The Oregonian

Young Lindsay Pulsipher on her farm in rural Oregon is hearing and seeing many strange things so she leaves the place, rifle in hand and face bloodied to see what's going on. On the way she encounters a lot of weird people and the question is whether this is real or hallucination.

I think the person who wrote and created this film must have been on something, possibly coming down from a bad acid trip. I saw, no point, no plot, no reason for this film's existence. I carried on to the end to write this review and hope it got better.

I was disappointed. Pulsipher is a beautiful woman, the next role should accent that beauty.

reeder's film is dreadful. it tries too hard to be creepy and what's funny about comes off as camp. the lynchian humour comes off as obvious. what i may have liked about it seemed to be reeder's attempt to depart from lynch and leave his own mark, to be imaginative and elliptical, departing f which is sadly only ten percent of the film. the film is so hollow it feels silly. it just goes to show you that no one can do what David lynch does, lacking emotional intensity, the fails to be subversive. what is supposed to be disturbing comes off as contrived. you think you're getting something different when he's playing a hipster making fun of hipsters, but reveals himself as a wannabe director making a b-movie that somehow got way too much attention because everyone leaves it to lynch. what tries to be funny feels more like a gimmick. "oh we're all so much smarter-isn't this cool?" no, it's not. it's annoying. it's not an art film. it's too graphic and dull to be lynch. it's too stupid to be a psychological suspense.

And you'll want that 80 minutes back, if you waste them on this movie. You're better off making out with a cheese grater if you want cheap, bloody thrills. Which this film has none....give the audience some credit. Yes, we've seen Eraserhead, and this is no Erasehead. Absolutely no pay off, just shaky camera work, no dialogue, not nearly enough gore for horror fans, just lots of close ups of very ugly faces. I get it, you like David Lynch. But not that much because this was a terrible effort. Ed Wood looks like Eastwood compared to this tripe. But there are people out there that will argue the merits of tripe, saying that it is good, the way my grandmother prepares it. But it's not, it's the lining of a cows stomach.........

Complete garbage. Zero redeeming value. We following a clueless automobile accident victim through a series odd little events as she makes an effort to understand what has happened to her. The viewer has no interest in anyone or anything that takes place in this story. Is she dead? Is she alive? Is it a dream? We don't care.

How movies like this reach the public is the real mystery here. Terrible writing and storyline. The acting is stiff and forced Looks like it was shot with an iPhone and the soundtrack was recorded on a 1970 Tascam porta studio

I love the "Winner of the .... award" in the description on the Kanopy Site. Maybe winner of the Charmin Award.

I watched it with my wife and she gave me that "you made me sit through another POS movie". On a more positive note, it was a free movie.

This film really wants to be a cult-classic midnight movie kind of deal - the sort of idiosyncratic horror film that could be screened alongside D. Lynch, A. Jodorowsky or K. Anger - but it has nowhere near the intelligence, inspiration or panache to pull that sort of thing off. Whereas the best midnight movies seem to spring from uniquely personal visions, this one feels like some people spent a weekend throwing around half-baked ideas, hoping that something would stick. And, while the best cult films feel original and strange, this film feels more-or-less like a generic bit of horror, just without a discernible script. Not worth it.