Quando Re Uther muore e la Gran Bretagna affronta il caos, Merlin presenta uno sconosciuto di nome Arthur come nuovo re per nascita, come figlio del defunto re, contro gli ambiziosi desideri... Leggi tuttoQuando Re Uther muore e la Gran Bretagna affronta il caos, Merlin presenta uno sconosciuto di nome Arthur come nuovo re per nascita, come figlio del defunto re, contro gli ambiziosi desideri della sua sorellastra Morgan.Quando Re Uther muore e la Gran Bretagna affronta il caos, Merlin presenta uno sconosciuto di nome Arthur come nuovo re per nascita, come figlio del defunto re, contro gli ambiziosi desideri della sua sorellastra Morgan.
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Only a Canadian production company could have come up with a piece of tripe such as this! A poorly written and at times hilarious script combined with ham bone acting worthy of William Shatner in Star Trek is only surpassed by the bizarre casting of a simpering little wimp for Arthur and a Valley girl Guinevere. Does anyone really believe that battle hardened and cynical barons and knights with their very existences at stake would allow themselves to be led by this skinny little wimp Arthur who looks like he's barely strong enough to lift a sword, never mind wield it? And this Guinevere couldn't launch a row boat, never mind a thousand ships.
Save your time. Clean the lint out of your navel rather than watch this fourth rate production. You'll be better off.
Save your time. Clean the lint out of your navel rather than watch this fourth rate production. You'll be better off.
CAMELOT is the latest fantasy/historical TV series to follow in the wake of PILLARS OF THE EARTH. It attempts to breathe new life into the Arthurian legends, making them fresh and sexy for modern audiences. It's not entirely successful – after poor ratings it was cancelled after the first series – but I found it never less than entertaining, even if it lacks the quality of something like ROME.
For much of the running time, CAMELOT plays out like a decent soap opera. There's adultery, murder, love, deceit, rivalry and betrayal, something for everyone. The cast is mostly populated by youthful, up-and-coming actors with a couple of more seasoned veterans thrown in along the way. Many people criticise Jamie Campbell Bower's Arthur for being a young and sickly-looking weed, but I didn't find him too bad at all and his transformation from mild-mannered country boy at the outset to ruthless and cold-blooded ruler at the end is a convincing one.
Surrounding Bower are a bunch of actors seemingly picked for their beauty, but it's fair to say they're pretty good actors too (American Philip Winchester, for instance, delivers a pitch-perfect performance as the loyal Leontes). Bald-headed Joseph Fiennes bags the role of Merlin, and he plays it with a sinister suaveness that doesn't disappoint. The arresting Eva Green stars as Morgan, the villain of the piece, and she shrieks, hisses and plots with the best of them; it's fair to say that Fiennes and Green steal every scene they're in.
Along the way we get some decent cameos (James Purefoy is particularly good as the larger-than-life Lot, while grizzled veterans Sean Pertwee, Liam Cunningham and Daragh O'Malley also appear) and some bloodshed and nudity that push this series firmly into the realm of a fairytale for adults. Historical realism is nowhere to be found but the show looks good, with decent money spend on the costumes. One thing it doesn't do very well is action, with one late-stage battle that looks extremely pathetic – literally half a dozen extras milling around a field. Never mind: CAMELOT works best when it focuses on the likes of Morgan's scheming, an ill-fated love triangle and good, old-fashioned escapism. I liked it, and I'm sorry it won't be coming back.
For much of the running time, CAMELOT plays out like a decent soap opera. There's adultery, murder, love, deceit, rivalry and betrayal, something for everyone. The cast is mostly populated by youthful, up-and-coming actors with a couple of more seasoned veterans thrown in along the way. Many people criticise Jamie Campbell Bower's Arthur for being a young and sickly-looking weed, but I didn't find him too bad at all and his transformation from mild-mannered country boy at the outset to ruthless and cold-blooded ruler at the end is a convincing one.
Surrounding Bower are a bunch of actors seemingly picked for their beauty, but it's fair to say they're pretty good actors too (American Philip Winchester, for instance, delivers a pitch-perfect performance as the loyal Leontes). Bald-headed Joseph Fiennes bags the role of Merlin, and he plays it with a sinister suaveness that doesn't disappoint. The arresting Eva Green stars as Morgan, the villain of the piece, and she shrieks, hisses and plots with the best of them; it's fair to say that Fiennes and Green steal every scene they're in.
