the movie's end.

    In my recent watch I had seen the people who struggle while protesting in a country's revolution. It might be based on real like 'NO' or fictional like 'Night Train to Lisbon', but majority of them end in heartbreak tragedy. Similarly, this movie opened its account in a simple manner like most of the drama that based on the revolution theme. Yes, of course it confuses at first about what's going on then slowly explain the situation. But all the difference and racy pace emerge suddenly in the last quarter of the movie. Till then I was in the movie trying to concentrate, but then instantly put me on the edge of my seat with cute romance and followed by thriller. That, the end portion of the story of last 10-15 minutes took the movie to the heights.

    Yes, like I said the movie kicks off with a slow and boring pace with nothing much to enjoy earlier and ends in a style. Some movies are largely depends on the story's end solution and so this. To me it looked fine movie, different people will have different opinions, so watch it by yourself and express yours.
    9Nibbler007

    Even a kid could realize...

    Infancia Clandestina is a very touching movie.

    This review is written by an Argentinian so I felt it as a very interesting film in terms of script and acting, but more interesting as a historical testimony of our "dark ages" in terms of dictatorship and guerrilla. It would be fair to write the review in Spanish in order to put my feelings properly, but IMDb is mostly an English language site so I want to give other people from foreign countries my point of view with the little English I speak.

    From my perspective, the movie is accurately told in terms of storyline. I would recommend it as a documentary, because Benjamín Avila relived his own experience on this movie, and because most of the facts really happened (with the names changed and that sort of thing).

    The fact that underlines the tragic story of Juan/Ernesto, is that he is, as a child, forced to live in a world of fear, constantly missing what we think a normal childhood should be. His parents are loving ones but put him in abnormal situations in terms of caring for their livings and raise their children in those violent conditions. In fact, the story of the 70's here was that fearful and violent. You are obliged to take a part in the story. That's what the film left me. It's a thought- provoking one. And asks a lot of questions more than it tells answers.

    Ernesto Alterio (very good in his role) as Tío Beto is the bond of Juan/Ernesto to a happy childhood; but even with knowing how his life could end from one moment to another, tried to remind Juan/Ernesto and the rest of the family, those little moments of humanity that could have been forgotten in the middle of tragedy. There is plenty of humanity, but that feeling is volatile and more close to self-indulgence than true happiness, knowing the curse of events.

    On the other hand, the guiding line of Juan/Ernesto's family is that he 'd become one of their "soldiers" when he'd grown up. Rootless, full of hate for losing one by one his loved ones, Juan/Ernesto becomes an adult from one day to another.

    But this review is not complete if I don't give you a personal opinion of the whole situation.

    Ideologies, partidisms, dogma, they all conceived death as a part of them. During the movie I often compared the situation with Islamic children (or whoever is forced to live in war since a child). They are children, and they are manipulated taking part on massacres, kidnaps, war and dismemberance of their families. They are brutally witnessing the grown-ups stupidity, the absurd sacrifice. Yes, it was absurd then and it's absurd now. And that's the thing with the title of this review. Even a kid could realize the barbarism, the destruction of life that is presented in the movie. Unfortunately there is little room for choice.

    I'm not in position to judge the events since I was born after the dictatorship. I'm a son of democracy (whatever that means) and those stories are told to me, but fortunately I didn't have to live those tragic times. But I feel sorry for those kids who had a sad childhood and couldn't choose for a better life. And I blame the dictatorship as well as the contraire ideologies that put them in those awful and despicable situations.

    Coming back to the movie, it's a must. Even if you're not Argentinian. It's beautiful and a bit surrealistic. And it makes you think that some things can never be repeated for our children's sake.

    Greetings from Argentina!

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Official submission of Argentina for the 'Best Foreign Language Film' category of the 85th Academy Awards in 2013.
    • Colonne sonore
      Sueños de juventud
      Written by Enrique Santos Discépolo and Warner Chappell

      Performed by Natalia Oreiro

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    • How long is Clandestine Childhood?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 29 agosto 2013 (Italia)
    • Paesi di origine
      • Argentina
      • Spagna
      • Brasile
    • Siti ufficiali
      • Official Facebook
      • Official site (Argentina)
    • Lingue
      • Spagnolo
      • Portoghese
    • Celebre anche come
      • Clandestine Childhood
    • Luoghi delle riprese
      • Burzaco, Buenos Aires, Distretto federale, Argentina
    • Aziende produttrici
      • Historias Cinematograficas
      • Habitacion 1520 Producciones
      • RTA Radio y Televisión Argentina
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 1.009.653 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 9017 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 8137 USD
      • 20 gen 2013
    • Lordo in tutto il mondo
      • 1.212.354 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 52min(112 min)
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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