Terri

I went to go see Terri a couple of days ago. It turns out, that, that was the best decision I've made this year. Terri is an extremely heartfelt movie without ever being sobby or begging for sympathy. Jacob Wysocki as Terri, is just a marvelous choice. He portrays a strong, but lonely teen suffering from, like we all do at some point, loneliness. Who knows, he might even get nominated for an Oscar. I mean, he's still relatively new, but anything can happen.

Another performance that was particularly well played was by John C. Reilly as the equally lonely, and pretty miserable vice president of Terri's school. He and Terri begin a friendship that seems very raw and real. The supporting performances also were very good including Bridger Zadina as Chad, Terri's misfit friend who likes pulling hair out of his head. Also Creed Bratton as Terri's somewhat delusional uncle, and Olivia Crocicchia as Terri's love interest.

While I was watching Terri, I found myself laughing, not chuckling, at many of the jokes. Terri is a truly funny movie, because it's realistic humor that many people can relate to: the ups and downs of high school. But in the end, Terri isn't a movie. It's a bold statement about life. Everything in Terri is amazing; the acting, the setting, the themes. And by the end of the movie, you realize there's hope for every teenage misfit in high school, as long as they have a fraction of the heart Terri has.

Terri comes off as your typical indie film with awkward characters dealing with unique, yet realistic situations. Several times in the film it felt as if long time micro-budget indie director Azazel Jacobs, and screenwriter Patrick Dewitt were trying to be different because that what indie films are supposed to do, but their strong cast refuses to color inside the lines and let that happen.

Newcomer Wysocki brings a true sense of realism as the title character Terri. He is an awkward outsider who doesn't fit in with the "normal" crowd in high school. After a series of late tardies and his refusal to wear anything other than pajamas to school he is sent to the principal's office where Mr. Fitzgerald (Reilly) takes an interest and gives the lost kid a sense of hope.

John C. Reilly is no stranger to the indie scene with scores of roles in smaller films including recently in Cedar Rapids and Cyrus. Reilly easily blends in as an actor into any size of film no matter how large or small. He knows when to turn up the silly, or ease into the dark side. Reilly finds the perfect balance in Terri.

The supporting cast discovers ways to make their mark as well. Bridger Zadina finds laughs as Terri's deeply disturbed new friend with scores of his own problems. Olivia Crocicchia, best known for her role as Denis Leary's daughter, Katy, on the long running television hit Rescue Me, has no trouble as the nice teenage girl slipping down the wrong path. She shows great promise, and is a role or two away from finding herself on the next big thing list. It was also nice to see Creed Bratton break away from his hilariously bizarre character on The Office. It's stunning to see him in a serious role.

Terri had many chances to slip into the pit holes that bring down any hopeful indie film, but finds away to dance over the trouble. Just when the film felt like it was being indie for Indies' sake it threw a curveball…and this is one audience member who is glad that some film's still attempt to be different.

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Having watched this film without any idea what it was about, I was completely surprised by it. It was a film similar to Napoleon Dynamite but yet it was in a class of it's own. I found myself glued to it, it both captivated and left me wanting more from it. At no point did I want to turn it off, the comedy was just perfect but not in a take the mickey way, it just worked. It's been a while since I have seen a film of this finesse and it does a good job of showing how hard life can be if you that little bit different, whilst showing the side of life rarely seen for a person who is a carer. A large body, a large heart and a large round of applause to the script writers and of course Terri himself.

As we know, high school can be a difficult and challenging place for even the most socially adaptive student. For those who are different in one way or another, it can be misery, and alienated students do not always find a compassionate counselor or friend to steer them through the tough times. In the movies, however, it is often a different story. We have seen several films recently about teens that have lost their way but somehow find the perfect mentor to support them. The latest example of this is Terri, a new film by Azazel Jacobs, whose 2008 Momma's Man, was a work of rare honesty about a recently married man who falls into a psychological paralysis that keeps him from accepting the reality of his adult life.

Though the genre of teen misfits has been done before, Terri looks at the situation from a different vantage point and the result is a film of unusual freshness. Based on a screenplay Jacobs wrote with novelist Patrick Dewitt, Terri brings together an unlikely friendship between Terri (Jacob Wysocki), a heavily over-sized parentless teenager who lives with his Uncle James (Creed Bratton) who is in the beginning stages of Alzheimer's, Chad (Bridger Zadina), a skinny, androgynous-looking youth with a high-pitched squeaky voice who directs his anger towards himself by pulling his hair out, and Heather ((Olivia Crocicchia), an attractive girl who has developed an unfortunate reputation around school for inappropriate sexual acting out.

