Esplora ogni aspetto della vita di Yankovic, dalla sua fulminea ascesa alla fama con i primi successi come "Eat It" e "Like a Surgeon" alle sue torride relazioni amorose con le celebrità e a... Leggi tuttoEsplora ogni aspetto della vita di Yankovic, dalla sua fulminea ascesa alla fama con i primi successi come "Eat It" e "Like a Surgeon" alle sue torride relazioni amorose con le celebrità e al famoso stile di vita depravato.Esplora ogni aspetto della vita di Yankovic, dalla sua fulminea ascesa alla fama con i primi successi come "Eat It" e "Like a Surgeon" alle sue torride relazioni amorose con le celebrità e al famoso stile di vita depravato.
- Regia
- Sceneggiatura
- Star
- Vincitore di 2 Primetime Emmy
- 16 vittorie e 38 candidature totali
Andrew Steven Hernandez
- Robbie
- (as Andrew Hernandez)
Paloma Esparza Rabinov
- Hipster Teen
- (as Paloma Rabinov)
Recensioni in evidenza
Really? REALLY? I don't see how those two statements could possibly coexist. "I wanted Weird Al's real story." Okay, go look on Wikipedia I guess? Eh, just kidding. I can totally relate: I took my 4yr old to see Silence of the Lambs and that one didn't fit up to my totally bizarre expectations either, so I gave it a 1/10 review too (I kinda hope someone actually checks). I grew up in the 80's. I loved Weird Al. If this has been a serious movie now THAT would've been weird. I trip out we're all on the same planet with the same physics and everything sometimes. Crazy life all works out as well as it does all things considered. Enjoy.
I hope few people walk into this thinking it's a serious biopic, you'll be in for quite the surprise. Although Weird starts in a conventional manner, you'll realize that a devotion to reality wasn't the primary goal of the film. It's a parody of the music biopic genre, think Walk Hard instead of Walk the Line or Ray. But the tone and vibe is a little different. Instead of winking at the audience or pausing for laughter, the cast and the crew play it completely straight as if the material was factual. This is an admirable choice, it allows you to pick up on a few jokes that are specifically making fun of movies like this. It reminded me a little of the Naked Gun movies, it fires off gags continually and Weird isn't worried about you catching every single one of them. Weird bounces from scene to scene and you're either going to cruise right along with it or get left in the dust.
Some actors/actresses are natural born chameleons but other A-list talents aren't required to stretch into different characters. Their natural charisma carries them and they get away with playing the same character with a different name several times over. Daniel Radcliffe is a talent but he also possesses a rare versatility. He doesn't just take the easy layups, he does strange and exciting projects and I'm becoming a bigger and bigger fan of his with each movie I see him in. He's great in Weird, he's obviously giving it his all and his enthusiasm is infectious. He's also really funny and hopefully this will be a showcase for his comedic talent as well. Between this and The Lost City, he's having a great year. Evan Rachel Wood is excellent as Madonna, she's playing up her bombshell angle from moment one but she's great at it and she plays off Radcliffe really well. She's very funny in her own right and their performances together were my favourite part of the movie. Rainn Wilson is a pleasant addition as Dr. Demento, he's wacky enough without pushing the envelope too far. Al Yankovic cameos in a nice meta role as music exec Tony Scotti. There are too many celebrity cameos to list but every member of the cast gets what the movie is going for and there aren't any missteps or false notes from anyone performing.
Weird rarely misses and the aspects I didn't like weren't things the movie did wrong. There was a conscious choice to keep going bigger and more outlandish as the plot unfolded and there was a moment that I disconnected from it just because of how divorced from reality it became. This will work for some people, it just didn't for me. The humour had been pretty pointed at genre tropes and Al's material before and it just became more and more broad with each deviation. I still laughed throughout the entire run time but I still would have went another direction.
Weird's amiable nature and stellar lead performances won me back every time I started to waver on it. It's above all else a celebration of the sweet and goofy nature of Yankovic's work and it's hard to fault the movie for trying to blaze a path of it's own even if it's execution is scattershot. I'm glad Weird is receiving some well earned buzz and while I'd actually rate it as a 7.5/10, I'll round up to an 8/10. It may not be a "must view" theatre experience but it's a rare enough parody that's worth checking out on streaming if you get the chance.
Some actors/actresses are natural born chameleons but other A-list talents aren't required to stretch into different characters. Their natural charisma carries them and they get away with playing the same character with a different name several times over. Daniel Radcliffe is a talent but he also possesses a rare versatility. He doesn't just take the easy layups, he does strange and exciting projects and I'm becoming a bigger and bigger fan of his with each movie I see him in. He's great in Weird, he's obviously giving it his all and his enthusiasm is infectious. He's also really funny and hopefully this will be a showcase for his comedic talent as well. Between this and The Lost City, he's having a great year. Evan Rachel Wood is excellent as Madonna, she's playing up her bombshell angle from moment one but she's great at it and she plays off Radcliffe really well. She's very funny in her own right and their performances together were my favourite part of the movie. Rainn Wilson is a pleasant addition as Dr. Demento, he's wacky enough without pushing the envelope too far. Al Yankovic cameos in a nice meta role as music exec Tony Scotti. There are too many celebrity cameos to list but every member of the cast gets what the movie is going for and there aren't any missteps or false notes from anyone performing.