Along the way we get some decent cameos (James Purefoy is particularly good as the larger-than-life Lot, while grizzled veterans Sean Pertwee, Liam Cunningham and Daragh O'Malley also appear) and some bloodshed and nudity that push this series firmly into the realm of a fairytale for adults. Historical realism is nowhere to be found but the show looks good, with decent money spend on the costumes. One thing it doesn't do very well is action, with one late-stage battle that looks extremely pathetic – literally half a dozen extras milling around a field. Never mind: CAMELOT works best when it focuses on the likes of Morgan's scheming, an ill-fated love triangle and good, old-fashioned escapism. I liked it, and I'm sorry it won't be coming back.
This gets 4 stars simply because there are a number of notable cameo performances from a variety of top draw actors as well as charismatic performances from Joseph Fiennes and Eva Green. As for the rest of the cast one can only describe many performances as wooden as the forests in which Britons of the Dark Ages inhabited. Most obvious miscast character is that of Arthur, who not only doesn't look the part but acts as unkingly as is humanly possible, which to be fair is more a consequence of the lamentable screenplays as it is a measure of his inability to pull off a convincing performance.
And this brings me to the script. God forbid the producers of this execrable pile of horse droppings might have deigned it worthwhile to peruse the various medieval writings, or even contemporary re-workings, of the Arthurian Legend for suitable source material but how on earth could they imagine that seemingly making it up as they go along would in any way convince the viewers that the tale is in anyway believable or inspiring.
I have read a few excellent contemporary novels set in the Dark Ages, the best of which is most definitely Bernard Cornwell's Warlord Chronicles series, so it isn't true that there is nothing new to say about Arthur et al. It is a continual disappointment that there are still producers out there who think throwing in a few breasts and pretty faces is all it needs to make a winning production. It does not. We know it so why don't the producers? It takes the sort of source material that is winning fans of Game of Thrones, which though not without it's flaws has a great story, great scripts and great believable performances.
Sadly another missed opportunity.
And this brings me to the script. God forbid the producers of this execrable pile of horse droppings might have deigned it worthwhile to peruse the various medieval writings, or even contemporary re-workings, of the Arthurian Legend for suitable source material but how on earth could they imagine that seemingly making it up as they go along would in any way convince the viewers that the tale is in anyway believable or inspiring.
I have read a few excellent contemporary novels set in the Dark Ages, the best of which is most definitely Bernard Cornwell's Warlord Chronicles series, so it isn't true that there is nothing new to say about Arthur et al. It is a continual disappointment that there are still producers out there who think throwing in a few breasts and pretty faces is all it needs to make a winning production. It does not. We know it so why don't the producers? It takes the sort of source material that is winning fans of Game of Thrones, which though not without it's flaws has a great story, great scripts and great believable performances.
Sadly another missed opportunity.
There are two shows about Arthur on TV at present. One has as much distance from the legend as if I were Arthur. The other, this version, lacks only a better actor in the role of Arthur. Everyone else is magnificent. Every other role has the right casting with the right actresses and actors playing their parts so very well. Claire Forlani as Queen Igraine is absolutely gorgeous.Eva Green as Morgana is perfect in her role. Peter Mooney, Clive Standen, indeed each and every one of the cast, except for Jamie Bower as Arthur, portrays their part with great style and credibility. And, yes, the amazing Mr Fiennes steals the show with his brilliance. He must receive an award or two for his talented rendition of the great Merlin.
The mix of Shakespeare's "The Winter's Tale" and the story of King Arthur is a new twist on the Lancelot/Guinevere (French) storyline. It would be very refreshing for a King Arthur show not to have the love triangle but I guess you wouldn't have the female audiences watching it if you didn't.
Unfortunately with an Arthur that is a whiny brat it's hard to get behind this one. I love the rest of the cast though. Eva Green and Joseph Fiennes are fantastic as well as the rest of the supporting cast. Fiennes giving a more gritty, realistic feeling to Merlin than just an all powerful wizard is also refreshing. If it wasn't for the way that they wrote Arthur and how Bower plays him this would be an absolutely great show.
Unfortunately with an Arthur that is a whiny brat it's hard to get behind this one. I love the rest of the cast though. Eva Green and Joseph Fiennes are fantastic as well as the rest of the supporting cast. Fiennes giving a more gritty, realistic feeling to Merlin than just an all powerful wizard is also refreshing. If it wasn't for the way that they wrote Arthur and how Bower plays him this would be an absolutely great show.
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- ConnessioniFeatured in The Wright Stuff: Episodio #15.115 (2011)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Камелот
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 45min
- Colore
- Mix di suoni
- Proporzioni
- 16:9 HD
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