VALUTAZIONE IMDb
7,2/10
6842
LA TUA VALUTAZIONE
Uno sguardo nel profondo al leggendario gruppo punk, gli Stooges.Uno sguardo nel profondo al leggendario gruppo punk, gli Stooges.Uno sguardo nel profondo al leggendario gruppo punk, gli Stooges.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Jim Jarmusch
- Self
- (voce)
Bob Waller
- Self
- (filmato d'archivio)
The Stooges
- Themselves
- (filmato d'archivio)
Ron Asheton
- Self
- (filmato d'archivio)
Harry Partch
- Self
- (filmato d'archivio)
MC5
- Themselves
- (filmato d'archivio)
John Sinclair
- Self
- (filmato d'archivio)
David Bowie
- Self
- (filmato d'archivio)
The Damned
- Themselves
- (filmato d'archivio)
Sonic Youth
- Themselves
- (filmato d'archivio)
Recensioni in evidenza
If you're expecting another quirky, brooding Jim Jarmusch film, or even that Jarmusch signature here and there, you will be disappointed. Gimme Danger is still a great film, but Jarmusch doesn't do what he usually does - show that the conventional can be really far out if you excavate a little - because he gets that Iggy and the Stooges are already supremely avante-garde; they are already Jim Jarmuschy. So Jarmusch does the opposite - he brings that down to earth, and just showcases what's already naturally there rather than try to create something. Still, documentary filmmaking turns out to be well suited for at least a couple of Jarmusch creative sensibilities. There's a charming, amiable leading man (Iggy), and when Iggy speaks there's a subtly comedic element, and subtle comedy is essential in all Jarmusch films. When Iggy tells the story of contacting Moe Howard of The Three Stooges, there's no need for direction with a magic touch. Just let it be.
Ultimately, Jarmusch forgoes being a director with a Jarmusch vision in Gimme Danger other than maybe hoping to convince the viewer to believe, after watching this film, that Iggy and the Stooges are the greatest rock and roll band of all time. He made Gimme Danger as a fan more than as Jim Jarmusch the auteur director, and it ends up being a "normal" kind of rock and roll doc/tribute, with plenty of great music and great footage, history, and lots of interviewing.
So to repeat, don't expect Gimme Danger to be a typical Jim Jarmusch film. But if you expect it to be a loving and intelligent tribute to a rock and roll band that "reinvented music as we know it" according to their former manager, a band that wiped out the 60s according to Iggy, you won't be disappointed.
Ultimately, Jarmusch forgoes being a director with a Jarmusch vision in Gimme Danger other than maybe hoping to convince the viewer to believe, after watching this film, that Iggy and the Stooges are the greatest rock and roll band of all time. He made Gimme Danger as a fan more than as Jim Jarmusch the auteur director, and it ends up being a "normal" kind of rock and roll doc/tribute, with plenty of great music and great footage, history, and lots of interviewing.
So to repeat, don't expect Gimme Danger to be a typical Jim Jarmusch film. But if you expect it to be a loving and intelligent tribute to a rock and roll band that "reinvented music as we know it" according to their former manager, a band that wiped out the 60s according to Iggy, you won't be disappointed.
"Gimme Danger" (2016 release; 108 min.) is a documentary about the Stooges. As the movie opens, we are in 1973, with the band in a free fall and ready to call it a day, as we get Iggy, Steve MacKay, and other to comment about how bad it was. Pop, then 24 years old, moved back in with his parents in their trailer, After the movie's opening credits, we then go back in time, and we see the humble Ann Arbor roots of these guys, and the even humbler beginnings of the Iguanas and later the Stooges.
Couple of comments: this is the latest movie directed by indie film maker Jim Jarmusch. Here he brings the story of the Stooges, as told to us by the band members themselves, although let's be clear: Iggy gets most of the screen time. Turns out Iggy is quite funny and self-depreciating, certainly as to the early years, when he switch from drums ("I got tired of looking at butts", ha!) to singer and front man. It is quite amazing how the Stooges' sound evolved from the early avant-garde sound (Iggy: "it was like an airplane taking off") to the punk sound of the latter days (the "Raw Power" album). The footage is okay but there is surprisingly not much high quality concert footage (one of the better clips is the classic from their 1970 set at the Cincinnati Pop Festival where Iggy smears peanut butter all over himself while he is crowd-surfing). The lack of high quality footage is more than compensated by the gazillion pictures, which frankly suit the legacy of the Stooges better than the archival footage. The documentary thankfully spends little to no time explaining the 3 decades between the 1973 demise and the 2003 "reunification" (as Iggy terms it, "it's NOT a reunion"), and even the years since 2003 are dealt with in 10-15 minutes. The documentary smartly focused on the key years in the late 60s and early 70s, and that is what makes it so enjoyable to watch. No major revelations, just a solid look at the Stooges. As of course Iggy has the documentary's last words: "I don't wanna be metal, I don't wanna be alternative, I don't want to be punk. I just wanna be".
