Problem Dog
- L’episodio è andato in onda il 28 ago 2011
- T
- 47min
Skyler forza il marito a restituire l'auto regalata a Walter Jr. E Hank inizia le indagini a Los Pollos Hermanos, a cui Walt deve assistere.Skyler forza il marito a restituire l'auto regalata a Walter Jr. E Hank inizia le indagini a Los Pollos Hermanos, a cui Walt deve assistere.Skyler forza il marito a restituire l'auto regalata a Walter Jr. E Hank inizia le indagini a Los Pollos Hermanos, a cui Walt deve assistere.
- Support Group Member
- (as Michael 'Yak' Oliva)
Recensioni in evidenza
Very few shows in recent memory had me so hooked from the very start that before the week was over the whole show had been watched, especially when for a lot of shows now airing watching one episode all the way through can be an endeavour. 'Breaking Bad' had that effect on me, and its reputation as one of the best, consistently brilliant and most addictive shows in many years (maybe even ever) is more than deserved in my eyes. Its weakest season is perhaps the first season, understandable as any show's first season is the one where things are still settling.
Actually everything is established remarkably from the very start, but once the writing and characterisation becomes even meatier the show reaches even higher levels.
"Problem Dog" to me was an incredible episode. One of Season 4's better episodes and the best since the season opener "Box Cutter". It boasts some of Jesse's meatiest material up to this point and some of Aaron Paul's best acting in an episode where he achieves a difficult feat in out-shining Bryan Cranston.
Visually, "Problem Dog" is both stylish and beautiful, with photography and editing that are cinematic quality and put a lot of films today to shame, where there are a lot of visually beautiful ones but also some painfully amateurish looking ones. The music always has the appropriate mood, never too intrusive, never too muted.
The writing in "Problem Dog" is a fine example of how to have a lot of style but also to have a lot of substance. The dialogue throughout is thought-provoking and tense, while also have a darkly wicked sense of humour, nail-biting tension and heart-tugging pathos. The story is texturally rich, intimate, tense and layered, with the pace of it consistently deliberate but taut.
Can't say anything bad about the acting. Bryan Cranston is phenomenal as one of the most fascinating anti-heroes, or even of any kind of character, in either film or television. Aaron Paul has never been better, and delivers some of his best acting of the show with Jesse's meatiest material up to this point, and Anna Gunn is affecting. The characters are compelling in their realism, likewise with their chemistry, and the episode is strongly directed.
In conclusion, incredible. Everything works brilliantly, but essentially this is Paul's episode. 10/10 Bethany Cox
Commencing with a wonderful scene of Jesse aggressively playing first- person shooters intercut with visions of dead Gale, "Problem Dog" gives you the first hint that this will be Aaron Paul's episode. Paul, who has been in the background of either Bryan Cranston or Giancarlo Esposito for most of the series, gets various opportunities to shine this time around and got to a new apex in terms of acting quality. With that, I don't necessarily mean his admittedly impressive monologue while visiting (not attending) his former twelve-step program, but more the paramountly portrayed inner fluctuation as he stands between Gus and Walt.
Cue Walt, who uses his screen time to burn a brand-new car most people would have to work all their life to pay for and then charges his lawyer Saul with disguising that this happened, for which he receives a bill most people would have to work a whole year to pay for. While Bryan Cranston did well in the scenes he was in, he was far from being this episode's center due to Giancarlo Esposito and Dean Norris showing off their prowess as well. The latter of these two is currently becoming essential to the plot again and created a great cliffhanger with his revelations just the way he did two episodes before "Problem Dog".
There'd be so much more to list on why this episode is one of Breaking Bad's best thus far, but frankly, I'd enjoy it much more to watch it again than writing an overly long review about it.
There should have at least have been initials on it or something, anything to make that stretch thin out. Maybe even one initial or some kind of indication that it could be Gus other than a bag; as one fan pointed out, it's like finding a McDonald's cup and blaming Ronald McDonald...
This is a show about taking long shots, but this one's too long. For that I give one star, but, again... another good episode of a great show.
Lo sapevi?
- QuizWhen Jesse is playing Rage (2011) at the beginning, there is an Easter egg on the wall when he is going down the stairs as pointed out on the commentary. The graffiti spells out "Gale."
- BlooperWhen the Challenger is in the ditch there is one exhaust pipe that indicates it's a V6 model, and later at Pollos Hermanos, Walt White Jr. tells Hank that the Challenger was a V8. Without the R/T badge in the front grill, and with only one pipe, it was definitely the V6 model with SRT8 stripes on the hood.
- Citazioni
Group Leader: We're not here to sit in judgement.
Jesse Pinkman: Why not? Why not? Maybe she's right. You know, maybe I should have put it in the paper. I should've done something different. The thing is, if you just do stuff and nothing happens... what's it all mean? What's the point? Oh, right, this whole thing is about self-acceptance.
Group Leader: Kicking the hell out of yourself doesn't give meaning to anything.
Jesse Pinkman: So, I should stop "judging" and accept? So, no matter what I do, hooray for me, because I'm a great guy. It's all good. No matter how many dogs I kill, I just, what, do an inventory and accept? I mean, you back your truck over your own kid and you, like, accept? What a load of crap!
Group Leader: Hey, Jesse, I know you're in pain...
Jesse Pinkman: No, you know what? Why I'm here in the first place... is to sell you meth. You're nothing to me but customers! I made you my bitch! You okay with that? huh? You accept?
Group Leader: No.
Jesse Pinkman: About time.
- Curiosità sui creditiBryan Cranston is credited both as an actor and a producer. For his actor credits (Br) is highlighted and for his producer credits (Y) is highlighted for chemical elements Bromine and Yttrium from periodic table.
- ConnessioniFeatures Rage (2011)
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Dettagli
- Tempo di esecuzione47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 16:9 HD