Mankatha

Hi Guys, This is Ajith Kumar's 50th and released with high expectation.

First of this movie is a Mass and Class movie. So Don't Compare this movie with award winning movies.

First half is average & its not creating any impact to the audience but definitely its not the worst part. Lot of character introduction in First half. Bu some of the scenes in First half sparkles. After 10 minutes interval break, roller coaster ride will start. Jet speed. Ajth breaks the usual rule of tamil cinema heroes.

He is the real baddie in this movie. Ajith age in this film is 40. So don't expect fast movement dance, youth look. Second Half is racy and some twists. No hero will accept this kind of role. Some ajith dialogues are very crude.

Yuvan Sankar Raja BGM reminds some Hollywood movies in some part.. But its awesome.

Second half Screen play is awesome. thanks Venkat Prabhu(Director)

Overall, Watching this film is definitely worth 4 you money.

My final punch: Very big treat for ajith fans. Good time pass movie for others.

Note: Hey guys don't miss the making of mankatha after the end card.

Mankatha is an Ajith movie all the way. It is a complete action thriller that will narrate the match fixing sagas in international cricket matches.

First time in Tamil cinema history Hero playing totally negative role. Only we show on Hollywood movies.

Mankatha is a racy movie with many twists that keeps everyone glued to the screen till the end of the film. At the end of the movie the bloopers shown of the all the stars are quite a laugh riot.

Undoubtedly Mankatha music composed by the popular Tamil music director Yuvan Shankar Raja is rocking Ajith fans already.

After an average outing with Ajith in Aasal and Aegan,Ajith has made a big comeback with his 50th Golden Jublee,MANKATHA.Performances from all stars were awesome,but the main show stoppers were Ajith and Arjun.The first half of the film seemed like its screenplay was not coordinated well.However,the second half neatly explained the first half without leaving any flaws in the movie.This film plot is one of the best plots derived in Tamil cinema.'Nanbane' song was not needed,but it didn't disrupt the screenplay at all.MANKATHA is seriously Ajith's best.Go for it,enjoy the game and never miss it in the big screens.

Rating:8.8/10

The headline says it all. In 'Mankatha', Ajith pulls it off with his impeccable style and excellent performance, which is aptly supported by a racy script and brilliant execution by director Venkat Prabhu and his team.

If cricket was the USP of 'Chennai 28′, the director's first film, 'Mankatha' is also based on the sport but with a difference. It is all about betting, money and the men behind it.

Ajith has appropriately chosen to do 'Mankatha' as his 50th film. It is a movie that has everything his fans would want. He shakes his legs vigorously, evokes laughter, does pulsating stunt sequences and utters catchy one-liners (with some of them going mute).

The first-half belongs to Venkat Prabhu where he shows sparks of 'Saroja' and 'Goa', while the latter part is totally dominated by Ajith. As a merciless baddie behind money, Ajith oozes venom in his eyes. His body language and dialogue delivery compliments it very much. Though the movie has over a dozen characters, it's Ajith all the way. With his remarkable screen presence, he is at his coolest best.

Coming to the story, 'Mankatha' revolves around a suspended cop Vinayak Mahadevan (Ajith) in Maharashtra police. He leads a happy life with his lover Sanjana (Trisha), daughter of an influential local goon Arumuga Chettiyar (Jayaprakash).

Vinayak is a man who dares to do anything for money. But a fun-loving person, he lives his life in his own way.

A suicide by a police officer investigating the betting mafia involved in Indian Premier League (IPL) hogs headlines. Assistant Commissioner of Police Prithvi (Arjun) takes charge to end betting scandal in the sport.

Meanwhile, Arumuga Chettiyar comes to know that a sum of Rs 500 crore betting money for the finals of the IPL is coming to Mumbai. He uses his nexus with underworld in Mumbai and tries to route it through his recreation centre.

Sumanth (Vaibhav) is Arumuga Chettiyar's protégé. He hatches a conspiracy to take away the money in the company of a police officer Ganesh (Ashwin). They are joined by Mahanth (Mahanth), who runs a bar in Mumbai and Prem (Premgi Amaran), a fun-loving IIT pass out.

Coming to know of their plans, Vinayak steps in. He promises to help the team members and divide the booty between them. They even succeed in taking away the money and decide to wait for an appropriate time to share the fortune.

In the meantime, a shocked Arumuga Chettiyar begins his hunt for the treasure and every move of him is closely followed by Prithvi. All hell breaks loose when Mahanth and Prem escape with the cash and Vinayak suspects Sumanth.

Turn of events lead to Sumanth being captured by police and Prithvi forces him to turn an approver. Guns roar and losses occur on either side.

Now Vinayak takes the centre-stage and with his wicked plans goes hammer and tongs to take away the booty. A surprise awaits him in the form of Prem and Sona (Lakshmi Rai). When Vinayak locates the treasure, Prithvi breathes under his neck. It is now battle of fists between them. Who emerged the winner is narrated with an interesting twist in the climax.

All cheers to Ajith. The man after a long gap gets a role where he can perform with variety. He is at his best and his salt and pepper look is catchy and attractive.

As a suave cop, a dreaded don or a adorable lover, he leaves his charm on screen. His uttering of one-liners to Arjun evokes applause. His imitating Premgi in few scenes brings the roof down in laughter.

Arjun lives up to his Action King tag. He adds variety on screen and is cool and consummate as a police officer.

Trisha appears in a few scenes besides a song and disappears. Andrea as Arjun's wife, Lakahmi Rai as call girl and Anjali in the role of Vaibhav's wife play blink-and-miss roles. Jayaprakash gets to play a decent part in the film. At places he reminds one of Kamal Haasan's role in 'Nayakan'. Vaibhav gets a meaty character and he utilises the opportunity.

Both Ganesh and Mahanth are tailor-made for the roles, while Premgi is at his best in the film. He takes off from where he left in 'Goa'. At ease in coming out with comical one-liners, his admiration for Ajith is visible on screen.

Watch out for good cinematography in such an action-packed film. Sakthi Saravanan has given a fresh colour to it. It's Yuvan Shankar Raja's mass tunes that elevates the mood. And he has shown difference in background score too (especially in the godown-fight scene in the second half)..

Give due credit to Venkat Prabhu, the director who seems to have given a film that sits well on Ajith. He understood Ajith's strength and played it well. Who said he can only direct laughathons? With 'Mankatha', he has graduated to go higher places.

On the whole, it's job well done by Venkat Prabhu, producer Dhayanidhi Alagiri and other members of the team. If at all there is a minus, it is the lengthy first half.

I FELT LIKE WATCHING SACHIN TENDULKAR GONE OUT OF 99 WHEN ARJUN SHOOT AJITH. BUT WHILE COMING OUT OF THEATRE I FELT THALA MADE A RECORD SCORE OF 200 UNBEATEN.

Right from the first frame till the final frame, Ajith has lived the role of a Villain perfectly. (Who would have thought this being his 50th movie !). His evil filled laughter, his styles, his dialogue delivery and more importantly his dance moves were way too good. Thala has proved that he is indeed the "King Maker" as he himself says that in the movie. Rest of the cast just form the cast except Arjun who has portrayed a cop role in a stylish manner. Songs by Yuvan are usual to his standards. Direction by Venkat is good for the major portions of the later half of the movie. First half is slightly slower but gathers momentum as the movie proceeds. Despite few flaws here and there, we forget them at the end thanks to a great climax and a great performance by Ajith all the way. Surely a movie worth watching twice or even more.