The Spectacular Now

As I watch The Spectacular Now, i cannot help but reminisce on my younger years, when now was all that matters, when love was crazy and earth shattering, and when thoughts of the future felt unnecessary. For Average Joes out there, it is easy to find something to connect to in this film as it tells a grounded story that reflects on teenage experiences, from dreams, to falling in love, to the struggles to conform. As for the our dearest leads, i was Wowed by Miles and Shailene's absurdly natural performances, further allowing me to relate to the film through its characters. With their awkward mannerisms, spontaneous reactions, energetic and intense moments, I sincerely felt that they, were once us. Great job by the filmmakers for creating such a soulful and sincere teenage movie that is extraordinarily ordinary (in the realist sort of way).

This film tells the story of a high school student who parties and drinks hard. He meets a nice girl who is opposite of him, and they influence each other.

The film requires the main characters to be likable in order for viewers to care about them. Unfortunately, I do not care for either Sutter and Aimee. Sutter is an irresponsible young man, while Aimee's character is poorly developed to contrast Sutter. The events that happen in the film are either not engaging or dramatic enough. Even when Aimee gets hit by a car, there is little follow up on it. We do not get to see the emotional reactions of the people around her.

It tries to show the emotional baggage of the past and the difficulties in growing up. However, there is little depth in depicting the characters' psychological states. I find it disappointing.

Sundance-darling "The Spectacular Now" is a curious one. With a script by the guys who wrote "500 Days of Summer", the movie is about as slice- of-life as they come, and it is interesting and well-acted.

As the film unspools, it may subconsciously remind viewers of the imperfect messiness of Cameron Crowe's teen ode "Say Anything" - complete with a Cusack-like performance by Miles Teller.

Teller's Sutter character is smooth, confident, charming, occasionally- unlikable and flawed. It's an accomplished balancing act.

The centerpiece performance is really Shailene Woodley, as Sutter's new girlfriend Aimee. She gives the most natural performance of a teenager on screen in ages. Her unaffected, open assignment elevates every scene she's in.

Both performances are in service of a film that drifts through the senior high students' last weeks before the end of high school, and takes a mutedly-pessimistic approach of the future before our two leads. These two kids are invisibly shackled to their town, in their home life, their pasts. Echoing the crux at the centre of 1989's "Say Anything", Aimee figures an escape plan; Sutter seems to be blindly comfortable in his 'spectacular' now.

Pulling "Fast Times at Ridgemont High" alum Jennifer Jason-Leigh into the film as Sutter's world-worn mother was a nice touch. Her vacant-eyed mother is in keeping with the film's less-glamorous take.

The picture labours a bit too much in over-emphasizing Sutter's crutch, and the mid-film scenes visiting Sutter's estranged father had trouble finding the right tone between character and caricature. The movie doesn't feel any urgency to build to a conclusion, but when it does, it is understated, uneventful - kind of like our two characters, and sort of like real-life, too.

Life is messy, as is "The Spectacular Now". It eschews the studio slickness and over-plotted determination of more polished teenage products. Despite two grounded, award-worthy lead performances, this film seemed a touch sketched and ever-so-slightly inert.

I was lucky enough to see The Spectacular Now at an advance screening, and walking out, I had the unmistakable feeling that I can only describe as a "good movie buzz." You feel a little light on your feet. You're thinking not only about what you've just seen, but how it relates to you. It's a heartfelt story that distills all of the beauty, tenderness, and apocalyptic bleakness of youth into a 95 minute love story that portrays teenagers in the most honest way since the films of John Hughes. The Spectacular Now won Sundance's special jury prize for acting and within minutes, the reason for this becomes apparent. Beautiful, naturalistic performances all around. Miles Teller portrays Sutter Keely with charisma and an effervescent charm while Shailene Woodley imbues Aimee Finicky with a tender shyness that makes her character incredibly endearing. When you watch the two of them on screen together, their chemistry is not just apparent, it's intoxicating. And it's not just a movie held together by its performances. Scott Neustadter and Michael Weber have written an incredible screenplay with flawed yet likable characters you can't help but root for, and James Ponsoldt has delicately directed the script to make his best movie to date. The Spectacular Now is much more than another indie darling. It has breathed life into the "teen movie" genre by treating its characters with maturity and honesty. This is the coming of age movie of our time.

I wanted to see this film to soothe my wife. She usually loves adolescent romance stuff, so I thought I would suffer through it. Instead, I ended up liking it more than she did.

The thing about romance films and adolescence films in particular is that the kids are presented like complete idiots, like aliens from the planet Dumb. In order to keep up with this superficial image all other characters must act the same. The result is a complete fake.

The Spectacular Now is nothing like that. From the start it portrays teens as complex, intelligent, troubled about their past and their future, maybe laid back alcoholics or chronically shy or overachievers with low self esteem. And they all interact like human beings. It's a joy to see a film like this.

I also loved that they didn't use the cheap tricks of romance movies in general. No evil adversary to define the character as good, no ultimate goal to direct the entire film from point A to point B, no artificial accidents or catastrophes to move people out of their stupor, no highschool cliques, no Facebook or Twitter dramas. Instead, normal people doing normal stuff, trying to get over themselves and have a happy life.

The film was not without its flaws. It was a little too slow, for once. It only lasted an hour and a half but it felt like more. Also there is a somewhat seamless jump of a few years that takes the viewer by surprise (I still don't know when it happened). Also, I am a bit grumpy today, the film probably deserved a 9. Go watch it!