"Gimme Danger" premiered at the Cannes film festival earlier this years, and finally opened at my local art-house theater here in Cincinnati this weekend. I couldn't wait to see it. The Friday early evening screening where I saw this at was not attended well (2 other guys besides myself), but I know this: all three of us laughed a lot and thoroughly enjoyed ourselves, Hopefully "Gimme Danger" can find a wider audience via Amazon Instant Video and eventually on DVD/Blu-ray. If you are a fan of music and music history, you don't want to miss this. "Gimme Danger" is HIGHLY RECOMMENDED!
Couple of comments: this is the latest movie directed by indie film maker Jim Jarmusch. Here he brings the story of the Stooges, as told to us by the band members themselves, although let's be clear: Iggy gets most of the screen time. Turns out Iggy is quite funny and self-depreciating, certainly as to the early years, when he switch from drums ("I got tired of looking at butts", ha!) to singer and front man. It is quite amazing how the Stooges' sound evolved from the early avant-garde sound (Iggy: "it was like an airplane taking off") to the punk sound of the latter days (the "Raw Power" album). The footage is okay but there is surprisingly not much high quality concert footage (one of the better clips is the classic from their 1970 set at the Cincinnati Pop Festival where Iggy smears peanut butter all over himself while he is crowd-surfing). The lack of high quality footage is more than compensated by the gazillion pictures, which frankly suit the legacy of the Stooges better than the archival footage. The documentary thankfully spends little to no time explaining the 3 decades between the 1973 demise and the 2003 "reunification" (as Iggy terms it, "it's NOT a reunion"), and even the years since 2003 are dealt with in 10-15 minutes. The documentary smartly focused on the key years in the late 60s and early 70s, and that is what makes it so enjoyable to watch. No major revelations, just a solid look at the Stooges. As of course Iggy has the documentary's last words: "I don't wanna be metal, I don't wanna be alternative, I don't want to be punk. I just wanna be".
"Gimme Danger" premiered at the Cannes film festival earlier this years, and finally opened at my local art-house theater here in Cincinnati this weekend. I couldn't wait to see it. The Friday early evening screening where I saw this at was not attended well (2 other guys besides myself), but I know this: all three of us laughed a lot and thoroughly enjoyed ourselves, Hopefully "Gimme Danger" can find a wider audience via Amazon Instant Video and eventually on DVD/Blu-ray. If you are a fan of music and music history, you don't want to miss this. "Gimme Danger" is HIGHLY RECOMMENDED!
Early in the film, Iggy mentions how Soupy Sales taught him to keep his writing concise and to-the-point (the kid-show host instructed that letters sent by viewers be twenty-five words or less). The lesson is not lost on Jim Jarmusch, who promises a documentary about the career of the Stooges and delivers exactly that. We get a recap of how they came together, followed by a solid recounting of their brief moment in the spotlight. When they fall apart in '73, the story stops abruptly, then jumps ahead to the group's revival in 2003 (with just a couple of words about what the Ashetons and James Williamson did in the interim). Iggy's solo career is almost completely unmentioned; fitting, as this is a Stooges doc, not an Iggy bio. Though he does get the lion's share of screen time, his recollections here are centered on the band, not himself.
Likewise, the interviews are limited to participants: the band members (minus original bassist David Alexander, who died in '75); manager Danny Fields; the Asheton brothers' sister Kathy; occasional sax sideman Steve Mackay; and late-period bassist Mike Watt. Ron Asheton passed in 2009 and appears via archival interviews. Blessedly, there are no rock critics, musicians or movie stars to expound in an overly fawning, sycophantic fashion about the group's importance to them, rock music, or the development of western civilization in general. The recent Beatles tour documentary "Eight Days a Week" was very nearly sunk by the inclusion of Whoopi Goldberg telling us how her mother bought her a ticket to the Shea Stadium show. Her memories and opinions are no more important (or even germane) than those of the other 60,000 people who were there that night. She's a celeb talking head who added nothing but her ego to the proceedings. Here, the laser focus is on telling a story through those who were part of the story, to the exclusion of third-party opinions (and you know what opinions are like - everybody has one...)
