Bernie

Bernie (2011)

Don't you hate it when you see a funny movie and think at the end, wow, that could have been so much funnier? This movie really is funny, and Jack Black is kind of brilliant at being this man who has incredible generosity and a quirky kind of social skill to be everyone's favorite. And who ends up taking care of the richest woman in town, getting his name on her will, and so on, as you can guess.

To get the gags and to give a sense of documentary reality, clips of interviews with colorful townsfolk of all types are shown, and they are some of the funniest moments. When these same people are shown again and again there is a sense of welcome familiarity--an update on things from a known face--but also a sameness to the movie. It falls into a pattern. And it's a major part of the movie, with thirty of these talking heads, so naturally the momentum of the main plot is slowed down often. As the events become more extreme, the movie does not. It plods along, relying on some great idiosyncratic acting and the weird (and exaggerated?) East Texas culture.

But Black inhabits his character so well it's scary. The other big name (the biggest name) is Shirley MacLaine, who doesn't actually have that much to do (most of the time she is silent, just ominous or dour). And she of course doesn't make it through the whole film (the trailer and teaser give away too much on that score). The third name is Matthew McConaughey, and he's predictably fun and funny, though he blends in with lots of other unknown characters who are also fun and funny.

So it's the scenario, and some funny writing, that carries the day. Well done stuff. Director and writer Richard Linklater is a curious talent, a little all over the map but good at several things, including just being offbeat enough to seem like the Indie director he once was. His pair of movies "Before Sunrise" and "Before Sunset" are growing into unlikely classics (I like them both a lot) and yet he is also known for lesser comedies like "Dazed and Confused" and now this one.

Yeah, see this for some good laughs. The beginning will seem a little like a lame "Six Feet Under" episode, but stick with it. Black's character is utterly convincing, and funny. A good time.

I never new who Bernie was until now. He is a very strange man.

This was a surprisingly good movie. Director Richard Linklater blends semi-documentary style with dark comedy and tragic real-life events in an exceptional way. Based on the murder of a wealthy widow in Carthage Texas in 1996. This movie gives you an interesting glimpse into small town life and how the people there dealt with this unique situation. Jack Black proves he can act, Matthew McConaughy looked to be enjoying himself, and Shirley MacLaine, while not having much to do, is still a welcome addition to the cast. Linklater even uses real townsfolk to help narrate the story through their own recollections of the events. This is one of those independent films that is a must see.

I saw the world premiere of "Bernie" last night at the Los Angeles Film Festival. I must confess, after Jack Black's run of "Year One", "Gulliver's Travels", and "Kung Fu Panda", I was starting to lose hope of ever seeing the "School of Rock" guy I fell in love with. When I heard Richard Linklater (School of Rock) and Jack Black were teaming up again, I felt a glimmer of hope. I am happy to report, I was not disappointed last night! Jack Black gives one of the best performances of his career in "Bernie." Shirley MacLaine was the icing on the cake and Matthew McConaughey was the cherry on top. I loved this movie! "Bernie" is based on the true story of Bernie Tiede, an assistant funeral director and general do-gooder, who confessed to killing Marjorie Nugent, a very rich and mean old lady. Bernie was a bit eccentric but beloved by his entire community of Carthage, Texas. Jack Black nails this performance. He really shows us what he is capable of as an actor. It was such a pleasure to watch him transform into Bernie Tiede. Great moments of physical comedy and also some twisted, dark moments of catching a glimpse into Bernie's spiraling psyche. Shirley MacLaine was Marjorie Nugent who was known as a mean, bitter lady with no friends and a family who tried to sue her for her money. You can't go wrong with Shirley MacLaine – she's just brilliant. The chemistry between MacLaine and Black was fantastic. I truly enjoyed watching them on the screen together. Even at the world premiere last night they had great chemistry in person. It seems like they truly loved working together on this film. Matthew McConaughey was great as the D.A. Danny Buck Davidson, the character didn't seem to be a huge stretch for him, but who cares – he was great! I'm not sure when it is due to be released, but I will be recommending it to my friends when it hits theatres.

Casting Jack Black in the title role of this 2012 dark comedy turns out to be a masterstroke on the part of director and co-screenwriter Richard Linklater because the real-life character of Bernie Tiede is a comically ambiguous figure not only sexually but more to the point, as a jovial child-man personality beloved by his small Texas town of Carthage while at the same time, strangely insistent in his constant presence in their lives. His pointed need for universal acceptance and unconditional love is what makes Bernie unique as a screen creation. It takes Black's oddly discomfiting screen persona to make the character work as a protagonist of closeted complexity, and in turn, he delivers his most accomplished screen work to date. No stranger to Texas-size guffaws intermingled with wry observations about human nature, the versatile Linklater ("Before Sunrise/Sunset") tells this hard-to-believe, true-crime story with both morbid humor and surprising conviction.

Based on a seriocomic 1998 Texas Monthly article by co-screenwriter Skip Hollandsworth, the plot revolves around the unlikely relationship between Bernie, a relentlessly thoughtful assistant funeral director, and Marjorie Nugent, recently widowed and one of the richest women in Carthage. As Bernie becomes indispensable to the fabric of the community with his acts of charitable kindness, his Broadway-style choir solos, and his gentlemanly way of comforting widows in the throes of their grief, the ever-scowling Marjorie is always ready for battle with not only the townsfolk who impede on her life but even her immediate family who can't stand her. Bernie, however, is able to breakthrough her icy veneer with his cheery persistence, and their relationship evolves into an unhealthy codependence to put it mildly. As Marjorie lavishes Bernie with expensive gifts and luxurious vacations, she grows increasingly manipulative in her need to control his every move to meet her every need.

Even Bernie has his limits about what he is willing to do under her iron fist, and needless to say, consequences ensue. For all the dire consequences, Linklater keeps the mood buoyant with the insertion of intertitles to signal what question the movie will address next and with the brief interviews he includes with both actors and true residents of Carthage, all showing their unqualified support of Bernie through his burgeoning troubles. Much like Warren Beatty did in "Reds", Linklater uses them as a cumulative Greek chorus who on one hand, provide some of the film's biggest laughs, and on the other, illustrate just how myopic and oppressive a small town can be in its rumor mongering ways, so much so that Bernie's trial has to be moved fifty miles away in order to allow the light of objectivity to filter into the proceedings. As Bernie, Black finally has a multi-dimensional role that fits him perfectly, and I would be hard pressed to identify anyone else who could have played the character to the seriocomic depths he achieves here.

Well into her seventh decade of movie stardom, Shirley MacLaine is not particularly challenged in portraying Marjorie's sourpuss nature since she's been playing variations on the same role since her turn as the ornery Ouisa in "Steel Magnolias". However, in one key scene, she lets loose all her insecurities that exposes the impenetrable cage in which she has put the increasingly desperate Bernie. Linklater favorite Matthew McConnaughey ("Dazed and Confused") plays the showboating district attorney Danny Buck with gusto, although I wish he was reined in a bit more to provide more of a contrast to the other two principal actors. The movie is a fascinating meld of the Coen Brothers' "Fargo" and Hal Ashby's "Harold and Maude" with an unexpected dose of Christopher Guest's mockumentaries. While Linklater does not completely avoid making Carthage the object of ridicule, he has made a black comedy with surprising resonance when all is said and done, especially when you see the real Tiede in an archival video clip at the end.