Neighborhood Watch

A pleasant surprise. I thought it's going to be bad, but it was actually a good movie. Nothing major, I won't watch it 72 times in a row, won't think about it 10 years from now, won't keep recommending it to friends. But it did make for an evening well spent.

The story is not very complex, but it was interesting, and was fairly original. Most importantly the two leads did a great job. Their act felt very natural and authentic, their characters were likeable. I wasn't bored while watching, I rooted for them to succeed with their mission, and hoped for the one they were looking for to be found, and was surprised a few times, which is always a plus.

In general, I liked it, enjoyed it. It was not the movie of the century, but it was the right movie for last night.

There are elements of this film that really shine. Overall, I liked it. There are a few spots I'd normally nitpick on but Jack Quaids performance (at least to me) was great. I also think Jeffrey Dean Morgan could have done more with his role but the script hampered his performance. Still, he made the most of what was given to him.

The movie is executed well in terms of direction, lighting, cinematography and sound, but the dialogue was wooden at times - the director should have realized that and listened to his actors. This didn't happen often but when it does, you notice it.

Ultimately, it's about a retired cop and a person with mental health issues working out a friendship between them. That is possibly the most appealing aspect of this movie. You'd think it'd be minor thing. But Morgan and Quaid pulled it off!

If I would describe Neighborhood Watch as an overall movie in one word, it would be... regular? It's a very regular movie. But when done right, a regular movie can be highly enjoyable. This is the perfect example of that.

Jack Quaid gives possibly his best performance. He seems perfect for this role of someone suffering from severe mental illness. Jeffrey Dean Morgan also plays his role well. And their on screen chemistry and character dynamics are a big part of why this movie succeeds.

It also helps to have good writing. Several small parts end up coming into play later. Even if it doesn't have a major impact, these callbacks show that they care about making a good movie. And I was emotionally invested in the story and these characters.

(1 viewing, 4/26/2025)

Came to watch it for the two main stars not knowing too much about the plot but stayed because of how the film was executed.

The chemistry between the two main characters is great even though at first they had nothing in common (although I wouldn't mind if they had fleshed it out a little bit more).

The plot is easy to follow and had a couple of nice quirks that I liked.

Almost every scene in the movie has a purpose and nothing is spoon fed to the viewer.

The ending was very rewarding and I liked the fact that the world the movie took place in was so down to the ground.

And the hand sanitiser gag had me chuckle more than I'd like to admit.

Good stuff.

Wholesome movie.

Give it a try :)

8/10.

The film mostly worked for me because of the odd pairing of the rough and decisive ex-cop played by Ed Deerman (Jeffrey Dean Morgan) and the diminutive and tormented Simon McNally (Jack Quaid) who struggles with schizophrenia. The unlikely duo prove they have unexpectedly strong chemistry as they form an unlikely alliance to find a woman that Simon believes he may have seen being kidnapped.

The actual procedural aspects of Deerman and McNally's investigation are the weakest aspect here from my perspective. They sort of just wander around encountering violent criminals for most of the film's brief runtime. But there are elements to the film that we don't typically get in these types of films, so I will give it a pass for neglecting the procedural aspects somewhat.

I adored Duncan Skiles' previous film, the vastly underrated serial killer thriller The Clovehitch Killer, and he shows all the same strengths as a director here that he did in that film. The story never lacks a sense of purpose, and the sparkling interactions between its two leads keep the story rolling steadily forward to a satisfying if unmemorable conclusion. I think a couple frightening scenes and potentially a violent encounter at the film's conclusion might have helped to make this more well-rounded as a thriller.

The exploration of Simon's mental health struggles is quite well done and integrated effectively throughout. The film even puts the audience somewhat in Simon's situation where we're not entirely sure what's real and what isn't. We feel the effects of Simon's struggles in a similar way to how he does because we too are uncertain to what extent what we are seeing is real and how much we can trust our senses.

Deerman, while not as likable as Simon, has a nice character arc as he comes to respect Simon and rethink his dismissive treatment of him as a "nutjob." A third-act sequence in which Deerman helps Simon to cope with his paralyzing demons is well-acted and powerful to behold. Deerman is the kind of rogue cop with a heart-of-gold that we can't help finding lovable even if we shouldn't. Even if his methods are problematic, his unimpeachable desire to save an innocent young woman keeps the audience in his corner.

Visually, the film feels like a 70s period thriller due to the sepia-tinged cinematography. This is in spite of the fact that the characters use iPhones and other technology. But I think Skyles was perhaps emphasizing retro aspects intentionally to create a more old-fashioned noir feel. At any rate, this doesn't feel entirely like it's set in the present day even though it ostensibly is.

All in all, Neighborhood Watch may not break new ground as a crime thriller, but its emotional resonance and strong performances make it a quietly compelling film for genre stalwarts.