An immense amount of audio and visual material is packed into the hour-and-three-quarter running time, as attested to by acknowledgments in the end credits. That it never seems overstuffed, hyperactive or rushed is a tribute to Jarmusch's sense of pacing.
I went in with limited expectations of a run-of-the-mill rock bio, at best (the choice of film was made by my wife, who's a major Iggy fan). I came out more than impressed by a well-constructed, tightly focused exercise in documentary filmmaking that would have been outstanding no matter the subject.
Likewise, the interviews are limited to participants: the band members (minus original bassist David Alexander, who died in '75); manager Danny Fields; the Asheton brothers' sister Kathy; occasional sax sideman Steve Mackay; and late-period bassist Mike Watt. Ron Asheton passed in 2009 and appears via archival interviews. Blessedly, there are no rock critics, musicians or movie stars to expound in an overly fawning, sycophantic fashion about the group's importance to them, rock music, or the development of western civilization in general. The recent Beatles tour documentary "Eight Days a Week" was very nearly sunk by the inclusion of Whoopi Goldberg telling us how her mother bought her a ticket to the Shea Stadium show. Her memories and opinions are no more important (or even germane) than those of the other 60,000 people who were there that night. She's a celeb talking head who added nothing but her ego to the proceedings. Here, the laser focus is on telling a story through those who were part of the story, to the exclusion of third-party opinions (and you know what opinions are like - everybody has one...)
An immense amount of audio and visual material is packed into the hour-and-three-quarter running time, as attested to by acknowledgments in the end credits. That it never seems overstuffed, hyperactive or rushed is a tribute to Jarmusch's sense of pacing.
I went in with limited expectations of a run-of-the-mill rock bio, at best (the choice of film was made by my wife, who's a major Iggy fan). I came out more than impressed by a well-constructed, tightly focused exercise in documentary filmmaking that would have been outstanding no matter the subject.
10jc-ee-79
I just saw this at Melbourne International Film Festival in my home town, and It completely lived up to my expectations. I am a big Stooges fan and first heard of this documentary collaboration between Iggy Pop and Director Jim Jarmusch a few years back and could not wait to see it. As a fan of the band and some of the Director's work, they are the perfect marriage to tell this tale. The documentary, told by most of the band themselves but primarily Iggy, covers the bands early inception and up to the 2003 reunion. Iggy is a fascinating interview subject, as are all The Stooges that offer insight,wit and humour in recreating the journey they shared. There is a definite brotherhood between these guys, that was at times as destructive as it was touching. The tributes paid to the fallen Stooges are moving in its unique way, and the documentary as a whole really captures the lasting impact this band has had on music and their influence they have left in their wake. Any fan of this incredible band, that were a statement that pre-dated punk and shocked so many at the time, will love this film. If you aren't a fan, then it also serves as a very entertaining document on a band that are unmistakable in their impact,the fascinating characters and is a chronicle of a turbulent time in music and the world that The Stooges so brilliantly encapsulated in their sound.
A look at the Stooges career from their first albums to eventual reunion years later with interviews from the surviving members and lots to hear from Iggy Pop.
I expected more from this documentary I guess because I was a little let down. Yeah it had talking heads and archival footage but not that much of it really. It also spent most of the time talking to Iggy, which makes sense since most of the others are dead, but it gives you only one view. I guess because the band had so short a career there wasn't much to work with, but for a legendary crew, this felt too shallow. But it's not terrible or anything, so fans will eat it up.
I expected more from this documentary I guess because I was a little let down. Yeah it had talking heads and archival footage but not that much of it really. It also spent most of the time talking to Iggy, which makes sense since most of the others are dead, but it gives you only one view. I guess because the band had so short a career there wasn't much to work with, but for a legendary crew, this felt too shallow. But it's not terrible or anything, so fans will eat it up.
Lo sapevi?
- QuizIggy Pop also plays himself in another Jim Jarmusch movie, Coffee and Cigarettes. And also Dead Man (1995).
- ConnessioniFeatures L'Inferno (1911)
- Colonne sonoreAsthma Attack
Written by Iggy Pop (James Osterberg Jr.), Ron Asheton (as Ronald Asheton), Scott Asheton, David Alexander
Performed by The Stooges
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Gimme Danger?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Gimme Danger: La historia de the Stooges
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 440.627 USD
- Fine settimana di apertura Stati Uniti e Canada
- 44.725 USD
- 30 ott 2016
- Lordo in tutto il mondo
- 950.040 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
- Proporzioni
- 1.78 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti