Mentre sistema la proprietà del padre morto da poco, un commesso scopre di avere una sorella di cui non ha mai saputo nulla, portandoli a riesaminare le loro percezioni sulla famiglia e sull... Leggi tuttoMentre sistema la proprietà del padre morto da poco, un commesso scopre di avere una sorella di cui non ha mai saputo nulla, portandoli a riesaminare le loro percezioni sulla famiglia e sulle scelte di vita.Mentre sistema la proprietà del padre morto da poco, un commesso scopre di avere una sorella di cui non ha mai saputo nulla, portandoli a riesaminare le loro percezioni sulla famiglia e sulle scelte di vita.
- Regia
- Sceneggiatura
- Star
Recensioni in evidenza
Bravo to the entire cast for a truly excellent performance, in my opinion the cast of exceptional actors and actresses made this movie a winner.
I was completely blown away by this movie and by every single performance. If I were an Academy member and I saw this film I would immediately place the names Chris Pine, Elizabeth Banks and Michelle Pfeiffer at the very top of my Oscar nominations lists. Honestly, everyone is just that good in these roles especially Banks. Hers is the best performance I've seen this year bar none. The movie itself is so wonderfully written and packs true emotional resonance. The plot may sound cliché but nothing is handled in a predictable or unreal fashion. Secrets are revealed and it sheds new life on family and the meaning of love. To paraphrase: what seems important now really isn't and what's may seem not important now really is there's a lot to digest about this film. One thing's for sure, if you "lean in to it" and give this movie your time and undivided attention you will not be sorry that you saw it.
Elizabeth Banks also stars, in one of her more memorable and better roles. The ending was quite a tear-jerker, definitely not what I had expected. Very heartwarming story that anyone who enjoys light drama will enjoy.
This is an adult family film. It's PG-13 rating is not for nudity, swearing, or violence. It is rated that because it is a mature look at dysfunctional family problems. So while little of that is shown, they are referred to through the dialog, thus making it a mature film for teens and up.
From the opening credits of Dreamworks, the artistry of the film was evident. Instead of the usual music for the kid fishing from the moon, we hear conversations in a recording studio. In our opinion, every actor and actress gave outstanding performances. While the topic could have had a heavy handed approach, it did not. It was deftly edited and paced.
In summation, this movie was art because the content was all heart. I have deliberately avoided talking about specifics because I want all viewers to be as surprised as we were in the viewing. I give it a ten, and intend to watch it again.
Lo sapevi?
- QuizWhen sitting down with Michelle Pfeiffer to discuss the character of Lillian, Alex Kurtzman decided on a more naturalistic, slightly disheveled look for the role. As he described it: "this woman probably hasn't put on make-up in a year. She's been sitting by her dying husband's side and when we first meet her in the movie, that's where she's at. If we're too glamorous in this portrayal, it'll ring totally false." Pfeiffer agreed wholeheartedly and altered her otherwise glamorous image to play the grieving widow.
- BlooperWhen the sodium is thrown into the pool it sinks to the bottom before exploding. In reality sodium floats on water and the explosion is caused by sparks igniting the hydrogen that is formed.
- Citazioni
Sam: Six rules. And listen up, because I don't know if I'm gonna be able to tell you this again, okay? These are from my father. Number one. lf you like something because you think other people are gonna like it, it's a sure bet no one will. Number two. Most doors in the world are closed, so if you find one that you want to get into, you damn well better have an interesting knock. And if you knock like you drum, you'll be fine. Number three. Everything that you think is important, isn't. And everything that you think is unimportant is. Number four. Don't shit where you eat.
Josh: I wasn't planning on it.
Sam: He meant that metaphorically, of course. Now, bear in mind my father was not all that successful. Number five. Lean into it.
Josh: What does that mean?
Sam: It means that the outcome doesn't matter. What matters is that you're there for it. Whatever "it" is, good or bad. Kind of like right now. And finally, number six, a personal favorite. Never sleep with someone who has more problems than you.
Frankie: [pops from around the corner] Hey!
[chuckles]
Sam: And my very own. Always assume your mother's listening.
Frankie: That is definitely a rule. Your mom is always listening.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #20.157 (2012)
- Colonne sonoreFunk #49
Written by Jim Fox (as James K. Fox), Dale Peters and Joe Walsh (as Joseph Fidler Walsh)
Performed by James Gang
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Así somos
- Luoghi delle riprese
- Claremont, California, Stati Uniti(Rhino Records)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 16.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.434.778 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.255.423 USD
- 1 lug 2012
- Lordo in tutto il mondo
- 12.558.931 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1