The Spectacular Now

I wanted to see this film to soothe my wife. She usually loves adolescent romance stuff, so I thought I would suffer through it. Instead, I ended up liking it more than she did.

The thing about romance films and adolescence films in particular is that the kids are presented like complete idiots, like aliens from the planet Dumb. In order to keep up with this superficial image all other characters must act the same. The result is a complete fake.

The Spectacular Now is nothing like that. From the start it portrays teens as complex, intelligent, troubled about their past and their future, maybe laid back alcoholics or chronically shy or overachievers with low self esteem. And they all interact like human beings. It's a joy to see a film like this.

I also loved that they didn't use the cheap tricks of romance movies in general. No evil adversary to define the character as good, no ultimate goal to direct the entire film from point A to point B, no artificial accidents or catastrophes to move people out of their stupor, no highschool cliques, no Facebook or Twitter dramas. Instead, normal people doing normal stuff, trying to get over themselves and have a happy life.

The film was not without its flaws. It was a little too slow, for once. It only lasted an hour and a half but it felt like more. Also there is a somewhat seamless jump of a few years that takes the viewer by surprise (I still don't know when it happened). Also, I am a bit grumpy today, the film probably deserved a 9. Go watch it!

I found The Spectacular now to be a very refreshing movie to watch. We've all seen the coming of age high school romance blahblahblah thing before, but the film takes you where you didn't expect it to go, and that is one of the qualities that makes it a great experience.

Miles Teller and Shailene Woodley are fantastic, particularly Woodley. I don't know how you can't be a fan of Teller, he is his usual self in this one and adds even more depth to himself. Woodley's as real as it gets in her performance. I didn't notice it until my second viewing in terms of how natural she was, but she was terrific.

Those two are already great to cast as leads, but it's always fun when the casting for anything is just all around fantastic. Tamper your expectations a bit because it's all about the leads in this one, but Coach Taylor, Bubbles, and Saul Goodman are great in the limited time they are on screen. I mean, Kyle Chandler, Andre Royo, and Bob Odenkirk.

The emotional impact of this film really hit me towards the end, and certain factors are very predominant in the movie that you definitely do not expect. Without spoiling anything, I'll just say take away a lot of the laughs you were expecting, and brace yourself for the feels and a very serious tone. This may damper some who came for this because it's from the dudes who did 500 Days of Summer, but It's still very good and the movie is actually funny in the spots it wants to be.

Overall, I think this is absolutely a film you want to see. Where the story goes widens the appeal of this movie by far in my opinion, so if you were just not going to see it or judged it by the trailers, don't. Give it a shot.

This film tells the story of a high school student who parties and drinks hard. He meets a nice girl who is opposite of him, and they influence each other.

The film requires the main characters to be likable in order for viewers to care about them. Unfortunately, I do not care for either Sutter and Aimee. Sutter is an irresponsible young man, while Aimee's character is poorly developed to contrast Sutter. The events that happen in the film are either not engaging or dramatic enough. Even when Aimee gets hit by a car, there is little follow up on it. We do not get to see the emotional reactions of the people around her.

It tries to show the emotional baggage of the past and the difficulties in growing up. However, there is little depth in depicting the characters' psychological states. I find it disappointing.

Compared to other movie adaptations of teen novels, this is one of the good ones. It stayed true to the book, maybe with a slight alternate ending, but it didn't deviate from the plot. I felt Teller portrayed Sutter very well and both the main leads' acting felt genuine and believable.

The story isn't a predictable one, sure you have a stunning Woodley playing a girl who hasn't ever had a boyfriend, a part that was hard to believe. However, from how Woodley portrays Aimee, the typical nice girl, you can understand from Aimee's character and personality why she hasn't. I wish the movie would have added a bit more of how much Aimee changed because of Sutter, and some of the negative changes too, something that the book focuses a lot more on. I suggest to those planning on watching this to read the book as well, as I found that I got to know the characters a lot better from reading it.

If you're up for a feel-good, light comedy with predictable movie romance formula, this probably isn't that type of flick. I'd call this a more coming-of-age film which definitely has a Say Anything and Kings of Summer vibe, and if you liked The Spectacular Now then I would definitely watch those movies.

Last year, we have the spectacular Perks of Being of Wallflower. This year, we have The Way, Way Back and most of all, The Spectacular Now. It is a lovely, heartfelt, sweet, gentle and sincere film. The Spectacular Now focuses on most teen experiences: first love relationship, 'living in the now' attitude towards life, fear of the future, alcohol and family issues. The story is about a charming, crude but troubled boy meets a reserved, shy, naive...yet sweet, smart girl/wallflower and managed to find a connection in each other. As the film progresses, it was shown that they enjoy hanging out together, helping and complementing each other. Sutter, the lead guy, plagued by alcoholism and family issues, must learn to confront his fears and face who he really is and learn what loving someone really means. Aimee, the lead girl, need to learn to stand up for herself against her controlling mother who might be potentially ruining her college future because she's responsible for partially paying the bills. The film may seem to be an average love story, but it carries a genuine believability to it. The film takes the first-love romance seriously but never falls to become the typical weepy Asian melodramas that Koreans are so fond of making. The two lead actors are great on screen, deliver strong convincing performance to let us believe that the love chemistry between them is real and managed keep the audience engaged throughout the film. There are some subtle humor throughout the film as well. What a deeply affecting film this is. It's the best coming-of-age romantic drama comedy film of the year. Rating: 9/10 "But the real challenge in my life, the real hardship, is me. It's always been me. As long as I can remember, I've never not been afraid. Afraid of failure. Of letting people down. Hurting people. Getting hurt. I thought if I kept my guard up and focused on other things, other people...If I couldn't even feel, well, then no harm would come to me. I screwed up. Not only did I shut out the pain, I shut out everything. The good and the bad. Until there was nothing. It's fine to just "live in the now". But the best part about "now" is there's another one tomorrow. And I'm gonna start making them count"