Weird rarely misses and the aspects I didn't like weren't things the movie did wrong. There was a conscious choice to keep going bigger and more outlandish as the plot unfolded and there was a moment that I disconnected from it just because of how divorced from reality it became. This will work for some people, it just didn't for me. The humour had been pretty pointed at genre tropes and Al's material before and it just became more and more broad with each deviation. I still laughed throughout the entire run time but I still would have went another direction.
Weird's amiable nature and stellar lead performances won me back every time I started to waver on it. It's above all else a celebration of the sweet and goofy nature of Yankovic's work and it's hard to fault the movie for trying to blaze a path of it's own even if it's execution is scattershot. I'm glad Weird is receiving some well earned buzz and while I'd actually rate it as a 7.5/10, I'll round up to an 8/10. It may not be a "must view" theatre experience but it's a rare enough parody that's worth checking out on streaming if you get the chance.
For those expecting an honest biopic of 'Weird Al' Yankovic, get serious. This 2022 comedy was a pretty silly, sporadically hilarious reinvention of his life and career reimagined by the subject himself. He has a minor role as a record executive here (one of the Scotti brothers), while Daniel Radcliffe liberates himself credibly as 'Weird Al' after showing off surprising comic chops in "The Lost City" earlier this year. Along with moments of gratuitous, comic book violence, there's a staggering number of celebrity cameos stuffed into this free-wheeling parody of the master parodist, though Evan Rachel Wood has significant screen time playing a believably narcissistic Madonna. Funny stuff but for a selective audience.
An absolute riot of hilarious spoof & parody comedy about "Weird" Al Yankovic's 100% true exciting and wildly outrageous life story. Daniel Radcliffe transcends into Al and guides us through this heart wrenching insane, delightful story. This film is full of amazing performances from all cast and is packed with fun, surprising cameos. It's been a while since a parody spoof comedy that was this well crafted, and this one delivers. Eric Appel & Al Yankovic wrote one heck of a script that does not miss a beat, each scene carrying into the next and surprising the audience each step of the way. This film, in my opinion, deserves some kind of a theatrical run. It's way too much fun with a crowd.
There is weird and then there is too weird, there is silly and there is dumb. This move had a bit too much dumb for me and went beyond dumb too many times. It's entertainment but I've just barely got past halfway and the feeling of turning it off started to creep in. I've gotten 3/4 the way through and can just shut if off and not finish it. The first 30 minutes or so were pretty good, I was having no problem watching it and it was enjoyable for the most part and soon after it rapidly began to degrade. It is Weird Al after all, so I shouldn't have expected it to be any less than what was delivered here, but it would have been fine as a more genuine story of his life than to make it so absurd, it went from a mildly believable telling of his story to just outrageous goofball nonsense. If the story was that A. L. F. Was Weird Al and Punky Brewster's love-child it wouldn't have been any less strange than the story that was told here and might have been just as entertaining. There were a few laughs here and there, but it went from hope to nope for me rather fast. I just don't know if I can bring myself to finish the last bit of it, I just don't really care how they decide to finish this story, it really doesn't matter, it's just so dumb and unbelievable they could have written anything and it doesn't matter to me.
Lo sapevi?
- QuizOriginally, Freddie Mercury was supposed to be at the pool party, but Queen said no. They did, however, allow an appearance by John Deacon, which worked out as Deacon was the one who wrote "Another One Bites the Dust", which is not mentioned in the scene but Deacon's insistence on that song being parodied by Al puts more emphasis on the satirical portrayal of Deacon as a self-centered semi-celebrity.
- Curiosità sui creditiThe end credits feature an original song by 'Weird Al' Yankovic. The lyrics point out a specific person in the credits (production manager for Funny or Die Savvas Thomas Yiannoulou), reference the song credits, and include a reminder that the song itself is technically eligible for Oscar consideration.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: It's Time for a Double-Down (2022)
- Colonne sonoreDr. Demento Theme (Pico and Sepulveda)
Written by Eddie Cherkose, Jule Styne
Edwin H. Morris & Co., a division of MPL Music Publishing, Inc. (ASCAP); Quaytor Productions, LLC (ASCAP)
Performed by The Roto Rooter Good Time Christmas Band
Used courtesy of Caf Muzeck LLC/Demented Punk
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Weird: la historia de Al Yankovic
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Proporzioni
- 2.39 : 1
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