Terri is consistently late to school and comes to class dressed in pajamas because he feels they are more comfortable. He is constantly teased and bullied by those who do not understand (and perhaps never will) the meaning of empathy. His behavior, while otherwise normal, can be bizarre. When his uncle asks him to set traps for mice in their attic, Terri takes the traps out into a wooded area near his suburban home and gleefully watches the dead mice being torn to shreds by devouring falcons. His tardiness and odd behavior draws the attention of the school's vice-principal Mr. Fitzgerald (John C. Reilly) who sets up sessions with Terri each week for counseling. Attempting to play the role of buddy rather than authority figure, Fitzgerald calls Terri "dude", uses "hip" language, and exchanges high-fives, but his behavior often feels strained.

Terri learns to appreciate the attention he is given, however, and, though he is tight lipped at the beginning of the meetings, he slowly begins to open up and express his feelings. Fitzgerald also has his problems at home and is not averse to sharing them with Terri. His sharing about his personal life, however inappropriate it may be for a school administrator, does provide a more level playing field and a closer relationship grows between the two people struggling to make sense of the world. An awkward late night party at Terri's house filled with drugs, alcohol, and sexual experimentation could have become a disaster, except for Terri's new found sense of self that allows him to know intuitively when to back off.

There are few dramatic movements in Terri, no sudden insights, and no startling epiphanies backed by the swelling chords of an orchestra. There is, rather, simply a growing ability of the characters to see beyond their differences to discover their common humanity. While the question of what Terri can do to lose some weight is oddly never brought up either by his mentor or his friends, Terri is a sweet, tender, and very observant film about young people coming to terms with the reality of their being different. It is not a cruel film in the slightest but one that conveys a sincere affection for its troubled characters, and the natural performances of Wysocki, Zadina, and Crocicchia make it a film to remember and cherish.

Terri (Jacob Wysocki) has been dealt a rough hand. A heavy-set teenager with more than a touch of social anxiety, Terri finds school to be a hellhole where he goes unnoticed (when he's lucky). His home life is not much better. He doesn't know where either of his parents are and he lives with his uncle (Creed Batton) who is slipping further and further into dementia. When he gets in trouble for firing back at one of his many mockers, the school's principal, Mr. Fitzgerald (John C. Reilly), sees a kid who desperately needs a friend. He sets up weekly meetings with Terri and attempts to take the boy under his wing. But the many years of loneliness have taken a toll on Terri and despite the influence of Mr. Fitzgerald, transitioning into a fully functioning member of high school society proves more difficult than originally thought.

There is serious promise to be found within Terri. Up-and-coming director Azazel Jacobs has a firm handle on his subject matter and he works hard to show Terri for the good hearted boy that he is. It is a very simple and understated film (more on this in a minute) as Jacobs lets his protagonist move at his own pace. You can see why so many respected critics have identified Jacobs as a name to watch in the future. Wysocki himself gives an honest performance and displays solid chops for a kid who has almost no acting experience. He makes it easy to identify with Terri and that brings about a sense of natural empathy that is essential to the film's success. Likewise, Reilly is a perfect choice for the would-be-cool principal who tries extremely hard to be relevant and accessible to his students but can't quite make it work. The relationship between Terri and Fitzgerald is poignant and heartfelt and without question their shared scenes are the best of the film.

When Terri diverts from its main storyline, however, it tends to bog down. What starts out as sympathy for Terri eventually turns into near depression as his narrative struggles to find an upswing. His interactions with his friends Chad (Bridger Zadina) and Heather (Olivia Crocicchia) are tenuous and never fully realize the potential they have together resulting in a choppy feel that I never could quite shake. Jacobs adds very little in the way of production value, too, and while I can appreciate that sort of simplicity, in this case a pronounced soundtrack and the like would have added to the experience. I found myself growing bored with Terri and had a hard time staying invested when Terri and Fitzgerald weren't on screen together. That's a real shame because I really wanted to care about Terri's relationships with Chad, Heather, and his uncle but Jacobs story didn't quite give me enough reason to get there. With a little more focus, Terri would be a touching and possibly even uplifting coming-of-age vision based around the Terri-Fitzgerald dynamic. Instead, it becomes too dull and convoluted for my tastes and limited my ability to stay connected.

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